Sentences with phrase «drawing projects now»

Not exact matches

The women say they now can implement projects that might have drawn the ire of shareholders before.

Drawing off of survey data collected from local tech startup founders and public and private sector leaders, the annual extensive research project, now in its third year, ranks 25 American cities» readiness to capitalize on the shift to the digital economy.

Projecting devices: «Let me suggest that each person draw a sketch showing where he is «feeling-wise» right now... (Later) On the other side of the paper draw the way you'd like to be a month from now... Tell the group about both.»

Given both the Adirondack Park Agency (APA) and the state Department of Environmental Conservation (NYSDEC) refusing to allow a water draw down, the project now includes the building of a coffer dam, thus the increase from the $ 970,000 original forecast.

Drawing on data from the UCL / Birkbeck Parliamentary Candidates UK project, non-white MPs now make up more than 6 % of the new parliament, up from 4.2 % in 2010 — a 56 % increase.

The massive projects needed now — such as devising a model of climate change detailed enough to be truly predictive or batteries efficient enough to compete with gasoline — can not wait or depend on chancy funding, he believes.He added that a strong national commitment to goal - centered basic science could help solve other important problems by drawing America's talented young people into scientific work and providing them with better opportunities for aspiring researchers to build careers with a realistic chance of making both a significant scientific contribution and a decent living.

The Commission reassured ITER managers today that this won't affect the project's budget or schedule, but it must now go back to the drawing board and come up with another plan to finance ITER during 2012 and 2013.

From Leonardo da Vinci's exquisite pen - and - ink drawings of the human skeleton to the digital Visible Human Project in its three - dimensional glory, this fascinating book, now in paperback, documents more than 500 years of anatomical illustration in living color.

As someone who has been successful in past business ventures but is drawn to social impact projects FriendsDateNetwork ® is a dream if you will I have had for many years now.

«This is slightly more in common with projects I've worked on like Ex Machina or Never Let Me Go,» he continued, «which are taking something about our world now — not our world in the future, but our world as it is right now — and then drawing sort of inferences and conclusions from it.»

This has drawn some of Zucker's regulars to the project (Charlie Sheen and Leslie Nielsen) and also some biggish - name cameos (Pamela Anderson, Jenny McCarthy, Queen Latifah, Denise Richards, the Wu - tang clan, and a hilarious appearance by Simon Cowell)-- but it also ensures that the humour involving race relations, which was about the only thing in the previous films that qualified as cutting edge, now seems as uncomfortable as Jewish jokes being told by non-Jews.

Now everyone's data is shared and projected on screen after the benchmark assessments, and teachers come together to draw strengths from each other as they reflect on the data.

This unique initiative, now in it's 8th year, draws thousands of students across Ontario every single year, offering them various tools and resources to express their opinions, to engage in collaborative projects and to tackle social issues in their local and global community.

I'm working on a piece now which draws on a number of elements from earlier projects I have abandoned.

While prototype SNES Play Station consoles were produced — in fact, a working unit surfaced online a short time ago — Sony was now forced to scrap the project and go back to the drawing board.

Now the Neo sits in a room while Sony tries to decide to go with the current specs of the machine or go back to the drawing board and work for equal or more powerful specs than Project Scorpio.

The large - scale photographs are presented alongside wooden sculptural works of a now demolished home; artefacts retrieved from inside the homes; found photographs — some of which Strange has marked with ink and paint — and drawings that he created in the development of the project.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

In his curated show Digital Skin, now open at Katrina Van Tassel Projects in the Lower East Side (through August 7th), Christian explores ideological and material concepts through three artists whose works are drawn from emotional and personal interactions with the digital world.

