Sentences with phrase «drawings on black paper»

The show at Mercer Union consists of 10 chalk pastel drawings on black paper.

Not exact matches

My method of drawing is simple: I draw the cartoon on plain white paper with a fine point black drawing pen.

The paper is brown with age and there is black marker on it where my son made beautiful drawings when he was about two.

I draw mainly in black pen on white paper to get a good contrast when I scan my work to edit on the computer.

Draw them on your cake with black decorator frosting, or make musical notes out of chocolate — melt chips in your microwave, pour into a plastic or pastry bag, cut off the tip and draw notes on a sheet of wax paDraw them on your cake with black decorator frosting, or make musical notes out of chocolate — melt chips in your microwave, pour into a plastic or pastry bag, cut off the tip and draw notes on a sheet of wax padraw notes on a sheet of wax paper.

Just grab a black pen and start drawing on a piece of paper for a few minutes a day.

Put on your animal print, add some animal ears, draw on whiskers and a nose with black eyeliner, then cut a red heart out of construction paper with the letters «TY» on it to wear around your neck or taped to your outfit.

This innovative shooter features an equally unique art style that is drawn by hand with pen and paper, the black on white theme being perfectly complemented by the red tones of the spilled blood.

«Each unique part of the country would spark an idea for a different art lesson — anything from Native American weaving and designs, to chalk drawings of bright colored lights on black paper (an idea from Carlsbad Caverns), to sculpture made completely out of corn,» reports Wallace.

When the spaghetti is dry, give each child a piece of black drawing paper with a pre-drawn circle on it.

This paper takes a critical look at the research on formative assessment, raising concerns about the conclusions drawn from landmark studies such as Black & Wiliam (1998).

In each of these books (Kinō Nani excluded, as I have not read it, though I imagine it's similar) Yoshinaga lovingly draws dish after delectable dish of food across the pages, looking delicious enough to make your mouth water over a black and white sketch on paper.

This innovative shooter features an equally unique art style that is drawn by hand with pen and paper, the black on white theme being perfectly complemented by the red tones of the spilled blood.

She can also draw on calligraphy to move between color and works on paper in black and white, as if taking stock of her own strengths — and as a reminder of how painting and drawing can still feed one another.

Black, White & Abstract: Callahan, Siskind, White, on view May 17 - October 1, 2017, is drawn from the museum's Prints, Drawings & Photographs collection, considered one of the most significant holdings of works on paper in the country.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

TER.FER.EN.CE, The Farjam Foundation, Dubai, UAE NOW - ism: Abstraction Today, Pizzuti Collection, Columbus, OH Alter / Abolish / Address, as part of 5 × 5:2014, a project of the D.C. Commission on the Arts and Humanities, LAND (Los Angeles Nomadic Division), Washington, D.C. Four Decades of Drawings and Works on Paper, John Berggruen Gallery, New York, NY Tarīqah, Barjeel Art Foundation, Maraya Art Centre, Sharjah, United Arab Emirates Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL BLACK / WHITE, curated by Brian Alfred and Shay Kun, LaMontagne Gallery, Boston, MA

The drawings are composed of graphite on paper (black over white) and represent the starting point for Lynch's colorful paintings and immersive installations that she has been developing for many years.

MARTIN PURYEAR, «Drawing for Maroon,» 1986/88 (black Conté crayon, with smudging, over graphite, on ivory wove paper).

The Painterly Print The Metropolitan Museum of Art New York, NY American Drawings in Black and White: 1970 - 1980 The Brooklyn Museum Brooklyn, NY Aspects of the 1970's: Directions in Realism Danforth Museum Framingham, MA Three Decades DeCordova Museum Lincoln, MA Realist Works on Paper Virginia Museum of Fine Arts Richmond, VA

Queens Museum of Art IL LEE: Ballpoint Drawings A selection of drawings — striking indigo and black ink abstractions, all done exclusively in ballpoint pen, on paper and canvas — makes up this engrossing show by the veteran Korean artistDrawings A selection of drawings — striking indigo and black ink abstractions, all done exclusively in ballpoint pen, on paper and canvas — makes up this engrossing show by the veteran Korean artistdrawings — striking indigo and black ink abstractions, all done exclusively in ballpoint pen, on paper and canvas — makes up this engrossing show by the veteran Korean artist Il Lee.

More than fifty paintings, drawings, photographs, works on paper and sculptures attest to the power that can come from representing the black body and the responsibilities that may attend these representations.

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

In a series of six large - scale acrylic ink and charcoal on paper drawings, Lemus adds his own origin story to the canon, that of how solidarity developed between black and brown.

Each print in Day is one - foot - square, on Japanese paper, and is composed of thin, ruled, grey or black line drawings that form gridded patterns of different sizes, limited colors, and intervals.

«I choose and photograph the subject, draw the outlines in pencil and then meticulously reproduce it with thin technical black ink pens on rough grain paper, laying layers of ink in a repeating pattern of little circles.»

Currently represented in the 56th International Art Exhibition of this year's Venice Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.

