Sentences with phrase «drawing practice within»

Selected from original art works, it has established a reputation for its commitment to championing excellence, and promoting and celebrating the breadth of contemporary drawing practice within the UK.

Selected from original drawings, the Prize champions excellence and promotes and celebrates the breadth of contemporary drawing practice within the UK.

Not exact matches

This briefing draws on the findings of two EOC research reports and other sources to present some of the key facts about fathers» employment patterns, their changing role within the family and how changing expectations require new, more flexible approaches to working practices.

«Dr. Wildin's background and expertise are particularly well suited for leading the programs within NHGRI's Genomic Healthcare Branch,» said DPCE Director Laura Lyman Rodriguez, Ph.D. «At a time when opportunities are increasing for health care professionals to consider and use genomic information in their care delivery, Dr. Wildin will be able to draw upon his years on the front lines of medical practice in various community and underserved settings to target NHGRI activities to those stakeholders and initiatives most in need.»

Drawing on the pillars of Right Breathing & Right Movement, Kundalini yoga employs unique breath practices and movements designed to create radiance from within.

These certification practices may not be within the reach of your own small scale (and smaller or non-existent budget) classroom observation endeavour, but it does draw our attention to two salient issues regarding reliability in classroom observations.

While schools using Responsive Classroom practices appear unstructured — in a single room, students can be working on computers, reading, drawing, or playing chess — flexibility exists within a concise, universally understood set of rules.

Thus, the book — which grew out of a series of three lectures — draws on a range of contemporary science and knowledge as Gardner reframes both the teaching and practice of old virtues within the constraints of a modern society.

She uses literature as a resource and draws the attention of teachers to specific theories about literacy teaching and learning within this to use as a rationale for promoting specific practices.

Drawing from the best educational practices, as well as the success of other schools within the Brooklyn Prospect network, we have developed an academic environment where students can explore new ideas in a safe and small school setting with the support of a diverse community of students, families, teachers, and staff.

Within the practice and protocol of the Los Angeles Police Department a two - six call is the one that draws the most immediate response while striking the most fear behind the bulletproof vest.

About Blog This blog is designed to help students think about how to contextualise drawing within a Fine Art practice.

Whereas Martin operated largely within the confines of painting and drawing, Tuttle's practice eludes formal categorization and is grounded in handmade constructions of ordinary materials, such as wire, tape, thread, and cardboard that are raised to the pinnacle of beauty.

Her multimedia practice draws from sources ranging from Baroque architecture, objects of design, fantasy and science fiction films, the urban landscape of Los Angeles, the invisible and contested spaces within her own home, and in her latest body of work, the works of French writer Marcel Proust.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

At a time when few opportunities were present for women to explore creative practices, Houghton's work draws attention to the role of women within society by creating an alternative space through ritual.

James Prosek's practice is inspired by the long tradition in art history of depicting nature — starting with paintings of animals deep within the caves of Lascaux and Altamira to detailed drawings of animals by Albrecht Dürer.

His work occupies a unique place within the practice of contemporary photography, employing anachronistic production techniques, borrowing from the aesthetics of the finest figurative painters of the 19th and 20th centuries, and drawing upon the longstanding tradition of vanitas imagery.

His drawings are explorations in their own right, integral to the overall concerns of his sculptural practice, and unique intuitive explorations within their own established criteria.

Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.

December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.

Storr not only traces the development of Katz's drawing practice, but also sets him within a larger view of the European and American avant - garde in the modern period, showing Katz's perceptual affinities with artists like Paul Cézanne, Georges Seurat, and Piet Mondrian.

Carroll Dunham, an important New York — based artist working in painting, drawing, and printmaking, discusses his practice, from coming into his own in the late 1970s to his current contributions as a maker and a writer within the continuum of art.

This exhibition draws together two familiar strands within the artist's practice: portraiture and the process of «remixing», whereby images are repeated and reinterpreted over time using different techniques and mediums.

