Sentences with phrase «drawings explore the relationship»

His sculptures, paintings and drawings explore the relationship between art and science, the human body and the perception of beauty, among other things.
In these drawings he explores the relationship between an artist and his models: the dilemma of a blank canvas, the focus on the voluptuous model or a bow to earlier masters.

Not exact matches

The reading curriculum, drawn from Epictetus, Aristotle, Thomas Aquinas, and Bertrand Russell, will explore the nature of happiness and its relationship with truth, religion, the public interest, and other important concepts.
Because events and processes are seen, at least in this school as in Buddhism, as inextricably interconnected, one is drawn to explore these relationships.
I am drawn to explore and deepen the relationship of mind and body and the awareness of self in movement.
The more technical parts of Provine's work — exploring the neuromuscular control of laughter and its relationship to the human and chimp respiratory systems — draw on his training at Washington University in St. Louis under Viktor Hamburger and Nobel laureate Rita Levi - Montalcini.
The survey drew from interviews with parents of more than 92,000 children aged 0 to 17 years to explore the relationship between ACEs, such as witnessing domestic violence, and the development of asthma.
If you find yourself drawn to emotionally unavailable people, people who are married, or people in committed relationships, then I suggest you explore your own fears of being in a committed relationship.
Drawing on in - depth interviews with over a hundred women and men, Opening Up explores the real - life benefits and challenges of all styles of open relationships — from partnered non-monogamy to solo polyamory.
It is interesting that visual artists have drawn on the richness of film titles, exploring the relationship between text and image in this context, but this is not a subject that has generated much interest in the area of film criticism.
In spite of an awkward setup, what had initially drawn me in was the early hints that Killing Ground might explore in some depth the political significance of white Australia's relationship to landscape and the changing mythology around survival.
Drawing, like Suspiria before it, on Thomas de Quincey's mythology of The Three Mothers, it explores the long - distance relationship between Rose (Miracle) and her brother Mark (McClosky), who inhabit apartment houses in New York and Rome.
To explore the relationship between neighborhood characteristics and school participation rates, we compare the characteristics of neighborhoods where in - boundary schools draw the highest proportions of students (e.g., those with boundary participation rates above the 75th percentile) to other school neighborhoods.
This is not the place to explore in detail the nature of the ambiguous relationship to medicine of medieval Islam, to which I. Goldziher, B. Reinert, and F. Rosenthal have been prominent in drawing attention, but it seems important to underline certain of its features, in order to show that it was indeed strong enough to serve as a possible motive for the taking up of the figure of al - H??
This 7.5» x 4» drawing depicts over 60 species found on Santa Cruz Island, and explores themes including the relationship between invasive and endemic island species, terrestrial and marine resource use by native peoples, and the near - extinction of the Santa Cruz Island Fox.
NurtureArt's «Becoming Beast» features work from Laura Bernstein, who uses sculpture, drawings and multi-channel video installation to explore the relationship between the exemplary and freakish.
«RASHID JOHNSON: Anxious Men» @ The Drawing Center New York, N.Y. Over the past 15 years or so, Rashid Johnson «s practice has explored a range of themes, including «the black experience in America, the dialogue between abstraction and figuration, and the relationship between art and personal identity.»
Spanning acrylic and oil paintings, gouache and paper collages, patchworks made from fabrics and paint, silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.
Drawing from art historical and literary sources, she creates and deconstructs scenarios that expose biases and prejudices, exploring the power struggles underlying personal and political relationships.
Exploring the possibilities of punctured shapes, and the relationships between painted surface, drawing, and the wall, Mangold's new works are a continuation of ideas explored in Pace's 2014 exhibition Robert Mangold.
Her delicately drawn characters explore the fluidity of identity — sexual, cultural, personal and political — and the ambiguity in relationships with one another.
Jenkins Johnson Gallery is pleased to announce Gordon Parks: Legacy; a multi-media exhibition exploring the relationships between the works of Gordon Parks and the works of artists he inspired, collaborated with, and drew inspiration from.
He writes his own software for drawings, while exploring relationships between various mediums, including drawings, video games, paintings and code.
In an attempt to both explore the history of LeWitt's public projects and to record his long - lasting relationship with P.S. 1, the artist has recreated Crayola Square, a Crayola crayon wall drawing originally created in 1971 at the Brooklyn Bridge Event.
During their 12 month residency, Golding and Hughes had the opportunity to draw upon the SLG's existing relationships with neighbouring housing estates, schools, institutions and individuals, to explore the sonic properties of the area, or develop responses to shared spaces and experiences found within Camberwell and Peckham.