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

TER.FER.EN.CE, The Farjam Foundation, Dubai, UAE NOW - ism: Abstraction Today, Pizzuti Collection, Columbus, OH Alter / Abolish / Address, as part of 5 × 5:2014, a project of the D.C. Commission on the Arts and Humanities, LAND (Los Angeles Nomadic Division), Washington, D.C. Four Decades of Drawings and Works on Paper, John Berggruen Gallery, New York, NY Tarīqah, Barjeel Art Foundation, Maraya Art Centre, Sharjah, United Arab Emirates Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL BLACK / WHITE, curated by Brian Alfred and Shay Kun, LaMontagne Gallery, Boston, MA

2004 Animal Farm, Rocket Projects, Miami, FL Piñata Party, Gavin Brown Enterprise, Organized by «It Can Change,» New York, NY Visions of Now, J. Johnson Gallery, Jacksonville, FL Young Miami, Annina Nosei Gallery, New York, NY Delinquent Boys, Plush Gallery, Dallas, TX Drawing Conclusions 2, Rocket Projects, Miami, FL Miami in N.Y., Budman Studios, New York, NY The Stray Show, Worm Hole Laboratory, Chicago, IL The Skull Show, Hanna Gallery, Tokyo, Japan If You Believe Hard Enough, Rocket Projects, Miami, FL By the Woods, Miami Light Project, Miami FL Dirty South, Worm Hole Laboratory, Miami, FL

Meanwhile he continues to be preoccupied with finishing their collaborative projects: a show of drawings opened last week at the Menil Collection in Houston, and he is now on his way to Oslo to install their final public sculpture, «Tumbling Tacks,» four 18 - foot - wide thumbtacks that appear to be hurtling down a hillside.

Souvenirs, The Bakery — Annet Gelink Gallery, Amsterdam, The Netherlands Both Sides Now: A Selection of Drawings 1992 - 2009, Paul Kasmin Gallery (project room), New York, United States

Office Hour features Californication, Kita's latest multimedia project, consisting of a large collection of beach towels, drawings, performances, and a series of television commercials now in production.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

Lean To, FCHKUK, and Elements of Drawing Blind were all two week projects approached as short - term residencies, that took place between 2000 and 2001, the former presented as solo exhibitions, the latter a group show While Lean To and FCHKUK resulted in installations that explored the very notion of residency as «home» (both hosts, the East London gallery and Stuff, an artist - run space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run CentralDrawing Blind were all two week projects approached as short - term residencies, that took place between 2000 and 2001, the former presented as solo exhibitions, the latter a group show While Lean To and FCHKUK resulted in installations that explored the very notion of residency as «home» (both hosts, the East London gallery and Stuff, an artist - run space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run CentralDrawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run Centraldrawing residency in the West London - based artist - run Central Space.

In tandem with the 2006 expansion project by architect Renzo Piano, the Morgan now provides visitors unprecedented access to its world - renowned collections of drawings, literary and historical manuscripts, musical scores, medieval and Renaissance manuscripts, printed books, and ancient Near Eastern seals and tablets.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The 26th Calendar, titled Dogs Deserve Our Compliments, is now out, and to celebrate, Bermudez Projects in downtown Los Angeles is mounting an exclusive exhibit featuring the original ink - on - paper drawings from the calendar.

First drawn in 2014 and trialled in a number of commercial projects ahead of its official release, it now includes Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, ExtraBold, ExtraBold Italic, Black, Black Italic and 4 supporting Monospaced cuts.

If you've been taking part in a «Daily Drawing» project for seven years, and now want to produce a seemingly impossible book containing all of your artwork, then you'll enjoy seeking inspiration from Dutch artist Ruben Steeman who has accomplished just that.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

The project, titled «Now Be Here # 3,» is the brainchild of Los Angeles conceptual artist Kim Schoenstadt, who aims to draw attention to underpaid and underrepresented female artists.

Gerhard Richter's ongoing, encyclopedic Atlas project began in 1964, and now comprises more than 5,000 gridded photographs, diagrams, drawings and sketches.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

1972 Konzept Kunst, Kunstmuseum Basel, Basel, CH Windham II, Windham College, Putney, Vermont, US Das Konzept Ist Die Form, Westfalischer Kunstverein, Munster, DE Fifteenth Festival of Two Worlds (Film section), Spoleto, IT Encuentros 1972 Pamplona, Museo de Navarro, Pamplona, ES dokumenta 5, Kassel, DE Art Now, Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, CA Book as Artwork 1960 - 1972, Nigel Greenwood Gallery, London, UK Exhibition of Art and Project bulletins, Cologne Art Fair, Cologne, DE Actualité d'Un Bilan, Yvon Lambert, Paris, FR Drawing, Museum of Modern Art, Oxford, UK Kunst als Boek, Stedelijk Museum, Amsterdam, NL Bertrand Russell Centenary International Art Exhibition, London, UK Art Without Limits, Memorial Art Gallery of the University of Rochester, Rochester, New York, US La Biennale di Venezia (Italian Pavilion), Videogalerie Schum, IT Broken Off, presentation Projection, Louisiana Museum, Humlebaek, DK

