Sentences with phrase «drawings and prints center»

These abstracted and expressionistic drawings and prints center on a post - industrial, post agricultural landscape as they explore memory and experience, vastness and the precision of proximity.

Not exact matches

Ranging from restrained blue marks on a raw canvas ground to barely visible foot print traces on a naked canvas, his work draws on the performative «aura» of these marks and is fueled by a self - generated mythology centered on his studio practice and his infamous foot fetish.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

1999 The Nature of Abstraction: Joan Mitchell Paintings, Drawings, and Prints, Walker Art Center, Minneapolis, Minnesota (November 14, 1999 — May 28, 2000)

Viktor Popović's work has been shown in such venues as the Museum of Fine Arts, Split Croatia (2000, 2001, 2006, 2008, 2009, 2011 & 2017); Museum of Contemporary Art, Zagreb, Croatia (2010, 2011, 2015 & 2016); Lauba — People and Art House, Zagreb, Croatia (2011, 2012, 2013); Gallery of Fine Arts — Civic Museum Zadar, Zadar, Croatia (2005, 2010, 2011); Portland Art Center, Portland, Oregon, USA (2006); Glyptotheque — Croatian Academy of Sciences and Arts, Zagreb, Croatia (2003, 2006, 2008, 2009, 2012); Croatian Academy of Sciences and Arts — Department of Prints and Drawings, Zagreb, Croatia (2016); Garis & Hahn Gallery, New York, USA (2014); Kunsthalle Wien Project Space, Vienna, Austria (2012); Istria Museum of Contemporary Art, Pula, Croatia (2008, 2010); MUU Gallery, Helsinki, Finland (2009); Galérie Z, Bratislava, Slovakia (2006); Gallery of Arts, Slovenj Gradec, Slovenia (2002); Casal Balaguer, Palma de Mallorca, Spain (2002).

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Today the center's collection has grown to more than 45,000 prints, drawings, photographs, and artists» books, dating from the Renaissance to the present.

Drawn primarily from the Grunwald Center for the Graphic Art's Frank Lloyd Wright Japanese Print Collection, the exhibition will also include rare loans from the Norton Simon Museum, the Art Institute of Chicago, the Getty Research Institute, and the Beverly Hills Public Library.

From Nature, Prints and Drawings 1958 - 2007 Mary Ryan Gallery New York, NY Small Paintings and Works on Paper, 1957 - 2000 Hudson Walker Gallery at The Fine Arts Work Center Provincetown, MA

The collection of the UCLA Grunwald Center for the Graphic Arts comprises more than 45,000 prints, drawings, photographs, and artists» books dating from the Renaissance to the present.

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

Fellows will spend their time in residence at the Morgan Library & Museum with access to the Morgan's resources, including the collections of drawings and prints, the Thaw Conservation Center and the reference library.

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet) Mario Diacono Gallery, Boston, MA (booklet) Galerie Bruno Bischofberger, Zurich Wall Installation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installation, booklet)

6th floor International Center of Photography (ICP) at Mana: Red Spotted Purple: Roman Vishniac's Science Work ICP at Mana's inaugural artist - in - residence, Claudia Sohrens, was enchanted by Roman Vishniac's mounted prints — which had been used as display boards by scientific societies and research institutes — and she was drawn to the wordplay and poetry of his captions.

This year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of PhotographyPrints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photographyprints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photography (41).

Her prints, drawings and artist books have been included in numerous solo and group exhibitions throughout the United States, including The Drawing Center, New York and The International Print Center, New York.

Drawing on the legacies of conceptual and commercial photography, these artists pursue a largely studio - based approach to still - life photography that centers on the representation of objects, often printed matter such as books, magazines and record covers.

Mackintosh lost little time in making up for the late start, and generated multitudes of drawings, paintings, prints and ceramics during his career at Creative Growth Art Center in Oakland, CA.

DAVIDSON GALLERIES: 313 Occidental Ave. S. (Contemporary Print and Drawing Center and the Contemporary Painting and Sculpture Department) Paintings, sculpture and prints by Robert Marx.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

«The Loeb is pleased to have the opportunity to show these beautiful and impressive prints by Helen Frankenthaler,» says Patricia Phagan, the Philip and Lynn Straus Curator of Prints and Drawings at the Art Cprints by Helen Frankenthaler,» says Patricia Phagan, the Philip and Lynn Straus Curator of Prints and Drawings at the Art CPrints and Drawings at the Art Center.