... plate 2 from Various Subjects Drawn from Life on Stone, 1821, Lithograph in black on ivory wove paper.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

The show is filled with references to contemporary race relations in America, and one of the first works on display is a small, poignant drawing on graph paper entitled An Unarmed Black Man.

Alongside his sculptures, the artist has always developed a substantial body of work on paper, essentially black, made up of drawings and etchings.

1991 The Nude: Drawings of the Figure by New York School Artists, Twining Gallery, New York, NY Aspects of Collage, Guild Hall Museum, East Hampton, NY On Paper, Of Paper, Benton Gallery, Southampton, NY Black and White, Renee Fotouhi Fine Arts East, East Hampton, NY Biomorphic and Surreal: 1930 - 1960.

This exhibition marks an important departure from Khan's photographic based works and comprises a suite of large black paintings, a monumental site specific wall drawing and a series of works on paper, all of which consider the metaphysics of creativity.

For two weeks we will briefly depart from our regular exhibition schedule to showcase a selection of black & white works on paper including drawing, painting, mixed media, photography, printmaking, and more.

Also included are paintings with graphic optical effects that Asawa made at Black Mountain College and works on paper of plant life that she drew from direct observation, without lifting her marker.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

Wall texts for Thin Black Line (s) Gallery 5 Tate Britain 2011 - 2012 with links for further information Claudette Johnson born 1959 England Her early large - scale pastel drawings on paper depict black women as monoliths, larger than Black Line (s) Gallery 5 Tate Britain 2011 - 2012 with links for further information Claudette Johnson born 1959 England Her early large - scale pastel drawings on paper depict black women as monoliths, larger than black women as monoliths, larger than life.

He draws on paper, canvas or walls and uses simple black line

This exhibition, curated by Hammons, includes White's monumental work Black Pope (Sandwich Board Man)(1973), from The Museum of Modern Art's collection, and a brush and ink drawing on blue prepared paper by the Renaissance artist Leonardo da Vinci, lent by Her Majesty Queen Elizabeth II from the British Royal Collection.

Selected group exhibitions include Between Picture and Viewer: The Image in Contemporary Painting (2010) at Visual Arts Gallery at the School of Visual Arts in New York, Recent Acquisitions: Works on Paper (2003) at The Metropolitan Museum of Art, Black & White Drawings (1993) at The Museum of Modern Art in New York, and Slow Art: Painting in New York Now (1992) at PS1 in Queens, NY.

Hauser & Wirth said sales included: Paul McCarthy's White Snow, Dopey, Black Red White, Black (2011 - 2015), a black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500Black Red White, Black (2011 - 2015), a black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500Black (2011 - 2015), a black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 5drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 5Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500,000.

Painting in 1950, this 18 - by -24-inch Sapolin enamel on paper reflects the artist's decision in the late 1940s to eliminate «color from his palette in order to focus on line, form and imagery» resulting in «the birth of a confident and energetic synthesis of abstraction, biomorphic forms and gestural «action painting»... The black and white abstractions also demonstrate the crucial relationship between drawing and painting in de Kooning's oeuvre.

It was at this school that Bochner had his first exhibition, the 1966 show Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art, consisted of photocopies of working drawings from his friends placed into four black binders on four peDrawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art, consisted of photocopies of working drawings from his friends placed into four black binders on four pedestalOn Paper Not Necessarily Meant To Be Viewed As Art, consisted of photocopies of working drawings from his friends placed into four black binders on four pedrawings from his friends placed into four black binders on four pedestalon four pedestals.

David Hammons Traveling 2002 Harlem earth on paper, with black cloth suitcase framed drawing: 116 1/8 x 49 x 17 3/4 inches (295 x 124.5 x 45.1 cm) suitcase: 25 1/2 x 18 1/4 x 4 1/4 inches (64.9 x 46.4 x 10.8 cm)

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iblack 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Robert Motherwell on Paper: Drawing, Prints, Collages (1997), Stephanie Terenzio, Robert Motherwell and Black (1980); for critical works, see Robert S. Mattison, Robert Motherwell: The Formative Years (1987), Mary Ann Caws, Robert Motherwell: What Art Holds (1996).

Martin Puryear (American, b. 1941), Drawing for Untitled, 1990, black Conté crayon, with smudging, on ivory paper.

Aljotre Barrocco, Citta di Noto, Siracusa, Italy New York News, Clark Benton Gallery, Santa Fe, USA Pat Steir — Denise Green, Gloria Luria Gallery, Bay Harbor Islands, USA A Penthouse Aviary, Museum of Modern Art, Art Lending Service, New York, USA Paper Work, Nina Freudenheim Gallery, Buffalo, New York, USA Rigors, The Patrick Gallery, Austin, USA Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA Artist and Printer; Six American Printers, Walker Art Center, Minneapolis, USA American Drawings in Black & White 1970 — 1980, Brooklyn Museum, New York, USA

The latter was created in 1953 when Rauschenberg directed John Cage to drive a Model A Ford, one back tire painted black, along a strip of glued - together drawing papers furled out on Fulton Street in New York.

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA