Sentences with phrase «drawings and prints owned»

Not exact matches

I declined as I didn't want to profit from this gift I was given, but as I know from the story of the Samaritan woman at the well in John 4 that the Lord uses testimonies to draw others to Himself, so at my own expense I had my testimony printed at a local print shop for a few hundred dollars, and am distributing it with New Testaments to people as the Lord leads.

You can also download and print a guide online if you're not comfortable with drawing your own webs.

GPI owns all right, title and interest in the copyrights to this drawing and to these prints.

, googly eyes, black wire for the whiskers, glue and some ears (you can print out a template or just draw and cut out your own ear shapes), and voila!

Go apple picking Jump in a pile of leaves Make some autumn art Collect colourful fall leaves Collect seeds from plants in the garden Plant bulbs for next spring Make a bird feeder Make leaf prints Make pumpkin playdough Create an Autumn poem Go looking for spider webs Make a nature table with your Autumn finds Bake an apple pie Carve your own pumpkin Make Autumn sun catchers Go on a bat watch at dusk Make toffee apples Set up a scavenger hunt Collect sycamore seeds Grab an umbrella and go singing in the rain Throw a Halloween party Make an autumn wreath for your door Make a bug hotel Listen to the sound of leaves crunching under your feet Collect conkers Collect pinecones Collect twigs Make hot chocolate Draw or paint some autumn still life Attend harvest festival Make apple crisps / chips Remember what you're thankful for Take pictures of all the different colours you can find in a woodland Make leaf rubbings Go stargazing Have an autumn picnic Look for a full moon Go trick or treating Try apple bobbing Make apple sauce Fly a kite Make a windsock Dry orange slices Roast pumpkin seeds Make Halloween biscuits Make a rain catcher Build an indoor fort Collect acorns Donate old woollens and coats to a charity Help clear leaves from the lawn

The survey, which drew most participants through Nature's print edition and web site and was intended as a rough measure of opinion, also revealed how researchers are confronting the increasing availability of information about their own genomes.

You can upload your own artwork or photos to create stunning art prints — silhouettes of your kids or pets, custom maps, drawings, wedding vows and house portraits are all available.

To get the class thinking about their own identity, I print off the slide handout sheet from powerpoint and photocopy this for the students, then I give them 2 or 3 minutes on each slide to complete their own mini-self-portrait in response to each image (e.g. draw your own favourite shoes or sign your name...).

Students could design and drawn own tag or outlines of tags can easily be found and printed from the internet.

The resource also contains a cut and stick activity and a draw your own life cycle activity, that you can print for your students.

Word searches - 2 word searches with words and pictures Writing pages - a collection of photocopiable sheets with toy themed borders Writing worksheets - a collection of worksheets with toy pictures and lines below for writing My favourite toy - draw and write about your favourite toy Word mat - an A4 word mat with words and pictures to use for writing activities Number line - a number line to 100 on colourful toys Alphabet line - a colourful alphabet line Flash cards - word and picture cards of lots of different toys Design a toy - a worksheet for your toy design Colouring pictures - a collection of colouring sheets Tracing pictures - pencil control sheets - great for younger children Book cover - a book cover to colour to use to keep all the topic work together Bingo - print and make this colourful toy themed bingo game Matching pairs game - match the toys Number dominoes - a toy themed game Label the toys - label some different toys Counting cards - cards with numbers 1 - 10 and the corresponding number of toys Size ordering - order the Russian dolls in size order - in colour and black and white Literacy worksheets - match labels to toys, write initial sounds, write words to describe different toys Play dough mats - a collection of activity mats to use in the play dough area Old toys posters - colourful posters showing some old toys Old and new posters - compare the old and new versions of some different toys Baby and child toys - an activity to sort the toy pictures into ones you had as a baby and ones you have now and a worksheet to accompany the activity Our favourite toys - find out about and draw your parents favourite toy and grandparents favourite toy when they were little Push and pull - look at some different toys and talk about what force is used to make them move Write a story - a decorated worksheet for writing a story about your toys Make some toys - photocopiable sheets for making 15 different simple toys such as split pin puppets, a jigsaw, a marble maze, a die to use with the snakes and ladders board Toy shop role play pack - a full pack of resources to set up your own toy shop in the classroom Includes display materials, games, Literacy and Maths activities, story telling resources plus much more

Of more use to average reading consumers is 1DollarScan's other key feature, the ability to create ebook editions out of print titles that users already own; again, this ability to store and access the content is the real draw, as well as offering readers the chance to save their book files in the event of pending damage.

They can digitally draw on the templates and even add their own images to the design then print them off to cut and construct.

Gamebooks [ii], for example, draw on the Choose Your Own Adventure books (and also role - playing games) Storybook apps take their name — and core form — from print storybooks, with the typical addition of animated objects, voice recording to retell the story, etc..

He recently saw me working on my Eiffel Tower print and he did a few tower drawings of his own for me to use so that I wouldn't have to stay up so late working.

Visitors will be invited to stroll the UMFA's American and Regional galleries to study the assortment of still life paintings and prints, and then use props to draw their own still lifes with pastels in the education classroom.

It now owns more than 4,000 drawings, paintings, prints, photographs and sculptures.

The show will feature approximately 60 paintings, from the mid-1990s until recently — drawn from the museum's own collection and many others — as well as custom - printed wallpaper and artist's books made specifically for the show.

The Gallery owns 16 works by the artist, including drawings, prints, and sculptures.

