foregrounds artistic processes and personal perceptions of the impact and significance of
drawing on artistic practice through time.
Not exact matches
Our mission is to raise the
artistic, storytelling and educational value of
on - location
drawing, promoting its
practice and connecting people around the world who
draw on location where they live and travel.
Our mission is to raise the
artistic, storytelling and educational value of
on - location
drawing, promoting its
practice and connecting people around the world who
draw on location where they live and travel.
December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of
drawings, the oldest public collection of works
on paper
on the continent, illuminating the evolving and foundational role of
drawing within
artistic practice.
Her
drawings on mylar and paper in diverse wet and dry materials have long been at the root of her
artistic practice, serving as a means to map the development of her thinking.
Eschewing the accepted hierarchy of
artistic forms — painting,
drawing, and sculpture — as well as an art market dependent
on the production of objects, artists embraced performance as a transgressive
practice.
Draughtsmanship was an essential part of Lord Leighton PRA's
artistic practice and he placed great value
on his
drawings.
His more recent works, which include print making, painting and installations, still
draw on this theme of everyday objects and their changing nature in society and
artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.
Both have the mission to preserve them, publicise their content and support research
on contemporary
artistic practices that
draws on these documents as its raw material.
In addition to
drawings, photographs, and installation images from the exhibition Reusable Universes: Shih Chieh Huang at the Worcester Art Museum, the catalogue includes an essay by Vivian Li and interview with the artist by Aida Yuen Wong that expands
on how nature, technology, and everyday materials inspire Huang's
artistic practice.
Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary
artistic practice takes the form of
drawing, performance, and multimedia installations that are concerned with the contradictions of migration within globalization and the effects of an immaterial, flexible and mobile capitalism
on the post-colonial subject.
One of the most unique aspects of studying art history at an art school was that I was required to develop my own
artistic practice through hours of
drawing classes, performance art classes, photography studios, and so
on, which allowed me a much more intimate understanding of the
artistic process — but it was also important to be surrounded by other ambitious creators.
The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses
on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists
draw inspiration from classical texts, teachings, and
artistic practices to reinterpret and question evolving power structures and social norms.
Showcasing Mel Chin's malleable and wide - ranging approaches to his
artistic practices, the pieces
on view were
drawn from nearly four decades of his career alongside four newly commissioned projects: «Flint Fit,» «Soundtrack,» «Unmoored» and «Wake.»
His
artistic practice is incredibly vast incorporating
drawing, performance, installation, painting, and sculpture, and touching
on humanitarian, political, biological and geographical themes.
Mark Dion's
Drawings, Prints, Multiples and Sculptures is a remarkable survey of the artist's pseudo-scientific
artistic practice with works
on paper and new vitrines taking over both floors of Tanya Bonakdar's gallery.
The last five years of his
artistic practice focused
on AIDS as a subject matter,
drawing on community experience and mixing dreamlike allegory with figurative realism.
The
artistic practice of Geoffrey Farmer integrates forms of collecting and scholarship employed by cultural historians, and
draws on a diverse repertoire.
Her study and observation of the figurative and realistic tradition in Western art has resulted in her accumulating a body of knowledge that she
draws on directly in her
artistic practice.
Brunswick, Maine, April 2017 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the Museum's extensive collection of
drawings, widely considered the oldest public collection of works
on paper
on the continent, illuminating the foundational and evolving role of
drawing within Western
artistic practice.
The pieces
on display are the result of an
artistic practice involving the production of thousands of images, both computer graphics and hand rendered
drawings, many of which are copies of copies: visual data layered and translated into more visual data.
Exploring the development of Alfraji's
artistic practice over several decades, the talk will detail the works that inform the video animation and
drawings of «Driven by Storms (Ali's Boat)», the artist's latest multimedia solo exhibition, which opens at Ayyam Gallery London
on Tuesday, 21 July.
The exhibition celebrates the synergy, the differences and the experiences of the artists with the purposeful intent to reflect
on the diversity of
artistic practice and
draws on the visibility of the black body in history and in the determination of its course.
Topics range from history and criticism, to the art market and utopia; «the talks will
draw on the distinctions and affinities between the socially engaged
artistic, curatorial, writing and administrative
practices of the two geographic regions.»
Drawing on sources as diverse as concrete poetry, Korean cultural traditions, and conceptual art, Cha crafted a distinctive voice that has informed many contemporary
artistic practices.
I was particularly keen for this to be a cross - disciplinary conversation, as I work very much in that way,
drawing on a mix of resources from sociology, anthropology and geography to political and cultural theory, to inform my
artistic practice.
Building
on the artist's frequent use of visual and verbal puns, Borne Frieze creates a bridge between the political heritage of his home country and the energy, spontaneity, and ephemerality of his
artistic practice, which has long included the wall
drawing as a key form.
Indulging his fondness for abstract imagery and experimental processes, the
drawings on view offer a rare glimpse into a more contemplative side of Conner's
artistic practice.
Five films from 2009 to 2016 representing the artist's cross-platform thinking will be shown in the gallery,
drawing from a diverse range of approaches in her
artistic practice, from her intensely haptic works that involve fluids and stains of all sorts, to her more recent ruminations
on film and memory.
Having already received his MFA, he
drew on geography's analytic tools to develop an
artistic practice premised
on the hunch that, however «secret,» clandestine government programs would always leave material traces — facilities, flight records, post office boxes — that could be located, documented, and made visible to a broader public.
Rasheed Araeen's solo exhibition «Before and Beyond Minimalism:
Drawings, Painting, Sculpture and Concepts, 1959 — 1974» focuses
on the first 15 years of Araeen's
artistic practice.
Other artists focus
on self - reflection as a motor driving
artistic practice, often
drawing on aspects of their own biographies.
Prager
draws inspiration from the cinematic work of Alfred Hitchcock and Luis Buñuel and the art of such photographers as William Eggleston or Enrique Metinides, but also frequently cites the major influence her unconventional education has had
on her own
artistic practice, which combines the use of bold colors, unexpected angles and dramatic lighting.
Jeff Keen began producing
drawings, collages, paintings and assemblages after serving in World War II, an experience that had a profound influence
on his life and
artistic practice.
The theme
draws on the historical contexts of new media in
artistic practices and considers how social media has emerged through those discourses in the last decade.
The exhibition, entitled The Case Histories, runs from 23 November 2016 to 19 February 2017 and
draws on his decades of
artistic work pertinent to the
practice and thinking around psychoanalysis.
Developing her
artistic practice across
drawing, film and performance, presents works dealing with the snake handling in Egypt, focusing
on the relationship between the
practices of the Rifâ» iyya (one of the main Sufi orders in Egypt associated with snake handling) and the aspects of everyday life.
Focusing
on «
Drawing», in its widest sense, as the primary theme of Est Art Fair 2014, will emphasize it as a
practice crossing over multiple art mediums, and constituting some of the most flexible
artistic practices.
In November of last year Martin Wilner gave a talk at the Freud Museum discussing his first solo museum exhibition, The Case Histories, which
drew on his decades of
artistic work pertinent to the
practice and thinking around psychoanalysis.
Our mission is to raise the
artistic, storytelling and educational value of
on - location
drawing, promoting its
practice...
Our mission is to raise the
artistic, storytelling and educational value of
on - location
drawing, promoting its
practice and connecting people around the world who
draw on location where they live and travel.