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, Udrawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, UDrawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

David McGee: Black Comedies and Night Music Robert Rauschenberg: A Retrospective [catalogue unavailable] Field of Vision: Five Gulf Coast Photographers DeWitt Godfrey: A Sculpture and Two Drawings James Turrell: Spirit and Light Projected Allegories: A Video Series Face of the Gods: Art and Altars of Africa and the African Americas [catalogue unavailable] Liz Ward: The Present of Past Things Abstract Painting, Once Removed: A Fiftieth Anniversary Exhibition Andreas Gursky México Ahora: Punto de Partida / Mexico Now: Point of Departure [catalogue unavailable]

Bureau's recent programme has included a solo exhibition and residency in collaboration with Manchester Art Gallery for Jerwood Drawing Prize 2009 winner Mit Senoj; a solo show by Andy Holden following his hugely successful Art Now project at Tate Britain; and off - site project The Economy of the Gift at A Foundation, Liverpool with Mark Harasimowicz.

Now on view at Devening Projects + Editions, Leiby's paintings and drawings are clearly influenced by her experience as a printmaker.

Exhibitions (Selected) 2017 Manuscript - Letter Home, China Academy of Arts Museum, Hangzhou, China Veneer, Wirksworth Festival, Derbyshire (Co-curated Exhibition) Line and Fold, Paper GALLERY, Manchester 2016 Razzle Dazzle, Transition Gallery, London Only Yours Dear, Gallery No. 1, Repton, Derbyshire (Solo) Drawn for Something Else, Rogue Project Space, Manchester Now for Tomorrow II, Nottingham Castle Museum and Art Gallery, Nottingham Razzle: All That Jazz, Harley Gallery, Wellbeck Estate, Nottinghamshire 2015 In Miniature, Small Collections Room, Nottingham Contemporary, Nottingham Autocatalytic Future Games, No Format Gallery, London 2014 (detail), The Usher Gallery, Lincoln About Painting, Castlefield Gallery, Manchester 2013 Rotation New Court Gallery Repton, Derbyshire (Solo) 2012 Needle's Eye, BayArt Gallery, Cardiff 2011 Contemporary Perspectives on Water Colour, Mall Galleries, London

