Sentences with phrase «draws on art history»

This display examines how the artist's work draws on art history while also responding to cultural and political changes from the 1960s onwards.

Throughout, he draws on art history, which leads him to idiosyncratic interpretations of the present.

Byrne draws on art history, exhibitions by other artists, men's magazines, advertising, and pop culture to create visually appealing and intellectually complex conceptual investigations.

Like the young Italian painters, such as Francesco Clemente, Schnabel draws on art history, current events, other cultures and religion for his imagery.

These paintings draw on art history not as a crutch, and not as a clapback.

Whether appropriating existing media, drawing on art history, or constructing a narrative, all of the artists fuse elements of culture with a contemporary sensibility to create a personal vocabulary.

Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power.

Not exact matches

January 11: Young at Art features an interactive story time and hands - on art activities focused on a theme drawn from the history and culture of Cape Ann (GloucestArt features an interactive story time and hands - on art activities focused on a theme drawn from the history and culture of Cape Ann (Gloucestart activities focused on a theme drawn from the history and culture of Cape Ann (Gloucester)

The section on History draws from art history, archaeology, and literature to theorize infant carrying strategies of humans, including archaic History draws from art history, archaeology, and literature to theorize infant carrying strategies of humans, including archaic history, archaeology, and literature to theorize infant carrying strategies of humans, including archaic humans.

Isaac draws on his heritage for inspiration, along with his passion for travel and history to create stunning works of wearable art.

Haynes, with a film light on dialogue and entirely too reliant on Carter Burwell's impressive, ever - expanding and changing but nonetheless incessant score, draws on the hollow sentimentality of his premise rather than the emotional specificity of his characters» engagement with the art and history that saves them.

There is something for everyone in here, with rich activities drawing on, for example, elements of Geography, History, Citizenship, Maths, Science, English, Languages, Art, Drama, Music, Dance, Sports, Exercise, RE, PSHE, Design, Engineering and Technology, Reading, Writing and Royalty.

Electronic Arts is an old hand in the computer gaming world, and its Origin On The House program draws on their long history of games by providing Origin users with a new free game every month from EA's stable of classicOn The House program draws on their long history of games by providing Origin users with a new free game every month from EA's stable of classicon their long history of games by providing Origin users with a new free game every month from EA's stable of classics.

Opening: «Kerry James Marshall: Mastry» at Met Breuer This mid-career survey, one of the most hotly anticipated New York museum shows of the year, focuses on the work of Kerry James Marshall, the Chicagoan painter whose paintings and drawings, for the past 35 years, have focused on the position of black artists in art history.

Nochlin had the grace not to comment on H. W. Janson's History of Art, the all - male standard art history textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes wasHistory of Art, the all - male standard art history textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes was a cArt, the all - male standard art history textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes was a cart history textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes washistory textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes was a cart students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes was a cow.

The exhibition draws upon the Wolfonian's collection to explore issues of identity — personal, corporate and national — as well as the impact of cultural displacement on the history of design and the role of commercial art in the modern city.

It was established in 1977 to provide opportunities for emerging and under - recognized artists; to demonstrate the significance and diversity of drawings throughout history; and to stimulate public dialogue on issues of art and culture.

It focuses exclusively on the fundamentals: drawing, painting, sculpture and the history of art.

His drawings freely mix references to art history and recent scandals, and works in the exhibition include a portrait based on Willem de Kooning's Woman and a satirical image of investment swindler Bernie Madoff.

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

His work draws on varied sources, including philosophy, literature and early cinema to create intricate art works and spellbinding environments in which he explores theories of time and relativity, the history of colonialism and the aspirations and failures of revolutionary politics.

His students on the compulsory History of Art and drawing modules included Damien Hirst, who would later become one of the world's most successful, controversial, wealthy and debated artists.

Caivano's works incorporate an uncompromising yet individual approach to the tradition of abstract painting, drawing as much on unique perceptions of colour, space, texture, volume and light as on art history.

Wylie's bold, large - scale figurative paintings draw on ancient and folk art, such as Mexican street art and contemporary Egyptian Hajj painting, as well as art history and film.

The exhibition will also revisit the Biennale's rich history through a close examination of its Archive, drawing on 45 years of art and encounters.

Her paintings draw on personal history, art history and environmental history, and investigate aspects of contemporary American landscape and their relationship to the languages of visual art.

2016 Selection: The Visible Hand, curated by David Borgonjon January 7 - February 15, 2017 Drawing on a business history term for management — the visible hand — as a corrective to the invisible forces of the market, this show posits art as a form of managerial practice.

Art Production Fund's Advisory Services draw on our unique 16 - year history of commissioning and presenting public art projects to assist civic, private and non-profit partners in developing art initiatives in public spacArt Production Fund's Advisory Services draw on our unique 16 - year history of commissioning and presenting public art projects to assist civic, private and non-profit partners in developing art initiatives in public spacart projects to assist civic, private and non-profit partners in developing art initiatives in public spacart initiatives in public spaces.

At the time, Andersson was not well known in the States, yet it was immediately clear that her paintings epitomized an approach to form that could be characterized in Ferguson's terms: Old dichotomies of abstraction and figuration had been erased, and art history had become available as a kind of stylistic smorgasbord to be drawn on at will.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

In the insightful interview that follows, Serra touches on subjects including his approach to space, the influence of reading, drawing in Brancusi's studio in Paris, and breaking the chain of art history.

