Sentences with phrase «drawings on paper dating»

Line and Form, comprised of selected ink drawings on paper dating from 1984 to 1996.

Not exact matches

On the one hand, the papers keep you up to date with whatever grim perversity is happening, and then the drawing refines and personalises it somehow.

«Untitled — Concept for Projection», 1972 Drawing in blue ink on graphic paper with a green grid 26,5 x 21,5 cm / 10.4 x 8.5 inches signed and dated (RB» 72) on the front bottom left Robert Barry who lives in New Jersey, is one of American Conceptual Art's most significant protagonists.

Ink on paper Signed and dated lower right 34.5 x 25.7 cm Provenance Robert Fraser Gallery This drawing was used as the inaugural cover illustration for Student magazine, published by the 16 year old Richard Branson

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

Allan D'Arcangelo (1930 - 1998) Landscape, 1967 Plastic and ink on paper, 14 x 17 inches Signed and dated lower right: «D'Arcangelo Nov 1, 1967» Titled lower center:» «Landscape»» / Inscribed on verso: «A10 / Drawing Gallery # 5D»

Title: «Provincetown Drawing» Medium: pen and ink on paper Dimensions: 14 x 16 3/4 inches Signed: Initialed and dated 1942 Provenance: Manny Silverman Gallery, Los Angeles, California 1...

Try your hand in the The DRAWING Room and at 6:30 take your sweetheart on a special, date - night tour of the latest exhibition, Clyfford Still: The Works on Paper.

While the dates of this series and their related paintings overlap (the first paintings are dated 1958, while works on paper don't begin until 1960), it is widely acknowledged by Newman scholars that these ink on paper drawings play an important role in the development of the Stations canvases.

«David Shrigley: Brain Activity», curated by Cliff Lauson of the Hayward Gallery, London, is the largest survey of the artist's work to date, and features groupings of drawings and paintings on paper, a variety of sculptures, several installations, sets of photographs and a selection of animations.

The works on paper on display here (five prints, one drawing), selected from the Smart Museum's permanent collection, all date from the first half of the nineteenth century — a moment of heightened attention to Shakespeare's achievement.

Paintings Chelsea: October 7 — November 12, 2005 Drawings Uptown: September 19 — November 12, 2005 New York, June 20, 2005 — Mitchell - Innes & Nash is pleased to present Lichtenstein: Surrealism, an exhibition in two parts featuring 10 major Lichtenstein paintings and 30 works on paper dating from 1976 to 1979.

Verso: Figure Drawing Artist: Peter Lanyon 1918 - 1964 Date: 1960, c. 1960 Classification: on paper, unique Medium: Crayon on paper.

In New York, Darboven started by making abstract, geometrical drawings on graph paper, continuing with calculations and series of numbers and using the date as a basic unit of her system of numbers, calendars and, later on, her time - based writings.

Parets, 1987; Collograph drawn with Araldite glue in light burnt sienna, on handmade paper (framed); Signed, dated and numbered 2/20; 51 1/2» x 37 1/4» (sheet, irregular); Publisher: Editions Poligrafa, Barcelona; Provenance: Private Collection, New York

Installation view at Non Objectif Sud, France, 2009 Brent: A drawing dated 1978, Untitled, chalk on paper, has a pair of identical penciled or conté grids which you use to make a series of what appear to be perfect arcs; there are finger marks or smudges; some arcs are taken out.

TAKAFUMI IDE solo exhibition in The Gallery at OCC Main Gallery: accord, 2011 Drawing installation, pencil on paper Gallery alcoves: A Documentation of The Making of threshold, 2007 - 2008 Date: Monday, February 28th — Tuesday April 5th, 2011 Hours: Monday — ... Continue reading →

(Thomas Nozkowski's drawings are a revelation, as are Norman Bluhm's works on paper, dating to the late 1940s.

Drawing from the Whitney Museum of American Art's exhibition in 2016, the K20 presentation is the largest survey of Herrera's work to date, featuring paintings, works on paper and sculptures produced between 1947 and 2017

Drawing, Work on paper 21 x 29,7 cm / 8.27 x 11.69 inch Unique work, from a series of 7 variations - signed and dated by the artist

Studio Wall Drawing: 5th June 2006 - High Resolution - «Large Field Array» (14x14x3 pixels)... (300) Artist: Keith Tyson born 1969 Date: 2006 Classification: on paper, unique Medium: 6 works on paper, ink, paint and graphite Dimensions: image: 1525 x 1220 mm Purchased with funds provided by the Zabludowicz Collection and Tate Patrons 2007 © Keith Tyson

Brice Marden (b. 1938) Untitled Red and Green Drawing 2 signed and dated «B. Marden 98» (lower right) hand - applied wash ground and Kremer inks on Lanaquarelle paper 20 1/4 x 30 in.

Here we have 10-9-55, a spectacular ink on paper drawing by David Smith dating from 1955.

Lot 207 David Smith 10-9-55 Ink on paper Signed and dated in ink lower right sheet; retains Margo Leavin Gallery label verso Sheet: 15.75 ″ x 20.25 ″; Frame: 23.375 ″ x 28 ″ Together with copy of original invoice from Margo Leavin Gallery dated February 16, 2006, two gallery mailers, and exhibition catalogue Provenance: The estate of David Smith; Margo Leavin Gallery, Los Angeles, California (acquired directly from the above); Private Collection, Los Angeles, California (acquired directly from the above, February 16, 2006) Exhibited: «David Smith: Paintings and Drawings, 1955 - 1958,» Margo Leavin Gallery, Los Angeles, July 9 - August 20, 2005 Illustrated: David Smith: Paintings and Drawings, 1955 - 1958.

On view will be works dating from the 1970s onwards, including early drawings and works on paper that have rarely been presented publicly, the papier mâché sculptures of the 1980s, large - scale installations created in the 1990s, and the open - air sculptures of the 2000On view will be works dating from the 1970s onwards, including early drawings and works on paper that have rarely been presented publicly, the papier mâché sculptures of the 1980s, large - scale installations created in the 1990s, and the open - air sculptures of the 2000on paper that have rarely been presented publicly, the papier mâché sculptures of the 1980s, large - scale installations created in the 1990s, and the open - air sculptures of the 2000s.

The first paper investigates the importance of the starting date (and other statistical parameters) on the conclusions drawn from time series data.