Millie Chen: Four Recollections Millie Chen: Four Recollections features a new installation conceived during her artist - in - residence at CU Boulder alongside three large - scale
drawing installations created between 2015 and 2017.
Not exact matches
The Museum is located opposite the Japanese American artist's former home and workplace for most of his career, where he
created drawings for many
installations, beautiful large sculptures, and projects for gardens, furniture, and other forms of art.
The piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the film
installation I Am Not Me, the Horse Is Not Mine (2008),
created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal -
drawing animation Other Faces (2011).
Exhibiting in a wide variety of medias including
installation,
drawing, photography, painting and sculpture — each
created over the past five decades - act as relevant notes to the testimony of the artists» interpretation of the concept of human intervention.
She works across painting, printing,
installation,
drawing and writing to
create layered works about the fragmented self and wider society.
You'll experience work
created in a wide variety of mediums, including painting,
drawing, sculpture, photography, and multimedia
installations.
She has
created a unique visual language through her
drawings, videos, and most notably her video / shadow play
installations.
The first major museum exhibition to explore graphite as a medium in works beyond
drawings, Graphite includes sculpture,
drawing, and
installation works
created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.
The exhibition is the culmination of a multiyear collaboration between Smith and Los Angeles — based conceptual artist Glenn Kaino and will feature sculptural
installations and other works by Kaino, objects from the Tommie Smith archives and an animation of Smith's winning race
created from contributed
drawings.
Over the years, Samaras has
created drawings, furniture, jewelry, paintings, photographs, sculpture and room - sized
installation using a variety of material including beads, chicken wire, clay, Cor - Ten steel, fabric, mirrors, pastel, pencil, pins, plaster and oil.
The majority of the works he is presenting, including paintings, sculpture,
installation and
drawings, were
created during the residency and will be in view in all five of the gallery spaces.
Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to
create heroically - scaled
installations, most often anchored by wall - sized, photorealistic
drawings utilizing charcoal, graphite and colored pencils.
After writing about the objects and characters they have identified in the artwork, families will
draw their own images and use them as collage elements to
create a collaborative, remixed version of Shaw's
installation.
A processional work
created for urban centers, the New York debut at Frieze features a new quilted banner and textile
installation, as well as the launch of a «whisper network,» which will
draw the audience into the performance.
Both artists use the abstraction process through
drawing and painting, their works complement each other,
creating a vibrant
installation full of unexpected concepts.
She
creates work ranging from sculpture and
drawing in an intimate scale to conceiving and realizing large - scale earthworks and
installations around the globe.
Throughout his nearly thirty years of production, Ernesto Neto (b. 1964, Rio de Janeiro), has accumulated an extensive portfolio of work, from delicate
drawings to large - scale
installations to pieces that were
created so that they may be penetrated, inhabited, felt, and even smelled, allowing spectators to interact with them and experience their own bodies and feelings, without losing sight of the fact that, like the human body, they are also fragile and delicate.
Guests to The Works on Paper can visit the
DRAWING Room, a hands - on gallery that features drawing activities, artist demonstrations, and a community - created art installation located centrally within the exhi
DRAWING Room, a hands - on gallery that features
drawing activities, artist demonstrations, and a community - created art installation located centrally within the exhi
drawing activities, artist demonstrations, and a community -
created art
installation located centrally within the exhibition.
Contemporary artist Jarrod Beck will
create a large - scale
drawing installation in the front gallery at M E N, incorporating charcoal and packing tape, underscoring the artist's interest in material impressions, memory and the human relationship to environments both natural and built.
In 2017
created a large scale site specific
drawing installation Meta - Scrawl in Beijing's legendary arts District 798 at the Xin Dong Space for Contemporary Art.
The two large - scale
installations reuse discarded paper and cardboard and fabric to
create an immersive environment of paintings,
drawings, papier - mâché sculpture, and handmade books.
Much of Fujiwara's work is deeply autobiographical, mixing fact and fiction to
create intricate
installations and performances which
draw on his family history.
Simpson also
creates photography silk screens on felt panels,
installations, videos, and
drawings.
The exhibition features over eighty works by the New York - based artist,
created from 1987 — 2013, including a plethora of sculptural items, modified photographs, various
drawings, and two large - scale
installations.
For his solo show «Ballpoint
Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee
created his largest work yet: BL - 090, a 5 - by - 50 foot
installation that wraps around a curved wall.
