Sentences with phrase «drawing installation at»

While Mullican has had recent press for his large and fascinating drawing installation at the Venice Biennale this year, Mai 36 presented an understated yet impressive selection of works including a selection of 9 gouache on handmade paper works exploring some of the most fundamental elements to Mullican's work.

Not exact matches

The first truly large - scale nuclear unit — a 428,000 - kilowatt installation at San Onofre, Calif. — was licensed for construction as recently as February 24, 1964, and announcements of commercial nuclear power projects did not begin to gain momentum until the fall of 1965; yet by the summer of 1966 nuclear power had drawn abreast of fossil power in the utility marketplace.

The piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the film installation I Am Not Me, the Horse Is Not Mine (2008), created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal - drawing animation Other Faces (2011).

His instinctive and scattergun approach to collecting makes for a show that's wildly energetic and enthralling: an eerie cowhide and resin installation (Nandipha Mntambo's Enchantment) stands erect and proud like a regal spectre in the middle of the space; it mingles with arresting monochrome portraits of children with cement dust faces by Mário Maculau; a comedic and surreal ink drawing of a goat at an office desk by Ato Malinda; a sweet and naively rendered mixed media work by Richard Kimathi depicting a couple, the man delineated through a pistol on his crotch.

The exhibition which opened on Sunday at Shanghai's contemporary art museum features over 300 paintings, photographs, screen prints, drawings, 3 - D installations and sculptures including iconic works such -LSB-...]

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

A textured survey, «Barbara Hammer: Evidentiary Bodies,» at the Leslie - Lohman Museum of Gay and Lesbian Art in SoHo (through Jan. 28) finally fills in the blanks with drawings, paintings, photographs, sculptures and installations.

Here, clockwise from left: Fred Sandback's «Untitled,» at David Zwirner; an installation view of Sol LeWitt's «Wall Drawing # 368» from its 1984 installation at the Walker Art Center in Minneapolis; Sean Scully's «By Night and by Day,» 1983, at Mnuchin Gallery.

Image above: Installation view of Diane Simpson: Sculpture + Drawing 1978 - 2009, at the Chicago Cultural Center in 2010.

Nadiah Bamadhaj was initially trained as a sculptor at the University of Canterbury in New Zealand but now produces drawings, sculptures, installations and digital images.

Pattern seems integral to your postcard project, and the installation at Wassaic Artist Residency last year, but seems like less of a theme in your drawings.

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).

Best known for «My Bed,» a 1998 installation featuring her personal effects (like stained underwear) which earned her a nomination for the 1999 Turner Prize, Tracey Emin, now 50 and a Professor of Drawing at the Royal Academy in London, is sort of respectable.

Negative Pyramid (1997) and three works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential of LeWitt's serial approach, exemplified by the museum's sweeping installation of the artist's wall drawings — which span LeWitt's entire career, covering over an acre of wall space on three floors of a building at the very heart of MASS MoCA's campus.

In conjunction with the Girls» Club exhibition Following the Line, Girls» Club presents an site - specific installation featuring canvas paintings and wall drawings by Miami artist Julie Davidow at PULSE Miami, 1400 N. Miami Avenue.

Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DeInstallation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DecembeDrawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Decembedrawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Deinstallation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.

Artist Talk Sunday, November 19 2:00 pm Chicago Athletic Association Hotel Drawing Room Library Fresh off his installation in the EXPO CHICAGO exhibition Singing Stones, organized by Palais de Tokyo and hosted at the DuSable Museum's Roundhouse in Hyde Park, Daniel G. Baird joins us at Chicago Athletic Association hotel on November 19 for a live Storytelling -LSB-...]

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

The iconic medium and style that have defined Kara Walker's career first appeared in this wall installation, which featured in the artist's 1994 New York debut at the Drawing Center.

A processional work created for urban centers, the New York debut at Frieze features a new quilted banner and textile installation, as well as the launch of a «whisper network,» which will draw the audience into the performance.

His installations have been exhibited at The Drawing Center in New York, Blue Star Contemporary Art museum in San Antonio Texas, ExitArt NY, PS 122 NY, Morris Museum, New Jersey, Jersey City Museum, Poor Farm Experiment in Wisconsin, Riga Art Space in Latvia, Baltic Arts Center in Helsinki, Planthouse Gallery NY, Cynthia Broan Gallery NY, Fishtank Gallery NY, Denis Bibro Gallery NY, Gallery X in NY, Marsha Child Contemporary NJ, Chamot Gallery NJ, Mimi Ferzt Gallery NY, Alma Gallery Riga, M6 Gallery Riga Latvia, Biennale Art Gend in Kopenhagen Denmark.