Byington begins by collaging photocopies of his own drawings in parallel with fragments from 18th and 19th Century prints.

The project includes exhibitions featuring archival materials, samples of their own productions, and printed matter drawn from workshops and consultation sessions.

Comprising wide - ranging imagery and materials, including small - scale drawings, screen prints, and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing, and installation.

Bringing together for the first time all of Johns» light bulb sculptures and related drawings and prints — including several drawings and modified prints from the artist's own collection — this volume offers an unparalleled opportunity to examine Johns» practice through a single image and reveals significant relationships between his two - and three - dimensional work.

The exhibition also includes 19 drawings and prints from the Gallery's own collection.

The letter «urge [s] the UK's national museums to follow the example of a growing number of international museums and provide open access to images of publicly owned, out - of - copyright paintings, prints and drawings so that they are free for the public to reproduce.»

Sontheimer renders the stacked, maze - like planes of his dialogue in both printed text and his own handwriting, often punctuated with his own sidebar comments about formal elements within the drawings.

Today the Museum owns approximately 3,300 prints and almost 700 drawings.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

Drawn from the Louisville, Ky. museum's holdings and supplemented with eight prints owned by the Amon Carter, this show represents the full range of Whistler's lithographic career and includes his ethereal images of London's Thames River at night, as well as his daringly modern depictions of family and friends.

Whether it be a discarded «tag» or graffiti spray painted on a FedEx sticker, torn sheets of printed material from street billboards or ledger paper and drawings from Ernst's own sketchbook, the work reveals an organic variety of texture and immediacy.

The Foundation owns over 8,000 works comprising paintings, drawings, watercolors, complete editioned prints, stage design, multi-camera movies, and other media.

Featuring super-8 films, photographs, slides, drawings, prints, objects and sculptures, Ana Mendieta: Traces will not only follow a chronology, but will look at the artist's entire oeuvre through the lens of her own time, bringing it afresh to the beginning of the 21st century.

This exhibition is part of a series of exhibitions at the University Museum of Contemporary Art in which artists are encouraged to integrate their own works with pieces they select from the museum's works - on - paper collection, which includes over 3000 contemporary prints, drawings, and photographs.

This exhibition is the first in a series of exhibitions to take place at the University Gallery in which artists are invited to integrate their own works with pieces they select from the Gallery's works - on - paper collection, which includes over 2600 contemporary prints, drawings, and photographs.

She created a series of digital prints on silk drawing upon historical depictions of the spice trade combined with her own drawings that are inspired by botanical research to illuminate the transhistoric weight of spices, silks and colors that have propelled forward countless caravans and ships in the birthing of globalization.

This exhibition is a part of a series of exhibitions at the University Museum of Contemporary Art in which invited local artists exhibit their own artworks in juxtaposition with pieces they select from the museum's permanent collection, which includes over 3000 contemporary prints, drawings, and photographs.

Since the 1960s, Latvian - born artist Vija Celmins has been creating photorealistic paintings, prints, and drawings, using her own photographs as well as those culled from books and magazines as models.

By 1943, Stein owned more than 100 paintings, drawings, prints, sculptures, and ceramics by Matisse, including his haunting 1916 portrait of her, and the enchanting Woman with a Hat (1905).

Bochner's initial idea was to ask his artist friends to loan him their working drawings for the exhibit, but there was no money to frame each piece, so Bochner compiled notebook pages of print material and working drawings by Donald Judd, Carl Andre, Jo Baer, John Cage, Tom Clancy, Dan Flavin, Milton Glaser, Dan Graham, Eva Hesse, Alfred Jensen, Michael Kirby, Sol LeWitt, Robert Mangold, Robert Moskovitz, Robert Smithson, and others into a xeroxed volume which was then presented in four identical copies, each on their own pedestal.

Rabley Drawing Centre's termly print sessions are delivered on a weekly basis with up to 9 participating artist — printmakers developing their own print project with technical support and advice.

Comprising wide - ranging imagery and materials, such as small - scale drawings, screen prints and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing and installation.

The show explores the artists» close friendship and how their prints and drawings informed their own individual creative practices.

She also created her own artist's log of the trip, designing and printing the paper in advance, and recording her thoughts, whether in the form of doodled drawings or writing.

Find inspiration in our current exhibition «Frank Stella Prints» and create your own drawings with stencils and scratch boards.

The artist draws viewers into her works through details within acetone - transfer prints of small photographs takes from the internet and Crosby's own photographs, in addition to magazines and advertisements.

«He's really among the top two or three most brilliant practitioners of the monotype,» says Hilarie Faberman, curator of modern and contemporary art at Stanford's Cantor Center, which owns about 40 of Oliveira's drawings, paintings, prints and sculptures.

Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.

Ten block prints and one drawing by Belle Baranceanu (1902 — 1988), selected from the San Diego History Center's own fine art collection, represent her as a key figure in the history of San Diego art.

In the spirit of multimedia editions of the past such as Andy Warhol's Index and the mid-sixties journal Aspen, The Sleepwalkers Box is designed to encourage audiences to create their own multisensory experiences as they explore a kaleidoscopic universe of printed images, motion pictures, and audio recordings drawn from Doug Aitken's groundbreaking 2007 Museum of Modern Art public film installation.

The exhibition also features preparatory drawings, the 1974 print series Eccentric Polygons based on the Irregular Polygons, and materials for visitors to make their own polygons