In the
installation, Charon's transparent oar contains a live soldier harvester ant farm in NASA designed acrylic gel, serving as their habitat and sustenance for their 3 - 6 month lifecycle; an ant tunnel «
drawing» that is
creating a network as the ants eat and burrow through the gel over the course of the exhibition.
Abstraction is uniquely autobiographical for Channing Hansen, who composes vibrant knitted paintings determined entirely by an algorithm built from his DNA sequencing, and Zachary Armstrong, who will
create a site - specific
installation for Inherent Structure by covering the lower lobby wall in an allover print based on his brother's childhood
drawing.
These sculptural
installations and mobiles were a springboard for Fromartz to
create prints, collages, and photographs,
drawing on the colors, forms, fragments, and representations of the objects she had gathered from the streets.
The exhibition will feature a sprawling
installation of paintings,
drawings, and sculptural objects ranging from vessels to surfboards, including new work
created specifically for the space at MCASB.
We will combine the
drawing style of Michael Booker with the whimsical scenery of Rachel Guardiola's
installation to
create fabulous foliage filled artworks!
Working in a range of media including paintings,
drawings, blown glass, and
installation, Rosemarie Fiore
creates vivid abstractions through various technological mechanisms, such as fireworks, lawn mowers, waffle irons, and cars.
Joe Winter's chalk
drawings relate to a previous
installation in which he
creates a record of disintegrating chalk from a constructed system of water drips.
Often compared to a storyteller, Gander
creates evocative
installations consisting of photography, sculpture,
drawing, and film.
Inspired by Jason Rhoades's elaborate sculptural
installations, participants are invited to work in The Brant Foundation gallery spaces to
create their own still life
drawings.
The California African American Museum presents an exhibition in which Gary Simmons
creates a site - specific
installation not unlike last year's «Ghost Reels» at The
Drawing Center in New York.
Clayton
creates web - based
drawings, performance art and
installations that address his interests in semiotics, geolocation and environmental phenomena.
24/7 will include Perry's major works in
drawing, sculpture, collage,
installation, video, photography, and social media - some of which has been
created specifically for this exhibition.
Based in El Paso, Texas, Adrian Esparza
creates brightly colored and geometrically intricate paintings,
drawings, and
installations.
Hans Op de Beeck (b. 1969)
creates large - scale
installations, sculptures, films,
drawings, paintings, photographs and texts.
Nedko Solakov (b. 1957, Cherven Briag, Bulgaria) is a Sofia - based artist who has exhibited widely in international venues, often
creating installations of
drawings, paintings, objects and writings on the gallery wall.
Since its first production in September 2007 — Aaron Young's Greeting Card, a 9,216 - square - foot «action» painting
created by the burned - out tire marks of 10 choreographed motorcycles — the Armory has organized a series of immersive performances,
installations, and works of art that have
drawn critical and popular attention.
Gormley has exhibited his sculptures and
drawings extensively throughout the world, including shows in Japan, Australia, Brazil, Mexico, Canada, the former Soviet Union, and throughout Europe and the U.S.. His
installation, Field, first
created in 1989, completed a worldwide tour in 1995.
A «painting
installation» featuring a monumental newly -
created painting (6» 11» x 24» 5») along with a series of
drawings will be presented.
They then added their
drawings to the Lower Gallery wall to
create an
installation.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure
Drawings from 1988 - 2008, featuring an
installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to
creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
The exhibition will also feature Elevational Weights, a new
drawing series from 2010, as well as Union (2011), new large - scale
installation drawing — both
created for this exhibition.
In a brief yet prolific career, the Cuban - born artist Ana Mendieta
created groundbreaking work in photography, performance, film, video,
drawing, sculpture, and site - specific
installations.
The space feels like an urban park but this is contradictory, because nothing is naturalistic and the language of Boyce's
installation is
drawn from a modernist, concrete garden
created for the 1925 Exposition des Arts Décoratifs in Paris.
A pioneer among artists dealing with identity politics and feminism, the Cuban - American Mendieta (1948 - 1985)
created groundbreaking work in photography, performance, film, video,
drawing, sculpture and site - specific
installation.
Packing shredded paper into molds like clay to
create totem - like forms, Benglis transforms paper from a surface meant for
drawing or painting into a sculptural medium, a gesture that can be seen in continuity with her poured latex
installations of the late «60s, that so memorably entangled painting and sculpture.