Sentences with phrase «drawings out of earth»

Not exact matches

Arguably Holloway is doing no more than drawing out the implications of St. Paul's claim that in Christ God has «made known to us in all wisdom and insight the mystery of his will, according to his purpose which he set forth in Christ as a plan for the fulness of time, to unite all things in him, things in heaven and things on earth.»

In truth it is impossible to keep one's gaze constantly fixed on the vast horizons opened out to us by science without feeling the stirrings of an obscure desire to see men drawn closer and closer together by an ever - increasing knowledge and sympathy until finally, in obedience to some divine attraction, there remains but one heart and one soul on the face of the earth.

The unique savour of the glory and wonder of your being has so effectively drawn out from the earth and synthetized all the most exquisite savours that the earth contains or can suggest that now we can find them, endlessly, one after another according to our desires, in you — you the Bread that «holds within it every delight».

But for the skeptic or the atheist who might be drawn to the park out of curiosity, there is little to make them stop and think about the point of it all: Jesus, our savior who left heaven, came down to earth, lived a sinless existence, and died so that we may have life abundantly.

Cook onions, garlic and salt on a low heat, in Earth Balance Butter until browned - 30 minutes or longer (the longer you caramelize the onions, the richer the flavor and the salt is very important for drawing out the liquid of the onions) stir often.

I wonder how arsene prepares our team for them to produce such lacklustre performances.Its very perplexing for us to lose or draw against poor teams like chelski and looserpool.I was always a wenger out due to I being a frustrated fan.When our players are on the pitch they show no desire and no hunger at all.They produce such mediocre performances in front of fans whove paid so much to watch these games.It makes you womder why on earth they have such heavy salaries only to put on a flabbougasting show in front of 55000 fans.Its very ironical that we here on this site shower praise on such performances.players like ozil recieve such unwarranted praise you might think they are from another planet.Then we have an extremely overrated english core of gibbs ox and walcott Sorry to say this but players like draxler and rodrigiez are twice these players.This is food for thought for you who support the team blindly due to wengers compulsion that makes you believe that we are playing the worlds finest brand of football and have a large array of talent that excused him for not going into the transfer market as at the moment we are currently losing the clubs most coveted round of 16 trophy and putting such dissapointing performances in the league.

Just how you should draw inspiration from the Discovery Channel's hugely popular weeklong coverage of these stealthy carnivores is open to interpretation, but there is no mystery to our enduring fascination with sharks: Their razor - sharp teeth and uncanny ability to sniff out prey remind us that there are still some places on Earth where humans are nowhere near the top of the food chain.

The ocean water draws minerals and metals out of Earth's crust and carries these back up to the seabed.

It's not clear how much of a greenhouse effect that would produce, but it's a good bet that Earth would be a lot warmer — much as it would be, say, if there were no plants drawing carbon dioxide out of the atmosphere.

Other theories have suggested that geological forces such as mountain building have, at different times in the planet's history, introduced large amounts of new material to the Earth's surface, and weathering of that material has drawn CO2 out of the atmosphere.

With each breath, feel the energy drawing up from the earth, spreading all the way through your body until you feel it flowing out of your fingertips.

The necklace really drew out the petals of the skirt and I thought the overall look was very earth goddess.

I am very open minded, spontaneous, dwn 2 earth, laid back, trustworthy, faithful, dram a free, honest, god fearing, caring, loving, romantic, and etc. I've a good personality & sense of humor.I love nd 2 write poetry, drawing, cooking, dining out, going 2 da movies, concerts, plays, nd etc..

A storm causes some power lines to break and touch the ground, drawing millions of man eating worms out of the earth, and into town where they quickly start munching on the locals.

Sean Baker, the award - winning director and co-writer of the great new movie, «The Florida Project,» joins Justin in studio to discuss the film, what drew him to tell this story, the juxtaposition of the hidden homeless living right outside of the most magical place on Earth, the importance of getting the details exactly right, how the movie was inspired by «The Little Rascals,» wanting to show how children make the most out of any situation no matter how dire, how desperation plays a big role in the film, the wonderful performance from Willem Dafoe, the relationship between Willem and the child actors, the challenge of working with child actors, the way Florida is portrayed in the film and what he plans to do next.

Barred from Earth and relegated to performing dangerous or menial jobs on off - world colonies, those replicants that defy the ban are hunted down and killed by «Blade Runners,» such as Ford's Deckard, who's drawn out of retirement for one last job.

Their apparel, developed through a blend of Scandinavian design and insights drawn from living in some of the harshest environments on earth, helps provide the confidence professionals need to step out into the elements and complete their jobs.

We begin Earth Wars with a beautifully drawn cinematic laying out the invasion of Earth in 2020 by a group of previously unknown, strange organisms known as the E.B.E..

For this native Gauteng artist, who has worked consistently with the idea of a mutant geopolitical landscape throughout her career, the revelatory potential of turning up the soil, or drawing things out of the earth, is not new.

So all of the projections are made out of charcoal drawings and there's something in the graininess of the drawing itself that echoes the music, but also with the world that it's depicting — of things transforming, of sounds under the earth.»

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Other works in the exhibition draw out thematic relationships to geography and landscape, from Acosta's recent Earth and Sky Monochromes (2012) to his earlier video Sissyeyes (2006), which borrows and transforms passages from Terrence Malick's Badlands and the 1970s television series Land of the Lost.

Fusing together form, process and perception, her stages take the same gradual curves and twists of the brush, the knife, and the sewing machine, and extend it out into physical space, both introducing a similar meandering pathway to the viewer's experience of the works, and simultaneously drawing a connection to the weeds» presence «below,» the idea that the ground we walk on is extended over that of natural earth.

for me it worked better before with your first version... secondly, when I've watched some videos, the artist already has his / her painting drawn out, and I've no idea what it looks like, I think that it would be better when I can see from scratch how he / she has done their drawing details... as in the pastel video of the tiger for example, I think it would be a great help to those who are not fantastic at drawing, but love to paint... perhaps yes, just one more thing: I know there are hundreds of brands of all the different mediums, and papers, so how can a beginner know on earth which one to invest in if they want to take their work serious?

I am saying that it is time to draw out the worse case scenarios in terms that people can understand: Pictures of the North Pole depicting before and after the ice melts away, Pictures of the U.S.A and Canada before and after the ice melts away, Pictures of Northern Europe and Great Britain, Pictures of China and Russia and Japan, Pictures of South Asia and India and Australia, Pictures of Africa would all be better at conveying the simple message that the face of the earth is changing and it is time to seek high ground.

In a previous post we discussed how the argument that the Earth has stopped warming doesn't make much sense because the people claiming this don't know how to draw their «system boundaries» correctly - how can you work out whether the Earth is warming if you don't take account of all the places where it may be warming?

Vegetative cover on earth has increased by 7 % recently — how much additional CO2 will this draw out of the atmosphere?