Sometimes I dive straight in with the paint, others are drawn free - hand but for a very large and intricate painting like this I use a projector and
draw over the image, ensuring that the bowls of the glasses are correct in shape and perspective.
An avid collector of antiquated prints and ephemera, Dr Lakra superimposes tattoos and pen
drawings over images featuring pin - up girls, 1940s Mexican businessmen, and luchadores.
This sense of images a fluid and fickle has been addressed by artists in diverse ways; constructing scenes in the studio, using Photoshop to
draw over images, or put together still images into animated videos.
Not exact matches
Simultaneously there arose in my mind the
image of an epileptic patient whom I had seen in the asylum, a black - haired youth with greenish skin, entirely idiotic, who used to sit all day on one of the benches, or rather shelves against the wall, with his knees
drawn up against his chin, and the coarse gray undershirt, which was his only garment,
drawn over them inclosing his entire figure.
Suppose an attempt were made to exegete Gregory of Nazianzus's bold assertion on which the title
draws: «The scope of our art is to provide the soul with wings, to rescue it from the world and give it to God, and to watch
over that which is in His
image.»
I
drew over 60 Sophia
images during that time and even wrote a book about her story with all the
images and meditations.
(There are
over 50 Sophia
images to choose from, including original
drawings and prints: CLICK HERE TO VIEW THEM!)
But in the state Senate, where Democrats are hobbled by a redistricting plan
drawn by Senate Republican lawmakers (and signed off on by Cuomo) and the poor
image of dysfunction and corruption from their time in control, the minority conference still holds out hope that the presidential election year will help put them
over the top.
Some of the
images were
drawn over scratch marks made by the extinct giant bear, and bear bones are scattered around the cave.
Evidence shows that people are
drawn to
images over text.
«And with this pencil stroke, my fate was sealed,» the narration tells us,
over images of Petit
drawing a line between the towers as depicted in a magazine ad that he peruses while waiting to see a doctor — as if we couldn't figure out why that moment is important, in a movie about a guy who tightrope - walked between the Twin Towers of the World Trade Center.
Drawing on Deleuze's action -
image, Perkins identifies a key convention of smart sensibility: doubt
over the permanence and possibility of change.
Vergara has photographed U.S. ghettos since 1977 and
draws on this
image bank to document ghetto geography and ecology,
over time, of specific cities» housing, commerce and industry, and other revealing areas, resulting in a vivid and troubling portrayal.
This group
drew their pictures by hand — scanned them in with Cam Scanner — imported into Comic Maker App to give distressed look to
images and add text — imported into Book Creator as
images — added voice
over — exported as ePub file to be posted in Health Without Borders on iTunes U.
This next group
drew their pictures in the free version of SketchbookX — took a screenshot to camera roll — imported
images into Book Creator — added voice
over — exported as ePub file.
In particular, one can
draw a line
over a diagram in an electronic - book and — assuming the graphics are actually stored in color — see the same
image in full color on the LCD screen.
The line -
drawing puzzle game contains
over 200 levels, each challenging players to drag sliders to move lines into position to create complete
images.
After
drawing the
image loosely with the pen, take a medium sized brush, say a number 8 round, and with clean water, go
over some or all of the lines.
Every couple of weeks, Brady will pick a fan
image and
draw over it with his iPad and repost it as a new
image.
Over four decades, Charlesworth investigated the language of
images in our culture, dissecting pictorial codes and conventions while
drawing attention to the role of photography in mediating our perception of the world.
Consisting of monotypes and charcoal
drawings made in 1989, this cycle of
images depict seagulls fighting
over and devouring a dead skate, a scene Mazur witnessed on the beach at Provincetown.
Dozens of
images take
over the
Drawing Center in a follow - up show, in patterns still to be discovered or denied.
Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely
drawn, graffiti - like
images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling
over with posters, and other messy piles of carefully amalgamated bric - a-brac.
Over the past five decades, in her painting,
drawings, prints and illustrations, Applebroog has been exploring subjects informed by feminism, power and violence, women's sexuality and the domestic space using
images stylistically reminiscent of comics, at once beguiling and disturbing.
