Sentences with phrase «drawn films and television»

Even though the animation is done via CGI, the way the characters move and interact is similar to the original hand - drawn films and television specials from the past.

Not exact matches

Tencent will also be able to expand its online video library, drawing from Wanda's licensed content including films and television programs.

Television animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and otTelevision animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and ottelevision or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and other means.

New to this edition are the 2000 documentary «Hitchcock: The Early Years,» archival interview footage with Alfred Hitchcock from Mike Scott's 1966 television interview, excerpts from François Truffaut's 1962 audio interview with Hitchcock, a visual essay by Hitchcock scholar Leonard Leff, original production design drawings, and a booklet featuring an essay by film critic David Cairns.

PARKLAND side steps the familiar and controversial conspiracy theories of past television and film work for a look at the ordinary folk drawn in to the immediate events following the shocking assassination of US President John Fitzgerald Kennedy on the fateful day in Dallas, Texas 1963.

While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the other was the opportunity to finally be introduced to his feature - length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former film's shadowy companion piece.

I think one of the draws of this film will be who will be the bigger star in the film — Theron, or Cody, since this film marks her return to film writing since «Jennifer's Body,» starring Megan Fox and Amanda Seyfried (before and after the film, Cody has taken to television writing, with «The United States of Tara» and «Children's Hospital» being among her resume).

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

The most troubling thing about this film is that it can't draw a single laugh from three of the most entertaining and likable actors of modern film and television.

Whether it's the folk horror of The Trial of Elizabeth Gadge with its talk of witchery, imps and familiars, the giallo-esque Private View or the chilling psychological drama of episodes such as Tom & Gerri and The Understudy, Shearsmith and Pemberton clearly draw upon an innate and encyclopedic knowledge of genre film and television history.

The brain is slow to respond to the formal information in colour, it gets pretty well all it needs from tone and drawing (we all know where we are with black and white photographs, films, or television).

Dealing with issues such as Hollywood, television, and eroticism, McCarthy's drawings, films, sculptures, environments and installations stand at the intersection of perception and taboo, lifting the underbelly of American life into the spotlight.

Warhol channeled his obsession with celebrity and Hollywood into an array of media and art forms: from his earliest drawings and Pop paintings, to his publications and films, and finally to the television series he hosted at the end of his life.

Through paintings, prints, drawings, photographs, publications, film excerpts, television episodes, and video diaries, Andy Warhol: Stars of the Silver Screen traces Andy Warhol's journey from fan to starmaker and star.

Derived from a broad catalog of sources, such as experimental film, West German television and internet clips, the drawings blot from one to the next, or else move through mirroring, allusion, and metonymy into a loose, almost narrative cycle.

In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture.The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.

If Mirren often plays on her Russian heritage in interviews, and draws on her British working class background in other contexts — in what has become a polarised form of role play to manipulate the media's perception of her — then the images used in this exhibition represent her corresponding parts for film and television that show issues of domination, subjugation and control, such as in The Queen, Caligula and Prime Suspect.

One of the most celebrated female artists of the twentieth and twenty - first centuries she has, for a period spanning more than thirty years, used make - up, prosthetics and props to present herself in the guise of numerous different personae, placed in contexts that draw on the visual conventions of film, television and the media.

Her chance - based experiments include photographing her drawings juxtaposed over a television screen, as well as creating Free, White, and 21 (1980), a performance for film based on her personal experiences of racism.

Media and commercial culture played an important role in Katz's work of the 1960s, which drew from film, television, and billboard advertising.

Running until August 3, 2014 at Moma this retrospective is the first to encompass the eclectic range of mediums that Polke worked in during his five - decade career, including painting, photography, film, sculpture, drawings, prints, television, performance, and stained glass.

These include chance - based photographs of drawings juxtaposed over a television screen, the 1980 work titled Free, White and 21 and a performance for film based on her personal experiences of racism.

The blog draws on the expertise of members of the firm's Entertainment Law Practice, which advises clients involved in all entertainment media including film, television, theater, video games, new media and music.

Television animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and otTelevision animation for children and eldest... An animated cartoon is a film for the cinema, television or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and ottelevision or computer screen, which is made using sequential drawings, as opposed to animations in general, which include films made using clay, puppet and other means.

The premiere network celebrity ski weekend takes place each December and draws stars from the Olympic Games, film and television, all participating to raise funds for a good cause.