Sentences with phrase «drawing series began»

Not exact matches

I had no idea that when I drew this drawing back in March of 2010, that it would be the beginning of my Sophia series.
Two weeks ago Matt Mann, drawing on his 52 years of experience as a swimming coach, began a series of lessons in basic swimming by presenting his simple technique for teaching the crawl stroke.
Sure they've been in Formula E since the beginning as Abt but this is now a factory - entered effort, joining a bunch of other manufacturers that are being drawn to the all - electric series like a moth to a lightbulb (pun intended).
Tottenham began their tenure at Wembley with a series of bad memories and a poor record at the arena — August's draw with Burnley left the club with just one win from 11 attempts under the arch.
The referendum drive began earlier this year after a series of park district board decisions drew the ire of Citizens for Tax Moderation, a tax reform group composed mainly of longtime Gurnee residents.
That's the very venue where beginning in the late 1800s Plunkitt gave a series of remarkably honest, humorous and at times even persuasive interviews defending the concept of «honest graft» and other sage, streetwise learnings drawn from four decades in politics.
Last June, the White House interagency task force began drawing up a series of steps to turn the tide.
The debate over how to strengthen the Act is due to begin in Congress next month, and it will take months, or perhaps even the entire two - year tenure of this Congress, to reach a series of compromises and draw up a new act.
As the Nightmare team begins to prep another film in the series, the cast and creative team of the films find themselves drawn into a real life nightmare.
As a result, the plot of the screenplay by Jonathan Aibel and Glenn Berger (both of whom also wrote the original) comes across as a series of false starts and ends, as the extent of Shen's plan unfolds in chunks along with the facts about Po's past, and since the details of both are foregone conclusions from the beginning, the simple story feels drawn out for little effect.
This is where Melanie and «The Wanderer» (later to be renamed «Wanda») begin a long and drawn - out series of internal arguments, debates and conversations.
It's surprisingly fun to play but lacks the heart and quirkiness that drew people to the series to begin with.
But when he escapes from prison and begins a series of murders inspired by the work of other serial killers, she's reluctantly drawn into the attempt to catch him.
By the end of the school year, we had a series of recordings that the sixth grader captured — from the very beginning — digital ink colors — all the way through the girl drawing Early Literacy words, invented spellings, pictures on the screen, and telling a full story about a princess.
The Financial Times, a newspaper I greatly admire, today began a series that will chart «Amazon's ability to reinvent industries, drawing on over 50 interviews with former employees, clients, software providers, rival retailers, academics, bankers, and consultants.»
In fact, when Colin and Carson began working in earnest on the Wildwood series, they began with a map that Carson drew of Forest Park, and from there their imaginations soared.
Early installments in this double - tough - guy series, which began with The Monkey's Raincoat (1987), drew appropriate comparisons to Robert B. Parker's Spenser and Hawk.
Zero, unburdened by the need to accommodate the expanded cast of more recent entries, focuses on just two playable characters - stoic series regular Kazuma Kiryu and loose cannon Goro Majima - and two narrative threads, which begin some distance apart before inexorably drawing together and eventually becoming intertwined.
I began to have my suspicions about any painting of a woman with a book or a drawing - pad or a letter in her lap — the self - portrait pose (at the time, I was still working on a series of self - portraits begun five years before), particularly the beautiful painting of a woman before a window by David, which has since been attributed to Constance - Marie - Charpentier.
Katy Cowan: reflected - into - themselves - into - reflected includes seven new sculptures that begin in the gallery and spill out onto Lynden's grounds, as well as a series of preparatory drawings.
On the Bowery I made drawings for word - poem paintings that never got made and I began a series of 8» square border paintings with fields painted with rollers.
Drawn back into abstraction after moving to Southern California in 1966 to teach at UCLA, Diebenkorn began his most sustained and renowned period, during which he created the Ocean Park series.
Bahar Behbahani's new series of drawings of intricate patterns of flowers and plants began as ritualistic depictions for an extensive series of paintings entitled Persian Garden.
Bernstein's most well - known artworks are her subsequent series of biomorphic screw drawings, which she began in 1969.
Supported by fellowships, he spent time in France, where he spent a great deal of time drawing near a reconstruction of Brancusi's studio and Italy where he began painting a series of grids in random colors.
In the second edition of our South - South series, Goodman Gallery presents Let me begin again, an exhibition drawing parallels between artists from the Global South, whose work is situated within and beyond the afterlife of political revolution.
