Sentences with phrase «drawing in space means»

For Eiben, though, drawing in space means bridging media.

Not exact matches

All three players are meant to displace or draw out defenders from the back line, and the presence of Sturridge in particular, provides Alexander - Arnold with the space to shoot, and he gets a fortunate deflection.

There is space for the word, meaning, the word in a sentence, synonyms and a «draw it» space for learners to illustrate the word to aid their memory or even add a translation.

Instruct the students to draw a panel that is meant to fit in the gutter (the space between two panels) that depicts the action that would fit well with the surrounding scenes.

Naibor, meaning wide open spaces, is a spacious and stylish tented camp, set up seasonally in a beautiful grove of fever trees, overlooking a natural mineral salt lick area, to which the animals are drawn.

, The Watkins Gallery, American University, Washington, DC New Talent, Signal 66, Washington, DC Art Romp 11, Studio 7 Gallery, Washington, DC Eye Street Gallery, Washington, DC Colleen Kelsey, Brenda Moore in Dialogue, Watkins Gallery, DC Passages, Studio 7 Gallery, Washington, DC Meaning in the Mundane, Levy Gallery, Moore College of Art and Design, Philadelphia, PA Curve, the Art of Female Desire, Signal 66, Washington, DC 2000 Art Romp 10, Studio 7 Gallery, Washington, DC Project Space, Washington, DC First Sight, Watkins Gallery, American University, Washington, DC Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1999 4th Annual Invitational Exhibition, Zone One Gallery, Philadelphia, PA Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1996 Alumni Exhibition, Levy Gallery, MCAD, Philadelphia, PA 1991 Eight in the Atrium, Levy Gallery, MCAD, Philadelphia, PA Student Impetus: an Exhibition of Works from the Women of MCAD, The Provident Building, Philadelphia, PA

My earlier allusions to Bushwick art spaces weren't to draw similarities between the two locales, but rather meant to highlight the rarity of comparably mature artist - run spaces in New York — remember the late 2000s, when the term «pop - up» was coined (and then consequently overused to death)?

The pieces found in public spaces like the restaurant as well as in the private setting of the guest rooms are meant to draw attention to the function and design of the areas they inhabit.

Certain objects from the drawings are transformed in the space to create new meaning and function.

Often taking the form of gatherings of objects in various media, from assembled sculptures to drawings and photographs, Donnelly · s exhibitions tease the viewer with their intimations of meaning and orientation within these spaces is seldom straightforward, but is pregnant with possibility.

Like Sol Lewitt's Incomplete Open Cubes or Rachel Whiteread's negative casts of library book shelves and house interiors, Wulffen draws our attention to the structures and spaces in and around objects (and experiences) that help define their meaning.

In every instance, Shapiro's sculpture draws its animating energy not from its grounding or means of support, nor from the volume of architectural space that may surround it, but from its internal tensions.»

In each work, the artist employs formal dualities from the art historical canon — namely, narration versus abstraction, color versus line, flat versus recessive space, and painting versus drawing — not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes.

Cannily incorporating a wide range of visual vocabularies drawn from the realms of cinema, advertising, communications, and the history of art alike, and strategically structuring both architectural environments and the editing of images and sounds in order to take in the viewer and overwhelm the senses, Aitken exposes audiences to ideas — and to each other, in communal spaces — by means of a nearly hypnotic aesthetic.

Through diverse means of expression, from installation and performance to drawing, video and interventions in public space, Öğüt weaves loose narratives that meander between artistic practice and social life to provoke critical consciousness and subtle shifts in perspective.

Visions: The installation Drawing in Space by South Korean artist Jeongmoon Choi welcomes visitors, submerging them into Llull's world by means of a highly contemporary vision.

That these sinister depictions of family space arise in exhibitions featuring a large number of female artists is by no means coincidental, but the experiences they draw on are as varied as the works themselves.

Attaching these objects to the wall or installation space, Pellegrin numbers and documents each spread as a metaphor for components that come together in a single idea, drawing meaning from both the numbered sense of order and the objects themselves.

But rather than acquiring more, I think we all should take a break and contribute to the museums and performing arts spaces in this city, where I have seen many of the things that meant the most to me since I started looking at art when I was 12 (and walked from my drawing class at the Art Students League to MoMA's galleries and felt very wise for knowing that was a sexy thing to do).

In doing so one is very present in the space, but being present in this context means not being present, as the user is detached and drawn into their smartphonIn doing so one is very present in the space, but being present in this context means not being present, as the user is detached and drawn into their smartphonin the space, but being present in this context means not being present, as the user is detached and drawn into their smartphonin this context means not being present, as the user is detached and drawn into their smartphone.

In Step Out (2016), Semmel doubles the image as a means of expanding both the background and foreground of her compositions so that her figures appear to simultaneously enter and draw back from the viewer's space.

«Our «Spatzenfavela» is meant to be both a piece of art that draws attention to a serious subject and a real nestbox that works for bird species who love to breed in colonies like our house sparrows,» Wegworth says, adding that the artists consulted with a biologist to make sure the boxes met the birds» needs in terms of space and other nesting requirements.