1980 Islamic Illusions, Alternative Museum, New York, NY Retour Aux Sources, Une Exposition en Afrique D'Artistes Afro - Americains 1980, Galerie D'Art Mitkal, Abidijan, Cote D'Ivoire Afro - American Abstraction: An Exhibition of Contemporary Painting and Sculpture by Nineteen Black American Artists, Institute for Art and Urban Resources - PS 1, Long Island City, NY; Everson Museum of Art, Syracuse, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; Oakland Museum of California, Oakland, CA; Memphis Brooks Museum of Art, Memphis, TN; Art Center, South Bend, IN; Bellevue Arts Museum, Bellevue, WA Dialects, Franklin Furnace, New York, NY Color and Surface, Touchstone Gallery, New York, NY The Nineteen Seventies: Prints and Drawings, Museum of the National Center of Afro - American Artists, Boston, MA 10 + 10: An Invitational, Miami - Dade Public Library, Miami, FL

The Art Center's collections chart the history of art from antiquity to the present and comprise over 21,000 works, including paintings, sculptures, drawings, prints, photographs, and glass and ceramic wares.

New paintings, drawings, photography, prints, and collages demonstrate the intense study by teens participating in Hyde Park Art Center's in - house arts mentorship programs: ArtShop, Writer's Block, and Youth Art Board.

Patricia Phagan is The Philip and Lynn Straus Curator of Prints and Drawings at The Frances Lehman Loeb Art Center, Vassar College.

There was a survey of the artist's paintings and drawings at the Los Angeles Municipal Art Gallery in 1984 and an exhibition of drawings and prints at the UCLA Grunwald Center for the Graphic Arts in 1991, but there hasn't been a major survey of Almaraz's paintings since his death.

1985 Funded the Aaron Siskind Center for Photography within the Department of Prints, Drawings and Photographs at Rhode Island College of Design.

Her work is in the permanent collection of numerous museums and institutions including The Museum of Modern Art, NY; The Metropolitan Museum of Art, NY; The Brooklyn Museum of Art, NY; The Museum of Prints and Drawings, Berlin, Germany; The Museum of Fine Arts, Boston; The British Museum, London, England; The Museum of Fine Arts, Houston; The Arkansas Arts Center, Little Rock; and the National Museum of Women in the Arts, Washington, DC to name a few.

Ten important works from the Grunwald Center's collection are currently on view in the exhibition, Noir: The Romance of Black in 19th - Century French Drawings and Prints, which will be open at the Getty Museum until May 15, 2016.

Like previous editions, Traces VI is held at the Jerusalem Artists» House and several other venues in the city center (Ticho House, The Jerusalem Print Workshop, Agripas 12 Gallery, and Barbur Gallery), which together unfold the state of drawing in Israel and various aspects associated with it.

It is accompanied by a digital print and a five - minute film, Conceptual Drawings for a Chandelier, 1965, segments of which were shot on location at the Metropolitan Opera House at Lincoln Center.

2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

The Student Picks program is supervised by Colleen McDermott, Brown Post-Baccalaureate Curatorial Fellow in the Cunningham Center for the Study of Prints, Drawings and Photographs, SCMA.

La Jolla, CA, at the Miami Beach Convention Center, FL, Art Miami «92 Galerie Joachim Becker, Paris, Tom Wesselmann Drawings and Steel Drawings / Roy Lichtenstein Haystacks Lingotto, Torino, Italy, Arte Americana 1930 - 1970 Seventh Regiment Armory, New York, Sidney Janis Gallery, New York, The Art Show Tasende Gallery Booth, Yokohama, Japan, The Yokohama Art Fair Carl Solway Gallery, Cincinnati, 30th Anniversary Exhibition: Important Paintings, Drawings, Sculpture and Prints Isetan Museum, Tokyo, Figures of Contemporary Sculptures, 1970 - 1990): Images of Man, exhibition traveled to Daimaru Museum, Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima) Sidney Janis Gallery, New York, 20th Century Masters — Works on Paper Fondation Cartier pour l'art contemporain.

2000 Art of Our Century, Part II, The Appleton Museum of Art, Ocala, FL Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY Die Sammlung Erling Neby im Arithmeum (Geometric Constructivist Art from the Collection of Erling Neby), Bonn University, Bonn, Germany Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, NC In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, NY Pasted Pictures: Collage and Abstraction in the Twentieth Century, Knoedler & Company, New York, NY 2000 Collector's Show, Arkansas Art Center, Little Rock, AR

Schutz was in Atlanta for the opening of Drawings & Prints, her exhibition at the Atlanta Contemporary Art Center (ACAC), and was...

