Sentences with phrase «drawings and sculpture which»

Included will be drawings and sculptures which explore the lives of teenagers and the ordinary people (and subcultures) who make up the fabric of urban life in Philadelphia.

Enrico David is a contemporary surrealist who creates rich and profoundly original painting, drawing and sculpture which are disconcerting, confrontational and beautiful.

Not exact matches

A Key stage 3 project which starts with Figure drawing of class mates and then looks at the modern sculptures and uses them to simplify their figures into abstract shapes.

Open since 1972, it is home to over 200 paintings, drawings, sculptures, and engravings, among which the collection of Contemporary Expressionists.

Budding art aficionados will love the Museé Magritte, which is in the former Altenloh Hotel, and has more than 200 of Magritte's works, including paintings, drawings, and sculptures, as well as musical scores, photos, and films.

The design concept draws on creative collaboration of local Sri Lankan artists including Ena de Silva's legendary batik work, sculptures and an incredible chandelier, which hangs in the main restaurant designed by the renowned Laki Senanayake.

Opening: Siah Armajani at Alexander Gray Associates This show will feature drawings, models, and sculptures from Siah Armajani's ongoing «Tombs Series,» in which the artist eulogizes poets and philosophers who inspire him, albeit in very abstract ways.

As far as painting specifically is concerned, Mrs. Ellis finds that it has one immediate advantage for the young lady over its rival branch of artistic activity, music — it is quiet and disturbs no one (this negative virtue, of course, would not be true of sculpture, but accomplishment with the hammer and chisel simply never occurs as a suitable accomplishment for the weaker sex); in addition, says Mrs. Ellis, «it [drawing] is an employment which beguiles the mind of many cares... Drawing is, of all other occupations, the one most calculated to keep the mind from brooding upon self, and to maintain that general cheerfulness which is a part of social and domestic duty... It can also,» she adds, «be laid down and resumed, as circumstance or inclination may direct, and that without any serious loss.drawing] is an employment which beguiles the mind of many cares... Drawing is, of all other occupations, the one most calculated to keep the mind from brooding upon self, and to maintain that general cheerfulness which is a part of social and domestic duty... It can also,» she adds, «be laid down and resumed, as circumstance or inclination may direct, and that without any serious loss.Drawing is, of all other occupations, the one most calculated to keep the mind from brooding upon self, and to maintain that general cheerfulness which is a part of social and domestic duty... It can also,» she adds, «be laid down and resumed, as circumstance or inclination may direct, and that without any serious loss.»

The exhibition which opened on Sunday at Shanghai's contemporary art museum features over 300 paintings, photographs, screen prints, drawings, 3 - D installations and sculptures including iconic works such -LSB-...]

Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.

She uses imagery culled from cinema and art history to create works in video, sculpture, painting, and drawing, which set up ambiguous juxtapositions of time and space.

Personally, as a painter who's been making sculpture as a way back to painting, if that ever occurs, few painters today seem to add anything new to painting unless they admit to themselves, as I finally did, that painting is nothing more, and nothing less, than flattened sculpture, which in turn is a subset of drawing.

Cannily chosen and installed by Papanikolas, the exhibition's 45 works of art, which include paintings, sculptures and drawings, are a pleasure in terms of sheer numbers.

These complex and varied interests form the foundation of his larger - scale sculptures and installations, which draw on a long and rich tradition of Belgian Surrealism.

Related source material, drawings, and studies will accompany the panoramic mural, as well as paintings and sculptures of the period, among which are works from the companion exhibition that was held at Castelli Gallery at 420 West Broadway from December 1983 to January 1984.

Working across sculpture, painting, photography, drawing, artist's books, and film, Andro Wekua creates intricate environments in which the various elements form unexpected and often dream - like relationships.

This exhibition draws together photographs and sculptures with a minimalist aesthetic which relate to structures, form, space and colour beyond the landscape.

Bunikyte's large paper sculpture, Zero Point Field (2015), is a remarkable piece that speaks to the meditative process by which it was created: it features tiny, hand - drawn markings to form overlapping blocks of color — red, blue, and black, of course.

The diverse meanings placed on the horizon — which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include painting, sculpture, drawing, video, and installation.

CHICAGO - Diane Simpson's sculptures, which are made from planes she cuts and scores when she wants to curve them, always begin with a drawing.

In addition to Serra's has a forthcoming large - scale sculpture, which is set to be unveiled in May 2015, the artist will have a show of drawings with Zwirner next month --» Richard Serra: Vertical and Horizontal Reversals, and currently has a display at Gagosian Davies Street London to coincide with the artist's Britannia Street show.

