Sentences with phrase «drawn exhibition crowds»

In Baltimore the Colts, who have sold 50,246 season tickets for each of the past six years, have drawn exhibition crowds of 13,000, 16,000 and 16,200, the last against their Super Bowl opponents, the Dallas Cowboys.

Not exact matches

Apostolopoulos's events company, Triple Sports and Entertainment, organized an exhibition game in August 2010 between Italy's AC Milan and Greek club Panathinaikos that drew a crowd of 30,000.

They are both world class exhibition that draws in crowds from the surrounding land.

Earlier this year the Hirshhorn Museum debuted Yayoi Kusama: Infinity Mirrors, an exhibition that drew record - breaking crowds within the first -LSB-...]

Sung expects the exhibition will draw record crowds.

Los Angeles - based painter and poet Chaves drew crowds last fall with his solo exhibition at Night Gallery (during which he launched his first book of poetry, Abigail Adams).

Francis Bacon and Lucian Freud are here to draw in the crowds, but also to set the tone of a Tate Britain exhibition that explores the equivalence of flesh and paint in depictions of the body that even at their most tender and sensual rarely stray...

Other recent exhibitions include the de Young Museum in San Francisco and the Museum of Fine Arts in Boston, which drew record - breaking crowds in 2008 and 2011 respectively.

According to Alex Nyerges, director of the Virginia Museum of Fine Arts, «VMFA drew record crowds for the Picasso exhibition last year, and we know that Chihuly will be equally powerful for tourism to Richmond and Virginia.

So far, Muir has nearly tripled the number of ICA patrons, according to The Art Newspaper, and has been drawing crowds with shows of popular artists like Jacob Kassay and the provocative new drawing exhibition «Keep Your Timber Limber,» which brought out 1,200 visitors to its opening earlier this week.

The de Young and Legion of Honor, the two Fine Arts Museums of San Francisco, draw big annual crowds to their ambitious exhibition programs; the Asian Art Museum has just announced a $ 25 million expansion by renowned Thai architect Kulapat Yantrasast; and across the Bay, the Berkeley Art Museum and Pacific Film Archive is settling into a slick and more central new home.

In only two years as Director of the Fine Arts Museums of San Francisco, he presided over crowd - drawing exhibitions like «Casanova: The Seduction of Europe» and «The Summer of Love Experience: Art, Fashion and Rock & Roll,» while also reigning in the institution's unbalanced budget.

This event, which drew a crowd that overflowed into the museum's courtyard, served both as a prelude to the exhibition inside and as a trailer for the screening of Barney's latest film, Cremaster 1, 1995.

The annual Guild Hall's Artists Members Exhibition is a beloved Hamptons art tradition that draws the art crowd to the East Hampton museum every time.

Guild Hall's 76th Annual Artists Members Exhibition drew a crowd at the Opening Reception on May 3, 2014 to the East Hampton museum.

While exhibitions from Ai Weiwei to Abstract Expressionism have been drawing crowds to Burlington House, a matter of metres away scores of construction workers have been transforming the building that lies behind it — Burlington Gardens — shaping new internal spaces designed by architect David Chipperfield RA.

In recent news, the gallery has become the exclusive representative of the work of Marcel Storr, a previously unknown French artist whose 2012 solo exhibition at the Pavillon Carré Baudoin in Paris drew unanticipated crowds and was met with exceptional praise from critics.

Richard Billingham's blisteringly honest photos of his alcoholic dad and his mountainous, tattooed mom — Ray and Liz, as they have come to be intimately known — were the toast of Charles Saatchi's epochal late -»90s exhibition «Sensation» and drew crowds again this fall at Frieze, which hosted a presentation peering back to the no - longer - Young British Artist's first solo show.

A critical success, the exhibition has been drawing huge crowds since it opened in mid March.

Hundreds of artists, galleries, pop - ups, and performers create events, exhibitions and parties to draw in the crowds and celebrate the astounding artistic spirit of Bushwick.

Francis Bacon and Lucian Freud are here to draw in the crowds, but also to set the tone of a Tate Britain exhibition that explores the equivalence of flesh and paint in depictions of the body that even at their most tender and sensual rarely stray far from the brutal and disturbing.

The exhibition also... The Edinburgh Easter Play, in Princes Street Gardens, draws crowds of more...

The exhibition arrives in Toronto on March 3, 2018 and runs until May 27, 2018, and will be the only Canadian stop after drawing large crowds in Washington, Seattle, and Los Angeles in the United States.

The exhibition opening for «Women Painting Women: The Tales We Tell Together» drew a crowd of national painters to RJD Gallery on October 10, 2015.

A retrospective organised by the British Council reached Washington, Paris, London and Berlin in 1987 — 88, and the «recent work» exhibition created by the Whitechapel Gallery in 1993 drew crowds in New York and Madrid as well as the East End.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Museums are seen as fairly boring places, so having a shocking or highly controversial work of art in an exhibition may help to draw crowds.

Sensation, the controversial art exhibition that became a civil rights debate in the run - up to its opening in New York, is drawing in the crowds.

The exhibition, drawn from the Charles Saatchi collection, drew huge crowds to the Royal Academy.

The first point of entry is, of course, the building's front door, and with «Unfinished,» the museum has done well to organize an exhibition that not only reflects its old - meets - new directive but will also draw formidable crowds.

About the artists and their work: The late Anthony Ballard, known for his precise pen - and - ink drawings of erotic subjects and geometrics, has garnered significant critical attention in recent years; Mercedes Kelly's fanciful depictions of canine and feline subjects have been a crowd - pleasing fixture at the Fair over many seasons; Lawrence Pujol's refreshing country landscapes are becoming increasingly popular with collectors; Angela Rogers's «poppets» --- magical assemblages wrapped in brightly - hued yarn — incorporate intriguing mystical symbolism; Robin Taylor's «Jenny» paintings affectingly portray a young girl so bashful that her face is represented as a mop of bright orange hair; Alyson Vega's intricate fiber works, shown to great acclaim in a 2016 solo exhibition at the prestigious venue White Columns, surprise and enchant.