Sentences with phrase «drawn surfaces mark»

Defined edges and tautly drawn surfaces mark out the exterior design of the new A-Class.

Not exact matches

They're great for drawing, coloring, marking on hard to mark on surfaces and more.

* Derwent studio pencils * Colourless blending or burnishing pencil * Navy blue Windsor Universal paper * Fine pencil eraser with brush tip * White carbon trace down paper: this is so I can transfer my drawing to the paper surface (you may also use a white pencil to sketch with, but be aware of not pressing too hard and creating indentations in the paper surface, or by leaving eraser marks on the surface if needing to correct your structure).

The artist establishes a compassionate confrontation between viewer and subject through the use of scale and through her extraordinary mark - making technique that draws us close to her surfaces.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

By drawing on top of already painted surfaces, and sometimes impulsively pressing down newspaper onto wet paint and then pulling it up to leave behind the accident of reverse type ink marks, de Kooning opened up a whole new territory for painters to explore.

His latest carved plaster tablets and graphite drawings arrive at similar aesthetic states but from opposite directions: the painted tablets respond to surface texture and chance operations, excavating compositions through deconstructive sgraffito techniques, while the drawings depart from landscape imagery and are built up into complex, almost - recognizable images created through a process of repetitive mark - making, erasure, and re-drawing.

Visible traces of under drawing sketch out Sonnier's thought process, whilst dashes of neon colour sit on the surface of the work echoing the spontaneous mark making of the original drawing.

Every surface hides a symbiotic network, whether it is scratched with a needle as in Santiere's bio-construction landscapes, or marked with metallic ink as in Robert Jack's new drawings.

These annotations marked time like a metronome as Horn carried out her exploration of the drawing's expansive surface.

The bodily gesture in a performance carries with it a historical trace and movement knowledge, the linear gestures of drawing leave physical marks on a surface, and writing can be thought of as a form of drawing with language.

Through actions and mark - making, the artist transcends the wall as mere surface or backdrop by way of performative inscriptions and drawing, embedding commentary that engages art history, popular culture and sociopolitical concerns.

With their shimmering black surfaces, cellular forms and stretched nets, these drawings reach deep into the act of mark - making.

His exquisitely rendered drawings and paintings draw on dream imagery, where the surface of his work relates to both the mind and the body, and becomes a skin on which to create layers of marks, volumes of text, leading the viewer into another world.

The Morehouse College professor is as talented as he is multifaceted, whether creating photographs, performance pieces, drawings that seem to stain and mark their paper surfaces like wounds, or powerful works in charcoal like «Sweet Sweet Back,» which shows male breakdancers contorting their bodies into painful - looking positions.

Ladouceur's drawings truly revel in the hand - surface relationship, and this valuation of the mark making is something I always appreciate.

«Hassel Smith was an eminent abstract expressionist painter who made pictures with vigorously drawn lines and gestural marks that activated a picture's total surface with a wild improvisational bravura,» said art historian Peter Selz.

Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support / Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work.

Another stage played as a ramshackle take on a Sol LeWitt wall drawing: on a wood plank marked with squiggly etchings on the wall, course - goers had to lean over and trace the shape of the lines while maintaining close proximity and without letting their pencils leave the surface for any reason.

The artist employs rich colors and highly textured surfaces, which layer brick - like patterns and active marks over and under the drawings of human and animal figures.

Discover the power of drawing together as we mark, smudge, and smear surfaces with expressive lines, shapes, and tones, producing a series of unique abstract works in various materials.

At the same time, the grids served as a stand - in for the most basic form of drawing — leaving marks on a surface — and the meditative state of mind the artist sought in the solitude of her New Mexico home.

Drawings from this period convey spatial play of interlocking, folding, overlapping, or intersecting planes, with individual marks built up into slightly uneven densities to create a unified, field - like surface.

Since 2013 Glenn Brown has pursued drawing as an autonomous means of artistic expression, in graphic works whose surfaces are covered with an ensemble of marks and sinuous lines that interweave and reply to each other.

Lines, marks and gestures over a mirrored plexiglass surface explode off the wall and spill over the corner of the gallery in Maurice Clifford's exuberant «Love and Fear,» impelling the viewer into the drawing as do Frank Stella's later three - dimensional abstractions.

Delicate surfaces, hand - drawn lines and marks, blotted and imperfect.

The lustrous, gem - like material cast what appear to be shadows that are actually soft graphite marks drawn directly onto the surface.

The transparent ink marks and the mirror - like golden surface of the drawings play with the painterly convention of figure - in - the - landscape by superimposing the viewer's distorted reflection into the image.

The layering and build up of these repeated marks create a deep and immersive drawing surface, whose radiant bands and shapes are suggestive not only of light and its absence, but also of spatial depth and the emanation of sound, breath, and vapor.

Even the most precise drawings in this exhibition retain traces of erasure, errant lines, and layer upon layer of surface marking.

Patterning line and shadow from tactical cuts, cardboard shapes, hand - drawn details, and heavy washes of pastel, fluoresecent, or metallic gouache, the Los Angeles — based artist has cultivated a trademark abstraction that seems poised some - where between the cohesive surfaces of hard - edge painting, the hasty marks of expressionism, and the shifting planes of collage.

The surfaces of Houshiary's drawings are meticulously constructed of innumerable fine marks, accumulating into expansive fields, auras, and halos.

Additional programs for Face Value include a Screenprinting on Non-Traditional Surfaces workshop with Steven Earl Weber on Wednesday, October 8 from 6:30 to 9:30 pm; Analog to Digital to Analog Drawings workshop with Nick Cassway on Wednesday, October 22 from 6:30 to 9:30 pm; and a workshop on Painting with Packing Tape with Mark Khaisman on Wednesday, November 5 from 6:30 to 9:30 pm.

In Berthot's case, he uses underpainting and glazing to build his surfaces, as well as an isometric - orthographic grid (visible in many of his exquisite pencil drawings), in order to locate the tonality, mark, or line.

If you've got Surface and a pen, you can use Windows Ink to mark down notes, draw sketches and launch pen - specific apps.