Installation view of 86 small drawings (1989 - 2006) in the exhibition IL LEE: Ballpoint Drawings at the Queens Museum of Art, New Yordrawings (1989 - 2006) in the exhibition IL LEE: Ballpoint Drawings at the Queens Museum of Art, New YorDrawings at the Queens Museum of Art, New York, 2007.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Her installation at MoMA, which hosted 17 of the 20 most popular exhibitions in the six - year period, drew 6,186 visitors per day.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

Contemporary artist Jarrod Beck will create a large - scale drawing installation in the front gallery at M E N, incorporating charcoal and packing tape, underscoring the artist's interest in material impressions, memory and the human relationship to environments both natural and built.

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

In 2017 created a large scale site specific drawing installation Meta - Scrawl in Beijing's legendary arts District 798 at the Xin Dong Space for Contemporary Art.

Cosmo Whyte presents several large, sumptuous charcoal drawings in Starting a Bush Fire at Marcia Wood Gallery through November 25, along with installation works and large - scale photographs.

As a student at SVA, Haring experimented with performance, video, installation and collage, while always maintaining a strong commitment to drawing.

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

Five installations will be displayed at Whitechapel Gallery: a scholar's study invites us to unravel intricate drawings and models; the Bureau for the Centre of the Study for Surrealism and its Legacy displays the strange magic of obsolete things; the muddy banks of the Thames have also yielded their treasures for poetic display in a gigantic cabinet; while a Dickensian Curiosity Shop tempts us with the bizarre aura of American bric - a-brac.

Exhibitions have included Claes Oldenburg: The Sixties at the Museum Moderner Kunst Stiftung Ludwig Wien in Vienna, Claes Oldenburg and Coosje van Bruggen: Theater and Installation 1985 — 1990 at the Pace Gallery in New York, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Films at the Whitney in 2009, as well as the 1964 and 1968 Venice Biennales.

Throughout his brief and influential career, Palermo executed paintings, «objects,» installations, wall drawings, and works on paper that addressed the contextual and semantic issues at stake in the construction, exhibition, and reception of works of art.

Paul Harryn, California Dreamin», 2016, 44» H x 90» W, ink on paper, A series of twenty four drawings assembled as an installation at 18th Street Arts Center.

Excepting the very few drawings and maquettes, and the very small, tabled, «circus» sculptures of 2009 that riff, albeit inadvertently, on the beloved Calder circus installation that the Whitney keeps on permanent display, the feeling I left with was of Stella not at home.

In an installation at the Los Angeles Contemporary Archive, I filled the large wall space with the 1,400 photocopied black and white covers in chronological order of publication from 1971 through 2015, and selected one cover each for year, replacing these with pencil drawings of the covers, thereby inserting my own personal history.

The exhibition will feature a sprawling installation of paintings, drawings, and sculptural objects ranging from vessels to surfboards, including new work created specifically for the space at MCASB.

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

Art from a different era can appear new if shown at the right moment, and that has been the case with Hershman Leeson's 50 years of drawings, sculptures, performances, installation, videos, internet - based works, and feature films, some made with studio backing and released to theaters nationwide.

That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.

The video installation Can't Find My Way Home juxtaposes footage of Ms. Biggs exploring the massive crystal caves of a salt mine in Germany with analysis by a neurologist and an elderly man looking at crystals at a gemstone show to draw parallels between the forms of the underground crystals and proteins active in brains with dementia, from which her grandfather — a gem collector — suffered.

The California African American Museum presents an exhibition in which Gary Simmons creates a site - specific installation not unlike last year's «Ghost Reels» at The Drawing Center in New York.

In 2011 in New York, the gallery exhibited a selection of works by the artist curated by Flavin Judd drawn from his seminal 1989 exhibition held at the Kunsthalle Baden - Baden, Germany, and in 2013 a major installation by Judd was included in Dan Flavin and Donald Judd, the inaugural exhibition at David Zwirner's new 20th Street location in New York.

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet) Mario Diacono Gallery, Boston, MA (booklet) Galerie Bruno Bischofberger, Zurich Wall Installation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiInstallation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installationinstallation, booklet)

Christine Taylor Patten Installation «micro / macro 1001 drawings» at 14th Istanbul Biennial 2015 Pollock Krasner Image Collection

The exhibition features the work of 37 student artists at all levels of study, working in many media areas, including ceramics, video, charcoal drawing, oil paintings, photographs and mexed media installations.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Dealing with issues such as Hollywood, television, and eroticism, McCarthy's drawings, films, sculptures, environments and installations stand at the intersection of perception and taboo, lifting the underbelly of American life into the spotlight.