Sentences with phrase «drawn style landscapes»

Not exact matches

is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange landscapes presented in a unique hand - drawn art style.
Capsized is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange landscapes presented in a unique hand - drawn art style.
Pupils will learn to draw expressionsit style landscapes and become familiar with the expressionist artist Jawlensky.
Themes covered include drawing styles, tonal work, painting, clay work, papier - mâché, observational work, figure drawing, portraiture, pattern, landscape, masks....
These full - color illustrations can be created in a wide variety of styles and subject matter, from people and landscapes to technical drawings and maps.
These black - and - white illustrations can be created in a wide variety of styles and subject matter, from people and landscapes to technical drawings and maps.
Worms is back with an all new hand drawn style, cartoon landscapes, and bigger better weaponry!
Capsized is a fast - paced 2D action platformer set in an immersive alien world teeming with bizarre life forms and strange landscapes presented in a unique hand - drawn art style.
· Lush Environments: Enjoy strange and amazing landscapes illustrated in a unique, hand - drawn style.
Battle your enemies in JRPG - style turn - based combat, and explore a 2.5 D isometric landscape imbued with hand - drawn visuals.
Discover how to draw a landscape with painterly style in this art demo that takes you from rough sketch... read more
Luiz Zerbini is one of Brazil's most established contemporary artists, known for his vivid works on canvas which draw on a range of themes from the abstract to landscapes, cityscapes, and domestic scenes using a range of techniques and styles.
By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.
With every available surface clad in mirror, this ranch - style structure both absorbs and reflects the landscape around in such ways that the exterior seemingly disappears just as the interior draws the viewer into a never - ending kaleidoscope of light and reflection.
From John Currin's old - master - style Playboy bunnies to Elizabeth Peyton's fin - de-siecle portraits; from Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams — drawing is back, if it ever went away.
Although Ruscha denies this in interviews, the vernacular of Los Angeles and Southern California landscapes contributes to the themes and styles central to much of Ruscha's paintings, drawings, and books.
From the cut - outs of Henri Matisse, the formulaic high realism and the color vibrancy of David Hockney (with special reference to his Fresh Flowers 2011 show at the Royal Ontario Museum featuring the iPhone and iPad drawings), Keith Haring, Roy Lichtenstein and Patrick Caulfield, the distinctive style of Alex Katz in both portraiture and landscape, the plant paintings of Lucian Freud, to Richard Hamilton's structural arrangement and axiality of the work surface and the aesthetics of the Josef Frank textile designs, we are continuously bombarded with a vast repertoire of artistic practices spanning several decades of art history.
Though only 28, Taiwan native Hsin - Yao Tseng has created a prolific portfolio of landscapes, portraits, cityscapes, still lifes, and drawings, each rendered in his unique style.
The works of Tomma Abts and Catherine Story feel very traditional and seem to draw too much on paintings from 50 years ago, while Simon Ling's deliberately nondescript landscapes is a style that would probably be better suited to photography.
These drawings and oils on wood panel, in a style and technique inspired by Flemish and Italian painters of the fifteenth and sixteenth centuries, also contain a foreign, anachronistic element: an eclipse, a cloud of smoke or a rock levitating over a landscape.
If you have a preference for medium (photography, drawing, painting, collage, etc.) or style (abstract, figurative, landscape, colorful, b & w, etc.), please let us know.
A more realistic Dutch landscape style developed, seen from ground level, often based on drawings made outdoors, with lower horizons which made it possible to emphasize the often impressive cloud formations that were (and are) so typical in the climate of the region, and which cast a particular light.
• Biography • Biographical Sources • Training Under Agostino Tassi • Landscape Painting • Patrons • First Period: Seascapes, Landscapes • Second Period: Greater Emphasis on Mythological Elements • Later Years • Style of Painting • Drawings • Legacy • Paintings by Claude Lorrain
It focuses on the experimental transformation of shapes and surfaces that make up the urban landscape, from which the three artists draw their inspiration from; Fabio Petani with his refined balance between organic forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his style in three - dimensional works, in which painting, drawing and architecture interact with one another.
[1] In addition to work showing a personal version of precisionism, he produced paintings, drawings, and prints in the social realist, Mexican muralist, and surrealist styles as well as still lifes, portraits, and landscapes that defy easy classification.
His major divergence from his colleagues and one of the cornerstones of his unique style was his insistence on only painting, drawing or sketching landscapes that he knew intimately well.
Note however, that while Roberts and his group used a loose style of brushwork, which gave their paintings an «impressionistic» appearance, they were too drawn to naturalism and the style favoured by the Barbizon School of landscape painting to embrace full - blown French Impressionism.
A chronicler of the Irish landscape, particularly the rivers and coastal areas of the south of Ireland, as well as the North Mayo countryside, Kiely specialises in semi-abstract thick impasto style oil painting, as well as mixed media drawing with charcoal, pencil, water, clay sticks, and chalks.
Other abstract artists whose works were grounded in nature include Manoucher Yektai, who absorbed the ideas of abstract expressionism and the School of Paris; Sohrab Sepehri whose semi-abstract compositions drew on imagery of desert landscapes from his native Kashanor; and Abolghassem Saidi known for his lyrical and sensuous style.
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