Sentences with phrase «drawings of musical scores»

Charles Gaines's new original master composition for the Art Biennale is derived from his most recent body of work, Notes on Social Justice, a series of large - scale drawings of musical scores from songs, some borrowed from as early as the American Civil War (1860 — 1865) and others dating from the mid twentieth century.

Not exact matches

Still another trend — and this one should have caught Easum's attention, given his interest in «sound tracks» — is the use of music that draws on classical idioms in the composition of musical scores for films of high drama, serious feeling or intense introspection.

Budding art aficionados will love the Museé Magritte, which is in the former Altenloh Hotel, and has more than 200 of Magritte's works, including paintings, drawings, and sculptures, as well as musical scores, photos, and films.

Dante's Inferno's musical score is a fantastic example of drawing a player into a game with a rousing score that felt perfect for the game and always suited the feel and look of the locations.

The game's massive fantasy world contains airships, elemental crystals and magic, and is a treat for both the eyes and the ears.Bravely Default features a variety of locales filled with gorgeous hand - drawn watercolor backgrounds and smooth 3D animations, all accompanied by an evocative musical score.

Featuring an all new re-imagined contemporary art style, hand - drawn and presented in 1080p, complete voice over by members of the original Monkey Island ™ franchise cast, a re-mastered musical score using live instruments, plus scene - for scene - hot swap to seamlessly transition between Special Edition and Classic modes at anytime.

Also on view are 122 choreographic drawings based on the musical score of Morton Feldman and Samuel Beckett's 1977 opera Neither.

Works include a graphic score and inscribed Buddhist singing bowls by Biggers; process notations and studio ephemera by Lee Boroson; two edible drawings, a musical score, and instruments for preparing a piano by Cage; three instructional certificates of authenticity by Felix Gonzalez - Torres; an agreement for a living artwork by Paula Hayes; a reanimation of Lucy Lippard's reference materials from the exhibition catalogue for 955,000; a book of instructions by Yoko Ono; five artist books by Edward Ruscha; a photograph by Xaviera Simmons (Bard B.F.A. «04); a muster contract, field desk, Zouave rifle, and muster roll by Allison Smith; a recipe by Rirkrit Tiravanija; eight compositions by La Monte Young; and a realization of George Brecht's event score Motor Vehicle Sundown (Event) with Xaviera Simmons and members of The Surrealist Training Circus.

In the Use of Others for the Change, begins with a new musical score created by Audra Wolowiec, and opens in an atmosphere of sketches and studies traced and drawn by artist Austin Thomas.

The artist has also created 122 choreographic drawings based on the musical score of Morton Feldman and Samuel Beckett's 1977 opera by the same name.

Sandra Cinto presented «Piece of Silence» at the Tanya Bonakdar Gallery, an installation of a bronze flute and several white string instruments hanging on walls that were drawn with parallel lines reminiscent of musical scores.

More about the exhibition: «Glenn BRANCA & Philip CORNER re: SOUND» at the Bob Rauschenberg Gallery is an exhibition featuring the graphic / musical scores, Harmonic series drawings and artist - built instruments of Glenn Branca and Philip Corner.

In tandem with the 2006 expansion project by architect Renzo Piano, the Morgan now provides visitors unprecedented access to its world - renowned collections of drawings, literary and historical manuscripts, musical scores, medieval and Renaissance manuscripts, printed books, and ancient Near Eastern seals and tablets.

These creative works take the form of intensely detailed drawings uniting a range of visual elements, from cartoon to cartography, from written text to musical scores, to explore personal and collective histories.

Drawing upon a formative childhood in a musical household, David Ellis composes syncopated rhythms, playful scores, and intricate beats with the most homespun of resources.

Davis is known primarily for the stripe works that span twenty - seven years, but he was a versatile artist who worked in a variety of formats and media: modular compositions consisting of discrete, but related, pieces that together form one composition; collages combining cutout fragments of images and text with painted and drawn elements; Klee - inspired images that resemble musical scores; and silhouette self - portraits.