A rising figure in the contemporary art world, Wade Guyton uses accessible technology to create paintings, drawings, and sculptures that address his viewer's evolving relationship to the digital and the ways in which mechanized images become physical works.

Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DecembeDrawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Decembedrawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.

Although Paris and New York's Galerie Lelong presented a bevy of 11 artists, including Kiki Smith's avian sculptures and David Nash's rune - like charcoal drawings, each was given an apse in which to thrive.

The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2

The one exception is Paul Noble who is showing five new pencil drawings and marble sculptures from a long - running project in which he depicts the fictional place Nobson Newtown.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

Rachel Feinstein's idiosyncratic oeuvre is diverse in mediums and influences; while she works primarily in sculpture, the artist's paintings, drawings, and installations are equally important vehicles through which themes of femininity, beauty, and literature are explored.

But the lackluster notes are tempered by cool weirdness: A Mai - Thu Perret rattan sculpture of a donkey; a suite of early - 20th - century drawings by Marguerite Burnat - Provins in which cats or swans play with disembodied human heads; and funky, small sculptures by David Hominal which place discrete objects — one of which looks a whole lot like a used crack pipe — atop painted metal cans.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

This relatively simple procedure — which combines elements of drawing, printmaking, and sculpture — generates sophisticated and unexpected compositions that capture both the indexical and the more elusive properties of objects.

Encompassing sculpture, drawing, text, and video, many of Halilaj's works incorporate materials from his native Kosovo and manifest as ambitious spatial installations through which the artist translates personal relationships into sculptural forms.

His practice has incorporated drawing, video, sculpture — even hibernating snails, which will be scattered through his presentation of graphics and sculptures in the Frame section of Frieze New York.

Fontana's «Crocifisso», 1948 modeled in clay and painted in a lush polychrome glaze could have been paired with de Kooning's crucifixion drawings or his strikingly similar bronze works to which Suzanne Hudson refers in her text, however, we selected a body of painting on paper which, Hudson notes with interest, immediately follows de Kooning's brief five - year encounter with sculpture and «preserve the sensation and bodily impressions of pliant clay.»

His reflections result in the creation of sculptures constructed by chance and derived by rapid drawn images which will also be on display.

The Monument Drawings bear an intimate relationship to the sculpture and writing on which Chase - Riboud's reputation rests.

Showcasing the modern mastery of his paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.

The artist's background in design informs her practice, which employs a variety of media: from video, sculpture, found drawings and street signs - to American security policy and the patterns used for traditional Persian carpets.

The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of photographs documenting stage sets designed by the artist for various performances, as well as public works realized across Europe, Asia and the United States.

avaf fuses drawing, sculpture, and performance into carnavalesque installations in which gender, politics, and cultural codes float freely.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

C.T. Jasper's works have been presented in exhibitions in North America, Europe, Asia, Australia and the Caribbean and at numerous institutuions across these regions, some of which include: The Sculpture Center, New York City; The Bronx Museum, New York City; The Drawing Center, New York City; The Centre for Contemporary Art, Ujazdowski Castle; The Zacheta National Gallery of Art, Warsaw; Fondazione Querini Stampalia, Venice; The National Gallery, Prague; Kunstsammlungen Chemnitz; DePaul Art Museum, Chicago; Contemporary Art Centre, Vilnius, Lithuania; Hirshhorn Museum, Washington D.C.; Australian Centre for Contemporary Art, Melbourne.

Students worked throughout the fall term on their projects for this exhibition, which included mixed - media sculptures, collages, and drawings.

Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own «spiritual - metaphysical experiences.»

His body of work encompasses painting, sculpture, photography, and drawing, in which he examines the role of the artist, the creative process, and the self - made universe of the artist's studio.

In 1969, she worked on large multi-part, figurative clay sculptures, drawings and monoprints, which remained the major focus of her work throughout the 1970s and «80s.

Mika Tajima employs sculpture, painting, video, music, and performance, often drawing on contradictions in modernist design and architecture to consider how the performing subject (e. g., speaker, dancer, designer, factory worker, musician, filmmaker) is constructed in spaces in which material objects outline action and engagement.

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

Honor Fraser will recreate a 1981 installation of unique artist books by Alexis Smith (b. 1949), which will be exhibited for the first time in decades, while Simone Subal Gallery will present rarely seen sculptures, paintings and drawings by Irish artist and writer Brian O'Doherty (b. 1928).

Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed from museums and private collections worldwide, as well as works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.