The heart of the show, featuring Tintoretto's distinctive figure drawings — both preparatory drawings and a group of studies after sculptures by Michelangelo and others — will examine the use of drawings within the studio as well as teaching practices in the workshop.

These interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgently felt need to resist historical events while keeping their artistic practices sustained, radical and vital.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary artistic practice takes the form of drawing, performance, and multimedia installations that are concerned with the contradictions of migration within globalization and the effects of an immaterial, flexible and mobile capitalism on the post-colonial subject.

Influenced by the speculative intersections between language, science fiction, culture and technology, Jess Johnson's practice encompass drawing and installation that conjures up dystopian spaces that combine densely layered patterns, objects and figures within architectural settings.

Living and working in both Lincoln, Nebraska and Brooklyn, New York, Friedman's research - based practice draws from personal, geo - political, and psychological concerns, cleverly layering these themes upon or within one - another.

While one of the most important artists of the postwar period and a pioneering figure within the field of abstract painting, Ryman's drawings, and their profound significance within his practice, have never been examined before in a focused exhibition.

The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.

The result is a unique layout that draws connections between artists and works within the exhibition itself and across centuries of artistic practice.

The show brings together several of the gallery's artists, drawing overlooked connections between them and illustrating the ways in which different traditions and ideas collide within their practices.

Packed with drawings in pencil, ink, watercolor, charcoal and crayon, this publication dives into the world of drawing, looking not only at the medium itself but also into the artists individual styles, approach and narratives found within the works... An absolute must for any art students and practicing artists!

TRACEY EMIN EXORCISM OF THE LAST PAINTING I EVER MADE Following the success of Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - year hiatus.

This practice encompasses many forms within visual communication with particular focus on testing the boundaries between art and design and draws on hugely varied sources and art histories.

Within his practice Todd explores the spatial construction of paintings and their material properties through combining drawing and painting materials — including acrylic paint, gesso, ink, pencil and varnish — through a multi-layered approach.

Another multipanel painting Yellow Girls I (2017) underscores the centrality of drawing within Wylie's practice.

His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.

Like the other artists included within Humble Beginnings, Humanfive's practice draws together meaning from objects, spaces and referents that are often overlooked and undervalued.

This new commission drew together long - running textural strands within Bibby's practice, which simultaneously fed into a major publishing project he had developed through a series of commissions and residencies over the past year, orchestrated by Amsterdam - based performance platform If I Can't Dance I Don't Want To Be Part Of Your Revolution, with partner institutions including Kunsthaus Bregenz and CCA Glasgow.

Brunswick, Maine, April 2017 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the Museum's extensive collection of drawings, widely considered the oldest public collection of works on paper on the continent, illuminating the foundational and evolving role of drawing within Western artistic practice.

Richardson is fascinated by the ways we connect with landscape; within her deeply layered practice, she draws on narrative devices used in science fiction and B - movie horror films, as well as nineteenth - century landscape painting, with particular interest in the apocalyptic conjurings of John Martin (British, 1789 - 1854).

Francis Upritchard (b. 1976, New Zealand) incorporates a vast variety of materials and found objects within her practice and draws upon the legacy of applied arts.

Contour is synonymous with outline, shape, form — in terms of using make - up in art practice it relates to figure drawing and exploring ideas of sculpture within video and photography.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

That's Not Me / Artists» Conversation with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 — 3 pm, IMMA Artists Rodney Graham and Gerard Byrne discuss the sculptural, cinematic, performative and humorist nature of Graham's practice, drawing attention to the multiple references layered within his work, that enable Graham to seamlessly shift into different roles, characters and contexts.

IMMA Collection: A Decade includes many of the wide range of media represented within the IMMA Collection: painting, sculpture, drawings and prints, photography, film, video, installation and performance giving you a sense of the huge variety of artistic practice in contemporary art.

Within my art practice, I draw from my experiences of how I inhabit public and private spaces and rely on research from other South Asian scholars interested in gender, urban space and the right to everyday life.