Not exact matches
is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange
landscapes presented in a unique hand -
drawn art
style.
Capsized is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange
landscapes presented in a unique hand -
drawn art
style.
Pupils will learn to
draw expressionsit
style landscapes and become familiar with the expressionist artist Jawlensky.
Themes covered include
drawing styles, tonal work, painting, clay work, papier - mâché, observational work, figure
drawing, portraiture, pattern,
landscape, masks....
These full - color illustrations can be created in a wide variety of
styles and subject matter, from people and
landscapes to technical
drawings and maps.
These black - and - white illustrations can be created in a wide variety of
styles and subject matter, from people and
landscapes to technical
drawings and maps.
Worms is back with an all new hand
drawn style, cartoon
landscapes, and bigger better weaponry!
Capsized is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange
landscapes presented in a unique hand -
drawn art
style.
· Lush Environments: Enjoy strange and amazing
landscapes illustrated in a unique, hand -
drawn style.
Battle your enemies in JRPG -
style turn - based combat, and explore a 2.5 D isometric
landscape imbued with hand -
drawn visuals.
Discover how to
draw a
landscape with painterly
style in this art demo that takes you from rough sketch... read more
Luiz Zerbini is one of Brazil's most established contemporary artists, known for his vivid works on canvas which
draw on a range of themes from the abstract to
landscapes, cityscapes, and domestic scenes using a range of techniques and
styles.
By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical
landscapes, figures and still - life studies in a
style that
drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.
With every available surface clad in mirror, this ranch -
style structure both absorbs and reflects the
landscape around in such ways that the exterior seemingly disappears just as the interior
draws the viewer into a never - ending kaleidoscope of light and reflection.
From John Currin's old - master -
style Playboy bunnies to Elizabeth Peyton's fin - de-siecle portraits; from Julie Mehretu's dizzying, multilayered architectural
landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams —
drawing is back, if it ever went away.
Although Ruscha denies this in interviews, the vernacular of Los Angeles and Southern California
landscapes contributes to the themes and
styles central to much of Ruscha's paintings,
drawings, and books.
From the cut - outs of Henri Matisse, the formulaic high realism and the color vibrancy of David Hockney (with special reference to his Fresh Flowers 2011 show at the Royal Ontario Museum featuring the iPhone and iPad
drawings), Keith Haring, Roy Lichtenstein and Patrick Caulfield, the distinctive
style of Alex Katz in both portraiture and
landscape, the plant paintings of Lucian Freud, to Richard Hamilton's structural arrangement and axiality of the work surface and the aesthetics of the Josef Frank textile designs, we are continuously bombarded with a vast repertoire of artistic practices spanning several decades of art history.
Though only 28, Taiwan native Hsin - Yao Tseng has created a prolific portfolio of
landscapes, portraits, cityscapes, still lifes, and
drawings, each rendered in his unique
style.
The works of Tomma Abts and Catherine Story feel very traditional and seem to
draw too much on paintings from 50 years ago, while Simon Ling's deliberately nondescript
landscapes is a
style that would probably be better suited to photography.
These
drawings and oils on wood panel, in a
style and technique inspired by Flemish and Italian painters of the fifteenth and sixteenth centuries, also contain a foreign, anachronistic element: an eclipse, a cloud of smoke or a rock levitating over a
landscape.
If you have a preference for medium (photography,
drawing, painting, collage, etc.) or
style (abstract, figurative,
landscape, colorful, b & w, etc.), please let us know.
A more realistic Dutch
landscape style developed, seen from ground level, often based on
drawings made outdoors, with lower horizons which made it possible to emphasize the often impressive cloud formations that were (and are) so typical in the climate of the region, and which cast a particular light.
• Biography • Biographical Sources • Training Under Agostino Tassi • Landscape Painting • Patrons • First Period: Seascapes,
Landscapes • Second Period: Greater Emphasis on Mythological Elements • Later Years •
Style of Painting •
Drawings • Legacy • Paintings by Claude Lorrain
It focuses on the experimental transformation of shapes and surfaces that make up the urban
landscape, from which the three artists
draw their inspiration from; Fabio Petani with his refined balance between organic forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his
style in three - dimensional works, in which painting,
drawing and architecture interact with one another.
[1] In addition to work showing a personal version of precisionism, he produced paintings,
drawings, and prints in the social realist, Mexican muralist, and surrealist
styles as well as still lifes, portraits, and
landscapes that defy easy classification.
His major divergence from his colleagues and one of the cornerstones of his unique
style was his insistence on only painting,
drawing or sketching
landscapes that he knew intimately well.
Note however, that while Roberts and his group used a loose
style of brushwork, which gave their paintings an «impressionistic» appearance, they were too
drawn to naturalism and the
style favoured by the Barbizon School of
landscape painting to embrace full - blown French Impressionism.
A chronicler of the Irish
landscape, particularly the rivers and coastal areas of the south of Ireland, as well as the North Mayo countryside, Kiely specialises in semi-abstract thick impasto
style oil painting, as well as mixed media
drawing with charcoal, pencil, water, clay sticks, and chalks.
Other abstract artists whose works were grounded in nature include Manoucher Yektai, who absorbed the ideas of abstract expressionism and the School of Paris; Sohrab Sepehri whose semi-abstract compositions
drew on imagery of desert
landscapes from his native Kashanor; and Abolghassem Saidi known for his lyrical and sensuous
style.