Culter is credited with coining the phrase the Gay Nineties from a hugely popular series of drawings of scenes and people in 1890s America which he published in Life magazine beginning in 1925 and continuing for several years.
The series Drawings for Sculptures of Buildings began in 2006 when Vanderlip was cutting silvered mylar into ellipses while making studies for her Truckhead sculptures.
In 1995, she bought a Mamiya camera and began the first of her illustrated journals or «Reisebuchs» a series of mixed media notebooks chronicling her world travels and composed of photographic self - portraits, collages, drawings, and writings in several languages.
Her most recent series, Chiral Drawings (2014 - 2016), began as an attempt to make a drawing using every single pen, pencil, crayon, and marker that she owns.
Beginning March 1, the foundation's Lounge Gallery will feature Bottrop's line - drawing paintings responding to the architecture of the Lounge Gallery itself alongside works from Oehlen's Computer Paintings, a series that the artist began in the early 1990s, which is now regarded as a turning point for contemporary painting.
In 1996, she began work on her Monument Drawings series, created, as with the Malcolm X series, as tributes to historical figures.
For this series, she began redrawing some of his original architectural drawings, plans and elevations from the 1960's and 70's, changed their scale, and using silvered mylar she collaged them to make the buildings take form.
In this series of drawing, which begin with an engraved element that remains the same in every drawing, gathering them together under one dark and mysterious banner, the stone cord object that hovers or is buried within the drawing becomes the central agent of the ensemble, visible but hidden, active but secret.
Soon after, Simmons began his first series of chalk drawings on blackboards, focusing on the development of racial, class and cultural identities in educational settings.
In a decisive move away from the experimental monochromatic series of white, black, and red paintings he created between 1951 and 1953, Rauschenberg began Collection by covering three panels with red, yellow, and blue fabric and layering them with innumerable collaged, drawn, painted, and sculpted elements.
The series had its origins in July 1962, when Dubuffet began a series of gouaches and drawings inspired by doodles that he had drawn in red ballpoint pen while he was making phone calls.
Best known for his iconic album covers and zine - style ink drawings featuring surfers, old - time baseball players, gangsters, religious nuts, trains, Gumby and the character Vavoom from the old Felix the Cat cartoon, Pettibon is also the author of a series of super-low-fi home videos, made with his friends beginning in the 1980s.
Robert Longo made a breakthrough at the very beginning of his career with his series of graphite and charcoal drawings of smartly dressed men and women named Men in the Cities.
The exhibition consists of a series of drawings which deal with human attraction to death and disaster, which are oftentimes also the beginning of freedom and adventure.
The series begins with a portrayal of a young androgynous girl which formally pays homage to Manet's strong black outlining of figures, drawing attention both to the surface of the picture plane and the paint.
Turning away from both guration and abstraction, Gaines began to create a series of dense hand - drawn grids used to trace the movements of choreographer Trisha Brown, mathematical equations, and trees.
In the Winter Workspace, Garner began a new series of multi-media works that draw comparisons between the human anatomy and plant structures that she observed in Wave Hill's Conservatory.
Claudia Parducci's investigation of survivalist strategies as a rational reaction to a political climate of fear began in 2007 in response to rhetoric around the Iraq war, leading to her multi-pronged Survival Project, which includes a series of drawings titled Disaster Manual.
The performer faces a corner in the gallery and begins to draw from her inner vocabulary to perform a series of movements, if the performer moves toward the corner the dowel across her shoulders comes in contact with the walls making a sound and a mark on the walls.
McCall, a seminal figure of the Expanded Cinema movement, began his «Solid Light Works» series in 1973, in which he draws on cinema, sculpture and drawing.
While the dates of this series and their related paintings overlap (the first paintings are dated 1958, while works on paper don't begin until 1960), it is widely acknowledged by Newman scholars that these ink on paper drawings play an important role in the development of the Stations canvases.
In 1950, Albers began what would be his most famous work, the Homage to the Square series, a body of more than a thousand paintings, drawings, prints, and tapestries, created over a period of twenty - five years.
A few years later, Schutz began drawing the «Self Eaters» Series, often as a non-conscious exercise while on the phone or doing something else — not focused on making a finished drawing.
My Boat Hulls series began in the marinas of Montauk, where I was drawn to boats in need of repair and refurbishing.
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