Roberts joins recently hired Francesca Consagra, senior curator of prints and drawings, and European painting, and Ray Williams, director of education and academic affairs, as well as Annette DiMeo Carlozzi, now serving as Blanton curator at large, to further establish the museum nationally as a center for innovation and excellence in the arts.

[35][34][36] The Lunder Center has five conservation laboratories and studios equipped to treat paintings, prints, drawings, photographs, sculptures, folk art objects, contemporary crafts, decorative arts, and frames.

Her work has been exhibited internationally in Belgium, Germany, Switzerland and Slovenia and nationally throughout the U.S., including, National Museum of Women in the Arts, Queens Art Museum, Crystal Bridges Museum, Museum of Contemporary Art Detroit, Grand Rapids Art Museum, the Detroit Institute of Arts, The Drawing Center, and The International Print Center New York.

They will be housed in the Steven Leiber Conceptual Art Study Center, which, as Cannizzo explains, «will be part of a larger center called the Works on Paper Study Center, what we now call in this building, Print Storage, which has prints, drawings, and photogCenter, which, as Cannizzo explains, «will be part of a larger center called the Works on Paper Study Center, what we now call in this building, Print Storage, which has prints, drawings, and photogcenter called the Works on Paper Study Center, what we now call in this building, Print Storage, which has prints, drawings, and photogCenter, what we now call in this building, Print Storage, which has prints, drawings, and photographs.

The exhibition is organized by the Hammer Museum and the Los Angeles County Museum of Art, and is curated by Cynthia Burlingham, director of the Grunwald Center for the Graphic Arts and deputy director of collections at the Hammer Museum, with Britt Salvesen, department head and curator of the Wallis Annenberg department of photography and department head and curator of prints and drawings, and Leslie Jones, associate curator of prints and drawings, at the Los Angeles County Museum of Art.

New paintings, drawings, photography, prints, videos, and collages demonstrate the intense study by over 20 teens participating in Hyde Park Art Center's five teen programs: Writer's Block, @rt + Tech Studio, Photo Studio, Youth Art Board and ArtShop.

1987 Painting, Jan Turner Gallery, Los Angeles, CA Prints and Drawings by 17 Bay Area Masters, Natsoulas / Novelozo Gallery, Davis, CA American Painting: Abstract Expressionism and After, San Francisco Museum of Modern Art, San Francisco, CA Selections from the Collection, University Art Museum, University of California at Berkeley, Berkeley, CA A Painterly Vision: California 1960s Paintings and Works on Paper, Stephen Wirtz Gallery, San Francisco, CA Bay Area Influences: Four Artists: Palo Alto Cultural Center, Palo Alto, CA

Burge's first solo Philadelphia exhibition comprises prints, drawings, a video, and photographs displayed in one half of the Print Center's second floor, while two site - specific works are installed in the other half.

«Reverse Reflections Prints and Drawings,» a solo show by Valerie Hammond, is currently on display at the Kleinert / James Center for the Arts, 36 Tinker St., Woodstock.

Gorgeous prints and drawings by Alice Thompson Art will be on view in the Spring Fever Craft Market at Main Line Art Center next Saturday, May 5th.

Viewpoint: the Artist as Photographer, Summit Art Center, New Jersey, November 4 — December 30, 1984 (Catalogue) Drawings by Contemporary American Figurative Artists, Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, September 26 — November 4, 1984 Art of the States: Works from a Santa Barbara Collection, The Santa Barbara Museum of Art, California, June 22 — August 26, 1984 (Catalogue) The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, Williams College Art Museum, Williamstown, Massachusetts, May 5 — July 16, 1984.

Concept / Image / Object: Recent Gifts for the Lannan Foundation, Department of Prints and Drawings, Kovler Gallery, The Art Institute of Chicago, December 6, 1997 — May 7, 1998 From the Collection of Trustees and Friends of Roanoke College, Olin Gallery, Roanoke College, Salem, Virginia, October 26 — November 21, 1997 Thresholds: Limits of Perception, Curated by Denis Pelli and Ana Maria Torres, Eighth Floor Gallery, New York, October 14 — 25, 1997 (Included a day - long symposium, Theories of Vision, on October 17 at the New York University Cantor Film Center.)

John Cage (1912 - 1992), 30 Drawings by Thoreau, 1974, color lithograph on paper, 30 x 20 inches, Joel and Lila Harnett Print Study Center, University of Richmond Museums, Museum purchase, funds from the Louis S. Booth Arts Fund, H2012.10.03 © John Cage Trust at Bard College