Drawing from an immense archive of printed material that the artist has amassed
over time, Witek begins by extracting subjects from found
images.
Photographing friends or requesting
images from online «feeder» networks, Bethan's hyper - real
drawings explore the contradictory attitudes towards
over consumption.
Over the course of a career spanning more than two decades, Simmons has built this arsenal into a powerful and profound visual vocabulary, leveraging the potency of familiar
images as well as
drawing from imagined spaces.
As a child, creates an elaborately decorated environment in his room,
drawing images on the walls, painting red fleurs - de-lis all
over the woodwork and furniture, and building a structure of crates filled with jars and boxes of found objects to divide the room that he shares with his only sibling, Janet, born in 1936.
This exhibition
draws together two familiar strands within the artist's practice: portraiture and the process of «remixing», whereby
images are repeated and reinterpreted
over time using different techniques and mediums.
The
images are pulled from his imagination and from the imaginative realm of literature: his recent solo exhibition at the
Drawing Center was composed of notebooks in which he makes a drawing every day in response to books he reads over the course of the year — texts that range from Ovid to Patti
Drawing Center was composed of notebooks in which he makes a
drawing every day in response to books he reads over the course of the year — texts that range from Ovid to Patti
drawing every day in response to books he reads
over the course of the year — texts that range from Ovid to Patti Smith.
Over many years Hockney has been known for responding to new technological possibilities and has famously used ipad
drawings, poloroid photography, faxed
images and photocopying in his art.
Under his pseudonym, loosely translating as «Dr Delinquent,» he
draws over vintage printed materials and found objects rather than skin, manipulating
images of pin - up girls, 1940s Mexican businessmen, luchadores, and Japanese sumo wrestlers.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure
Drawings from 1988 - 2008, featuring an installation of 40 framed
images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found
images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed
over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized
over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Her process of repeatedly rubbing the stones to make an
image and then again and again repeating this process to complete the
drawings point to the body movements humans have made in contemplation, revery and prayer
over millennia.
His works, such as his 1975 self - portraits, evoke the power of individual expressive acts in a photo - saturated culture by reaffirming painterly control
over technical
images and archetypal symbols, in this instance photographs of the artist in a crucifixion pose,
drawn over with manic black marks.
Doig often paints an
image over and
over, explaining that the subject contains something to which he is repeatedly
drawn.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (
image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus
Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a
drawing compilation, Fundació 30 km / s, Paris, France
Jessie Brennan, Benjamin Bridges, and Terry Greene explore surfaces through
drawing, sculpture and painting, layering
over found materials and
images.
She
draws from her extensive archive of
images collected
over the years, as well as photographs she has taken.
Introduced by vividly colored paintings of tarred -
over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around
drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation
image above).
The possibility of
image making facilitated by a computer captivated Hammersley's imagination, and resulted in a series of
over 72
drawings.
Over the following decades, he made hundreds of idiosyncratic
drawings, pulling together patterns from Mexican folk art with
images of modern California.
Here the artist will present a widespread work constructed from
over 500,000 drinking cups;
drawn from topographical
images, the result is a graphic representation of land surface in a rolling, wandering form.
Other collages are created out of torn
images and texts from magazines, which are then painted or
drawn over.
We have
over 80,000
images of prints,
drawings, paintings, textiles and 3 - dimensional artwork from our permanent collections... View More
He then «
draws» the bodies into the
image by moving a laser light
over them, resulting in ethereal artworks that resemble figures made out of stars and magic, pulled out of the void.
He was Keith Haring's «official» photographer, creating an archive of
over 40,000
images recording Keith Haring at work on public and gallery art, from his early subway
drawings and his large scale commissions.
Illustrated with
over 500
images, Vitamin D2 features practices ranging from highly accomplished figurative
drawing to abstract explorations of the medium, in materials including pencil, charcoal, crayon, pastel, ink, watercolour and digital
drawing.
Over the course of a year she had built up many
images; some typographic; others
drawn in the form of fake advertisements or patronising advice.
Drawn from Life: People on Paper brings together
over 50 masterpieces of
drawing from the Arts Council and British Council collections, celebrating
images of people captured on paper.