As Twombly told the critic David Sylvester, «the Mediterranean is always just white, white, white»: in the 24
drawings called Poems to the Sea the colour blue barely appears, and yet the cursory lines and spots create a sea of the mind's eye — hours of contemplation transformed into a few cryptic marks.
Not exact matches
In a series
called «
Poems of the Desert,» she
drew shapes and selected colors from the landscape around her.
But as happens with most painters working within this style, an emphasis is inevitably
drawn to feeling (the poet and MoMA curator Frank O'Hara, writing at the same time when the major painters of the time were working, has a
poem called «In Memory of my Feelings»).
One of them, a 1959 group of 24
drawings by Twombly
called «
Poems by the Sea,» sold for $ 21.7 million, surging past the estimate range of $ 6 million to $ 8 million.
Jargon 2 was
called The Dancer and consisted of a
poem by Joel Oppenheimer and a
drawing by Robert Rauschenberg.
He moved to New York City in 1954 and joined the pop art movement, using distinctive imagery
drawing on commercial art approaches blended with existentialism, that gradually moved toward what Indiana
calls «sculptural
poems».
The central majestic triptych, First Person Shooter,
draws upon a plethora of references ranging from Dulce et Decorum Est, a
poem by Wilfred Owen (1893 — 1918) a veteran of the World War I who denounced the glorification of war and exposed the true horror of it, to the popular video - game franchise
Call of Duty.
The work is a series of
drawings, paintings and text Kelley
called an «epic
poem» inspired by a visit to the Los Angeles Zoo's Monkey House.