Not exact matches
But Bergson has pointed out the arbitrary nature of the dividing
line drawn by commonsense between the zone of «
organic» determinisms and that of «spontaneity» in the course of embryogenesis.
In my case the disease was distinctly what would be classed as nervous, not
organic; but from such opportunities as I have had of observing, I have come to the conclusion that the dividing
line that has been
drawn is an arbitrary one, the nerves controlling the internal activities and the nutrition of the body throughout; and I believe that the central nervous system, by starting and inhibiting local centres, can exercise a vast influence upon disease of any kind, if it can be brought to bear.
In a sense, the IFOAM Family of Standards
draws the
line between what is
organic and what is not, from a standards point of view.
Even with my very well - stocked pantry and kitchen, I have now spent close to $ 200 of various ingredients,
drawing the
line at a $ 24 bag of vanilla powder (vanilla extract can be substituted) and the very difficult to source Pitaya (up to $ 40 a bag for frozen chunks and unavailable in my Whole Foods markets or at the large
organic grocery in the city).
I gave birth naturally, cook healthy rounded meals, and try to eat
organic as much as possible, but that's where I
draw the
line at being crunchy.
Enigmatic and
organic, the
drawings are delicately realised in graphite and ink: Osiris is shown sitting on a watery black throne; a blindfolded figure with multiple top hats takes spectral shape against a network of fine
lines in a reference to the late performance artist James Lee Byars and his trademark costume.
These consisted of beautiful
organic marks and
lines using hues of blue,
drawn around black - painted colonial ships that were painted directly on the wall.
His is that rare brand of abstraction that feels convincingly
organic: neither secretly symbolic nor aspiringly decorative; capable of
drawing true poetic meaning from the conscientious arrangement of things in themselves — paint, wood, ceramic, cement; circles, squares,
lines and curves.
Doorsen uses
drawing as a way for investigation of ideas and shapes, she plays with curves and
lines, geometric mark making and
organic forms, colour and monochrome.
Moore first used protruding
lines on sculpture created from attaching string to the model in his 1951 work Reclining Figure: Festival, he has revisited the device here to add geometric
lines to an
organic form creating a contrast more usually reserved for his
drawings.
With gaping black holes, undulating forms, and
organic twisted
lines, her surreal
drawings are fantastic reflections on how we understand our place in the world, and the desire to find a rational order in the universe.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost language: Inga Dorosz»
drawings track and map recognizable renditions of trees and other
organic forms, yet the tiny
line work pixilates and separates the scenes like disappearing data; Léonie Guyer's small works remove information further — little abstract shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.
Upon closer inspection, it can be seen that the
lines are actually perfectly inscribed, created by an automatic
drawing machine programed to produce patterns so complex as to appear
organic.
Shishkin executes her complex compositions by using her characteristic economy of
line, coupled with her use of bright blocks of colour and elaborate patterning: her bold palette and use of polka dots, colourful grids and other
organic patterns blur the boundaries between individual bodies, the air, and the surrounding objects in her
drawings.
The ciphers that he has developed over time tend to be geometrical (repeated
lines or forms),
organic (plants), or
drawn from popular culture and sometimes a mixture of all three.