i am labeled all of these by others, consider myself to be none of them, and all of them... i am altruistic in nature, introspective and oblivious by turns,
drawn by darkness and retracted by light, fundamentally eccentric...
Not exact matches
Aside from a few mentions of political buzzword terms such as «Supreme Leader», the script
by Abrams and Lawrence Kasdan largely abstains from
drawing parallels to contemporary geopolitical history, which should be music to the ears of those who found the Jihadist parable at the centre of Star Trek Into
Darkness to be supremely distasteful.
Drawing on numerous film historical references, from Hitchcock to the director's own earlier Movida era work, Almodóvar's twentieth feature, adapted from three short stories
by Alice Munro («Chance,» «Soon,» and «Silence»), is a haunting drama that oscillates between disenchanted
darkness and visual opulence.
Besides rural highland setting and cultural conventions, they're
drawn together
by mountain diction and
darkness — timbering accident, revenge murder, lifeless marriage, general transgressive behavior, thwarted yearning, birds fall from the sky.
1993 Merce Cunningham Dance Company Benefit Art Sale, 65 Thompson Street, New York, USA I am the Enunciator, Thread Waxing Space, New York, USA
Darkness and Light, Blaffer Gallery, University of Houston, USA (curated
by Marti Mayo) Zeichnungen setzen Zeichen, Galerie Raymond Bollag 1, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier Rewriting History: The Salon f 1993, Montgomery Glasoe Fine Art, Minneapolis, USA Painting, Texas Gallery, Houston, USA
Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy (Under the aegis of the 45th Venice Biennale — Reinstalled at the Guggenheim Museum Soho, New York) XLV Biennale di Venezia, Italy, Tresors de Voyage (al Monastero dei Padri Mechitaristi dell» isola di San Lorenzo degli Armeni) Abstract — Figurative, Robert Miller Gallery, New York, USA Eight Painters: Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, USA Living with Art: The Collection of Ellyn & Saul Dennison, Morris Museum, Morristown, USA
This richly illustrated catalogue examines the inspiration that artists
drew from their materials, and their expression of
darkness through 70 works on paper, all produced in shades of black,
by some the 19th century's greatest artists, including Georges Seurat, Edgar Degas, Odilon Redon, Goya, and Honoré Daumier.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun
drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works
by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light,
darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works
by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits
by Christian Boltanski, Kara Walker's silhouettes, and more...
Characterised
by a near - blank pictorial field delimited
by a thickly
drawn line, Law simultaneously produced two groups of works during the 1960s that explored the play between
darkness and lightness: the densely coloured «closed»
drawings and the sparse «open»
drawings.
Drawn from her own circle of creative friends — visual artists, fashion designers, and writers — her sitters emerge from the
darkness as if lit from within
by their intellectual potency.