Sentences with phrase «draws over the images»

Sometimes I dive straight in with the paint, others are drawn free - hand but for a very large and intricate painting like this I use a projector and draw over the image, ensuring that the bowls of the glasses are correct in shape and perspective.
An avid collector of antiquated prints and ephemera, Dr Lakra superimposes tattoos and pen drawings over images featuring pin - up girls, 1940s Mexican businessmen, and luchadores.
This sense of images a fluid and fickle has been addressed by artists in diverse ways; constructing scenes in the studio, using Photoshop to draw over images, or put together still images into animated videos.

Not exact matches

Simultaneously there arose in my mind the image of an epileptic patient whom I had seen in the asylum, a black - haired youth with greenish skin, entirely idiotic, who used to sit all day on one of the benches, or rather shelves against the wall, with his knees drawn up against his chin, and the coarse gray undershirt, which was his only garment, drawn over them inclosing his entire figure.
Suppose an attempt were made to exegete Gregory of Nazianzus's bold assertion on which the title draws: «The scope of our art is to provide the soul with wings, to rescue it from the world and give it to God, and to watch over that which is in His image
I drew over 60 Sophia images during that time and even wrote a book about her story with all the images and meditations.
(There are over 50 Sophia images to choose from, including original drawings and prints: CLICK HERE TO VIEW THEM!)
But in the state Senate, where Democrats are hobbled by a redistricting plan drawn by Senate Republican lawmakers (and signed off on by Cuomo) and the poor image of dysfunction and corruption from their time in control, the minority conference still holds out hope that the presidential election year will help put them over the top.
Some of the images were drawn over scratch marks made by the extinct giant bear, and bear bones are scattered around the cave.
Evidence shows that people are drawn to images over text.
«And with this pencil stroke, my fate was sealed,» the narration tells us, over images of Petit drawing a line between the towers as depicted in a magazine ad that he peruses while waiting to see a doctor — as if we couldn't figure out why that moment is important, in a movie about a guy who tightrope - walked between the Twin Towers of the World Trade Center.
Drawing on Deleuze's action - image, Perkins identifies a key convention of smart sensibility: doubt over the permanence and possibility of change.
Vergara has photographed U.S. ghettos since 1977 and draws on this image bank to document ghetto geography and ecology, over time, of specific cities» housing, commerce and industry, and other revealing areas, resulting in a vivid and troubling portrayal.
This group drew their pictures by hand — scanned them in with Cam Scanner — imported into Comic Maker App to give distressed look to images and add text — imported into Book Creator as images — added voice over — exported as ePub file to be posted in Health Without Borders on iTunes U.
This next group drew their pictures in the free version of SketchbookX — took a screenshot to camera roll — imported images into Book Creator — added voice over — exported as ePub file.
In particular, one can draw a line over a diagram in an electronic - book and — assuming the graphics are actually stored in color — see the same image in full color on the LCD screen.
The line - drawing puzzle game contains over 200 levels, each challenging players to drag sliders to move lines into position to create complete images.
After drawing the image loosely with the pen, take a medium sized brush, say a number 8 round, and with clean water, go over some or all of the lines.
Every couple of weeks, Brady will pick a fan image and draw over it with his iPad and repost it as a new image.
Over four decades, Charlesworth investigated the language of images in our culture, dissecting pictorial codes and conventions while drawing attention to the role of photography in mediating our perception of the world.
Consisting of monotypes and charcoal drawings made in 1989, this cycle of images depict seagulls fighting over and devouring a dead skate, a scene Mazur witnessed on the beach at Provincetown.
Dozens of images take over the Drawing Center in a follow - up show, in patterns still to be discovered or denied.
Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.
Over the past five decades, in her painting, drawings, prints and illustrations, Applebroog has been exploring subjects informed by feminism, power and violence, women's sexuality and the domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing.
Drawing from an immense archive of printed material that the artist has amassed over time, Witek begins by extracting subjects from found images.
Photographing friends or requesting images from online «feeder» networks, Bethan's hyper - real drawings explore the contradictory attitudes towards over consumption.
Over the course of a career spanning more than two decades, Simmons has built this arsenal into a powerful and profound visual vocabulary, leveraging the potency of familiar images as well as drawing from imagined spaces.
As a child, creates an elaborately decorated environment in his room, drawing images on the walls, painting red fleurs - de-lis all over the woodwork and furniture, and building a structure of crates filled with jars and boxes of found objects to divide the room that he shares with his only sibling, Janet, born in 1936.
This exhibition draws together two familiar strands within the artist's practice: portraiture and the process of «remixing», whereby images are repeated and reinterpreted over time using different techniques and mediums.
The images are pulled from his imagination and from the imaginative realm of literature: his recent solo exhibition at the Drawing Center was composed of notebooks in which he makes a drawing every day in response to books he reads over the course of the year — texts that range from Ovid to PattiDrawing Center was composed of notebooks in which he makes a drawing every day in response to books he reads over the course of the year — texts that range from Ovid to Pattidrawing every day in response to books he reads over the course of the year — texts that range from Ovid to Patti Smith.
Over many years Hockney has been known for responding to new technological possibilities and has famously used ipad drawings, poloroid photography, faxed images and photocopying in his art.
Under his pseudonym, loosely translating as «Dr Delinquent,» he draws over vintage printed materials and found objects rather than skin, manipulating images of pin - up girls, 1940s Mexican businessmen, luchadores, and Japanese sumo wrestlers.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Her process of repeatedly rubbing the stones to make an image and then again and again repeating this process to complete the drawings point to the body movements humans have made in contemplation, revery and prayer over millennia.
His works, such as his 1975 self - portraits, evoke the power of individual expressive acts in a photo - saturated culture by reaffirming painterly control over technical images and archetypal symbols, in this instance photographs of the artist in a crucifixion pose, drawn over with manic black marks.
Doig often paints an image over and over, explaining that the subject contains something to which he is repeatedly drawn.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Jessie Brennan, Benjamin Bridges, and Terry Greene explore surfaces through drawing, sculpture and painting, layering over found materials and images.
She draws from her extensive archive of images collected over the years, as well as photographs she has taken.
Introduced by vividly colored paintings of tarred - over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation image above).
The possibility of image making facilitated by a computer captivated Hammersley's imagination, and resulted in a series of over 72 drawings.
Over the following decades, he made hundreds of idiosyncratic drawings, pulling together patterns from Mexican folk art with images of modern California.
Here the artist will present a widespread work constructed from over 500,000 drinking cups; drawn from topographical images, the result is a graphic representation of land surface in a rolling, wandering form.
Other collages are created out of torn images and texts from magazines, which are then painted or drawn over.
We have over 80,000 images of prints, drawings, paintings, textiles and 3 - dimensional artwork from our permanent collections... View More
He then «draws» the bodies into the image by moving a laser light over them, resulting in ethereal artworks that resemble figures made out of stars and magic, pulled out of the void.
He was Keith Haring's «official» photographer, creating an archive of over 40,000 images recording Keith Haring at work on public and gallery art, from his early subway drawings and his large scale commissions.
Illustrated with over 500 images, Vitamin D2 features practices ranging from highly accomplished figurative drawing to abstract explorations of the medium, in materials including pencil, charcoal, crayon, pastel, ink, watercolour and digital drawing.
Over the course of a year she had built up many images; some typographic; others drawn in the form of fake advertisements or patronising advice.
Drawn from Life: People on Paper brings together over 50 masterpieces of drawing from the Arts Council and British Council collections, celebrating images of people captured on paper.
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