2014 «A Town Not This One,» Galerie Thaddaeus Ropac, Villa Kast, Salzburg, Austria, August 30 — November 15, 2014 «Folded Photographs,» Xavier Hufkens, Brussels, Belgium, February 6 — March 8, 2014 «Memento Mori,» Galleria Christian Stein, Milan, Italy, April 29, 2014 2013 «Ennui: La Vie Continue,» Galerie Thaddaeus Ropac, Paris, France, March 2013 «The End of the World,» Regen Projects, Los Angeles, CA, January 12 — February 16, 2013 2012 «Jack Pierson: Jesus and Nazimova,» Xavier Hufkens, Brussels, Belgium, September 7 — October 6, 2012 2011 «Jack Pierson: Twilight,» Elizabeth Leach Gallery, Portland, OR, June 2 — July 16, 2011 2010 «Jack Pierson,» Regina Gallery, Moscow, Russia, November 24 — January 15, 2011 «Jack Pierson: Drawings,» Galerie Thaddaeus Ropac, Salzburg, Austria, October 2 — November 20, 2010 «Jack Pierson,» Galerie Thaddaeus Ropac, Paris, France, July 6 — August, 2010 «Jack Pierson: Go there now and take this with you,» Bortolami Gallery, New York, NY June 24 — August 30, 2010 «Night,» Kukje Gallery, Seoul, Korea, May 4 — June 17, 2010 «Jack Pierson,» Regen Projects, Los Angeles, CA, March 12 — April 17, 2010 «Jack Pierson: New Photographs,» Galerie Sabine Kunst, Munich, Germany January 14 — February 27, 2010 2009 «Abstracts,» Cheim & Read, New York, NY, October 8 — November 14, 2009 «Jack Pierson,» CAC Malaga, Malaga, Spain, June 19 — September 27, 2009 «Jack Pierson,» Galleria Christian Stein, Milan, Italy, May 25 — July 31, 2009 2008 «Jack Pierson,» Xavier Hufkens, Brussels, Belgium June 19 — July 26, 2008 «Jack Pierson,» Irish Museum of Modern Art, Dublin, Ireland, March 11 — May 18, 2008 2007 «Jack Pierson,» Regen Projects, Los Angeles, CA, April 14 — May 19, 2007 «Jack Pierson: Self Portraits,» Sabine Knust, Münich, Germany, November 29, 2006 — January 27, 2007 2006 «Jack Pierson: The Golden Hour,» Aurel Scheibler, Berlin, Germany, December 1, 2006 — March 3, 2007 «Jack Pierson,» Centre D'Art Santa Monica, Barcelona, Spain, December 15, 2006 — March 4, 2007 «Jack Pierson: Recent Works,» Galerie Thaddaeus Ropac, Paris, France, June 29 — July 29, 2006 «Jack Pierson: Melancholia Passing into Madness,» Cheim & Read, New York, NY, March 30 — May 6, 2006 2005 «Jack Pierson: Early Works and Beyond - Goodbye Yellow Brick Road,» Daniel Reich Gallery in co-operation with Cheim & Read Gallery, New York, NY, December 15, 2005 — January 28, 2006; travels to Galerie Aurel Scheibler, Berlin, Germany, September 30 — November 13, 2006 «Jack Pierson: Self Portraits,» Alison Jacques Gallery, London, UK, October 20 — November 19, 2005 «Jack Pierson,» Javier Lopez Gallery, Madrid, Spain, June 8 — July 31, 2005 2004 «Jack Pierson,» Alison Jacques Gallery, London, UK, September 10 — October 9, 2004 «Self - Portrait,» Angstrom Gallery, Dallas, TX, June 12 — July 17, 2004 «Self - Portrait,» Regen Projects, Los Angeles, CA, June 4 — July 3, 2004 «Jack Pierson,» Galerie Sabine Knust, Munich, Germany, November 10 — January 22, 2005 2003 «Jack Pierson: One Adapts,» Cheim & Read, New York, NY, November 20, 2003 — January 3, 2004 «Jack Pierson,» Galerie Aurel Scheibler, Cologne, Germany, October 30 — December 20 «Jack Pierson,» Roger Bjorkholmen, Stockholm, Sweden, August 28 — September 24 «Jack Pierson: Why?

Grabner talks about her career, paintings, the Chicago art scene, and her curatorial projects with her husband Brad Killam, expressing in the interview that it is ironic that she is «now Chair of the Painting and Drawing Department at the School of the Art Institute of Chicago, a program that rejected my graduate school application.»

The last years of Vandenberg's artistic output were marked by intense investigations into the intersections of language, text and color that produced multi-layered and rich drawings, paintings and book projects and are now part of a titillating exhibition curated by the director of the CCA Wattis Institute for Contemporary Art, Anthony Huberman.

Selected recent exhibitions include: Painting Past and Present, The Laing, Newcastle; Drawing Now, Carousel De Louvre, Paris; Bad Objects, Little Deaths, Transition Gallery, London; The John Moores Painting Prize, The Walker Art Gallery, Liverpool; Me and My Shadow, Kate MacGarry, London; TOLD, Hales Gallery, London; You Would Cry Too If It Happened To You, Kusseneers Gallery, Antwerp; The Solo Project, Basel (Kusseneers Gallery); The Life Of The Mind, The New Art Gallery Walsall.

Instead, he appears to have derived his «projections» by drawing a line from 2002 to a selection of real projections in 2100 and ignoring the fact that the actual projections accelerate as time goes on, and thus strongly over-estimating the projected changes that are expected now (see here).

Over two - thirds of the 151 projects on the drawing board in May 2007 have been cancelled, and over 100 existing plants are now scheduled for retirement.