The solo exhibition of 40 paintings and drawings by Scott McIntire explore the relationship between art, nature and science and the environmental effects of technology.
Organized by Fairfax Dorn and drawn from the collection of the Linda Pace Foundation, Localized Histories brings together work by Leonardo Drew, Tony Feher, Isa Genzken, Trenton Doyle Hancock, Thomas Hirschhorn, Christian Marclay and Linda Pace to explore «the relationships between the static, found objects and their temporal nature to create something which extends beyond painting and sculpture.»
Using sculpture in the Bat Parts series and drawings in Endcuts, Taylor's compositions suspend in air and explore the relationship between form and light.
This ensemble of objects and drawings explores the complex relationship between sound and image, and yields a range of conceptual and phenomenological tensions: between active and passive, presence and absence, creation and destruction.
Three - dimensional depth map sculptures drawing on «the formal relationship of both the photographic negative and the binary relationship between cast and mould» will populate the site - specific networked installation, taking over the entire building and exploring «the mutability of symbolism held in form» in dialogue with its architecture.
She works with both traditional and non-traditional materials in a contemplative painting and drawing practice that explores the surface, objecthood, color, language, spatial relationships, and the spirit of materiality.
Working with painting, drawing, collage, sculpture, installations and furniture, he constantly explored the relationship between art and everyday - life.
Drawing inspiration from classical portrait painting of the 17th - century Dutch Golden Age to explore the relationship between her subjects and their environment, Dumas often presents her subjects as heroic, engaged in a struggle of sorts against their marginalization or confinement, and against the spatial and psychological encroachment of people.
Individuals will explore gesture drawing as both illustrator and subject, while considering the effects of body language and examining, from both sides, the relationship between an artist and her subject.
Merz's «continuous» drawings explored the idea of organic creation, while his signature igloos examine man's relationship to nature.
Using geography and a site - based practice, he works with sound, video, and installation to draw conceptual lines between sites, exploring the relationships of people to place.
Since she arrived in the United States from Japan in 1963, Kunié Sugiura has created innovative works that expand the uses of photography while exploring its relationship with drawing and painting.
Spanning the two Lower East Side venues that make up Downs & Ross (formerly Tomorrow Gallery and Hester, respectively), Crespo's solo exhibition explores the artist's unique, deep - seated relationship to these conjoined twins with a feature - length autobiographical film, prints on stretched satin, and translucent window - hung pieces featuring naturalistic digital renderings of the Hensels that the artist drew using a tablet.
Timothy Harding's work explores the fluid relationship between the pictorial space and the three dimensional realm, between drawing, painting and sculpture.
Thomas in her photograph of an image of a window, Moments of Place IV, explores the depth and construction of space within the picture frame while masterfully considering color and form and, in depicting an architectural detail and through the work's placement in the gallery, draws attention to spacial relationships.
He has produced several photographic series and short films, deeply exploring various sites and drawing conclusions about relationships and memory.
In his sculptures, paintings, wall drawings, and prints, LeWitt explored repetitions and variations of simple elements of line or shape in order to achieve complex relationships and patterns.
He is known for his installations, sculptures, paintings and drawings that explore the complex and intertwined relationships between art, beauty, religion, science, life and death.
Drawing from both contemporary and historical intersections between science and the occult, Gómez - Egaña's work also explores the relationship between technology and mysticism, and the emotional and spiritual undertones of digital culture.
For his latest exhibition at Copenhagen's V1 Gallery, The Quiet of Not Listening, LA's Geoff McFetridge further explores his iconic & subtle graphic language in a series of solemn new paintings and drawings that explore the unlikely relationships between humans and chairs.
Working in the vein of Raymond Pettibon, Mothersbaugh draws on — and parodies — mass - media imagery, often creating surreal scenes that explore the relationship between people and technology.
As Browne drew attention to the transfer of three - dimensional objects to two - dimensional planes using bright shades of blocked color and the stylized treatment of his figural subjects, he explored his interest in the relationship between art and nature.
Drawn from the collection of the Morris and Helen Belkin Art Gallery, Full Frontal explores the relationship between masculinity and male sexuality, and why the image of a naked man, baring all, is one of society's last taboos.
Throughout his drawings, from the Journal of Evidence Weekly to standalone works and his subsequent major series Making History, Wilner thus explores the relationship between subconscious or unconscious layers of language and their externalisation in visual imagery.
The relationship between the artist's single large - scale works and his use of drawing and painting in serial presentations is also explored.
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