Painted quickly, without sitters, the works draw on Yiadom - Boakye's imagination and her immersion in art history and the work of painters such as Dégas and Sickert.

Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar BritaArt Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britain.

Additional programming tied to the exhibition includes a conversation with Victor Ekpuk on September 17, in which the artist and Art History Professor Lisa Aronson will discuss the source of inspiration for Ekpuk's wall drawings — the secret indigenous Nigerian script known nsibidi.

David Lawrey & Jaki Middleton's collaborative practice draws on popular visual culture, art history and cinematic traditions to create works that engage the viewer via optical phenomena, juxtaposition and repetition.

Drawing on EAI's extraordinary archive, and building upon ICA's history of engagement with media art since 1975, Broadcasting will foster a dialogue between early innovators and contemporary practitioners, such as Ulysses Jenkins, Shigeko Kubota, Tony Cokes, and Kristin Lucas.

2016 Bob Dylan: The New Orleans Series, New Orleans Museum of Art, Louisiana, USA 2016 Face Value, Kent State University Museum, Kent, Ohio, USA 2016 Face Value, Kunstsammlungen Chemnitz, Chemnitz, Germany 2015 Face Value, Butler Museum, Youngstown, Ohio, USA 2014 Bob Dylan, CAMERIMAGE, Tumult Gallery, Toruń, Poland 2014 Face Value, Museum of National History, Copenhagen, Denmark 2013 Revisionist Art, Gagosian Gallery, New York, NY, USA 2013 Mood Swings, Halcyon Gallery, London 2013 Bob Dylan: Face Value, The National Portrait Gallery, London 2013 The New Orleans Series, Palazzo Reale, Milan 2011 The Asia Series, Gagosian Gallery, New York 2010 The Brazil Series, Statens Museum for Kunst, Copenhagen 2010 The Drawn Blank Series, Accademia Albertina delle Belle Arti, Turin, Italy 2010 The Drawn Blank Series, Asahi Exhibition Centre, Roppongi, Tokyo 2010 Bob Dylan on Canvas, Halcyon Gallery, London 2009 The Drawn Blank Series, Halcyon Gallery, London 2009 The Drawn Blank Series, Edinburgh City Centre 2008 The Drawn Blank Series, Halcyon Gallery, London 2007 The Drawn Blank Series, Kunstsammlungen Chemnitz, Germany

Peter Doig's landscapes are splendidly layered formally and conceptually, and draw on assorted artists from art history, including Edward Munch and Claude Monet to Friedrich and Klimt; Peter Doig, print, signed «Gasthof».

Major exhibitions include: Claes Oldenburg and Coosje van Bruggen: A History of Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen: Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, ItalyDrawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italydrawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).

As quoted in the 2012 Biennial press release, both Sussman and Sanders remarks that, «-LSB-...] a number of artists are functioning as researchers and curators, drawing on the histories of art, design, dance, music and technology.

Parallel to working on his own films, Richards draws inspiration from collaborations with other artists, his interactions with contemporary art and recent art history, and from curating film programmes and exhibitions.

Barbara Cleveland's projects are shaped by queer and feminist methodologies, as well as drawing on the histories of visual arts — with a particular emphasis on performance and its relationship to documentation and memory.

On the occasion of his 2015 LACMA exhibition of drawings from the 1960s and 70s organized by Leslie Jones, Director Michael Govan commented «Ed Moses has been central to the history of art making in Los Angeles for more than half a century.»

His paintings celebrate colour and imbue a sense of impact, drawing on influences from art history, and reflecting his own experiences to produce something new and joyful.

This scepticism can extend to the issue - based art that draws on ideas from post-colonialism, feminism, post-structuralism and political history, an assortment of which often inform the content of much of the installation, film and performance work that features in biennials in Asia and the rest of the world.

He teaches drawing, painting, and courses on contemporary art and art criticism in the Department of Art and Art History at Mary Baldwin College, and is the Director of Hunt Gallery at Mart and art criticism in the Department of Art and Art History at Mary Baldwin College, and is the Director of Hunt Gallery at Mart criticism in the Department of Art and Art History at Mary Baldwin College, and is the Director of Hunt Gallery at MArt and Art History at Mary Baldwin College, and is the Director of Hunt Gallery at MArt History at Mary Baldwin College, and is the Director of Hunt Gallery at MBC.

Idris Khan: A World Within, a survey bringing together significant bodies of work, drawing on a range of interests including classical music, the history of art, literature, philosophy and religion, is at The New Art Gallery Walsall, 3 February - 7 May 20art, literature, philosophy and religion, is at The New Art Gallery Walsall, 3 February - 7 May 20Art Gallery Walsall, 3 February - 7 May 2017.

Jaimie Warren and a group of friends in handmade costumes, sets and make up will draw up on pop culture, internet culture, and art history to create a series of photographs and videos.

A finalist for Britain's Turner Prize in 2013, Yiadom - Boakye is known for her paintings of black fictional characters that play on conventions of European portraiture, drawing attention to inequities in representation throughout art history.

The start of a new era seems a fitting time to reflect on and explore the vibrant history of modern art in the town — an association that drew Tate to build its permanent gallery here in 1988.