Separate Tables — Perhaps the film most responsible for my irrational hatred of Burt Lancaster, this dull
drawing room drama stars Lancaster, Deborah Kerr, David Niven (who won an Oscar) and Rita Hayworth as various residents of a vacation hotel who have a variety of tedious problems.
Not exact matches
Corset - y period
dramas of repression and oppression are not normally our go - to bag but aside from the leads, who we'd queue to see read an old - timey phone book, the film's setting is much grimier and more sordid than the
drawing room / china teacup variety of period
drama (in keeping with the naturalism and class setting of Zola's novel) and gives the advance look we've had an impressively distinctive look and feel.
To complicate his day, Mannix's New York boss orders him to change the image of singing cowboy star Hobie Doyle (Alden Ehrenreich) by casting him as the lead in a
drawing -
room drama directed by Lawrence Lorenz (Ralph Fiennes).
Drawing on her palette of inky, swampy, bottom - of - the - lake hues, easy - on - the eye neutrals and intoxicating brights, Abigail reveals how to build a
room through colour, showing how to up the ante with accents and focal points, layer lighting, add
drama through accessories, and play around with paint, fabric and pattern.
Black grounds the
room,
draws the eye to places oyu want the occupant to see, adds a bit of
drama.
Introduce a touch of
drama Add the wow - factor to living and
drawing rooms with rich claret and crimson shades, matched with the warmth of worn leather.