Sentences with phrase «dreamlike works»

These tranquil and dreamlike works evoke nostalgia and longing, exploring the search for individual and national identity in Japan during the early Taisho period (1912 - 1926), an era of rapid social and cultural change.
Do Ho Suh's immersive, dreamlike work explores the nature and meaning of home, fastening ties between personal space and shared experience.

Not exact matches

If work by a team of undergraduates at the University of Cambridge pans out, bioluminescent trees could one day be giving our streets this dreamlike look.
At the end of this past couture season, Olivia worked with long - time friend and beautiful fashion editor and visionary, Naty Abascal to create a high - fashion and dreamlike spread for ¡ Hola!
The technical work is commendable, the final result dreamlike and portentous.
The fact that the plot is, effectively, window dressing for joke runs and life lessons doesn't help alleviate the sense that its two halves are or maybe can not successfully be sealed with blood; even at his most dreamlike or sincere, Leitch has too much work to overcome with a character who takes nothing seriously, and he fails to navigate that razor's edge to balance — or amplify — both extremes.
The film works best as a tone poem with a dreamlike haziness; providing too much clarity would ruin it.
Without a word spoken, the first two shots in Thief, Michael Mann's groundbreaking 1981 feature debut, announce a simultaneously grim and dreamlike vision that seems, in retrospect, perfectly poised between the great urban crime films of the 1970s and the formal aesthetics of the 1980s — the «style decade» that Mann's subsequent cinema and television work did so much to help shape.
So I don't think anyone was quite prepared for the visionary, jaw - dropping spectacle that greeted us at Holy Motors» first press screening last night — a work so sui generis, so vast in scope, and so meticulously realized that you can easily imagine Carax having spent every waking hour of the past 13 years working on it — and many non-waking hours to boot, given its dreamlike, surrealistic modus operandi.
by Bill Chambers Sanity and fatigue are ineluctable corrupting influences on an aging filmmaker, but it brings me great pleasure and no small relief to be able to report that while Mother of Tears: The Third Mother — Dario Argento's long - gestating conclusion to his «Three Sisters» trilogy — is neither as artful as Suspiria nor as dreamlike as Inferno, it nevertheless surpasses expectations fostered by Argento's recent work to emerge as his best movie in decades.
Only American Honey (Andrea Arnold, 2016) was the lightning strike of dreamlike, personal cinema that I look for in a new favorite film; Only Yesterday (Omohide poro poro, Isao Takahata, 1991), already as old as I am, was the only new theatrical release that struck me as a work of rare artistic genius.
As in his previous work, Morrison turned to decaying archival footage of the actual flood to convey the story of the flood, its deterioration lending a poignant, faraway, dreamlike quality to the project.
Spanning over a century, dreamlike and yet impossibly real, profound and playful, The Shore is a breathtakingly ambitious and accomplished work of fiction by a young writer of remarkable promise.
The dreamlike backgrounds and coloring she incorporates throughout the issue generates a likeness to Frazer Irving's work in Uncanny X-Men.
Where The Path really excels is in the marriage of art and music, which work together to create a dreamlike atmosphere that's constantly changing, shifting and moving in unsettling and beautiful ways.
Upon a closer look, the work reveals a dreamlike merging of the indoors and outdoors.
Elements of the work include wall text around war, imperialism, and democracy, historical footage of US militarization contrasted with the ruins of contemporary bases, forms of labor and production in the industries of mining, fishing, and banana plantation interspersed with interviews with workers, and a lush, dreamlike, and perpetually dissolving set of landscapes set against some of Dizon's own reflections on life, death, land, return and passage.
Now, at age 73, that is rapidly changing — her dreamlike, unfussy portrayals of ships aglow on night seas, cave - painting - ready divers, and an existential Superman launching himself through monochrome skies have hit the moment with uncanny precision, seeming distinctly fresh and relevant amid the work of painters half a century younger.
The Adventures of a Photographer comprises works from the last twelve years: dreamlike landscapes, cityscapes and industrial nightscapes saturated with intense colour along with carefully executed black and white images of people and interiors such as her renowned portraits of Indian upper - middle - class families and her latest project File Room.
The title «Dreamlike» denotes the world that can be seen only through the images and forms of her works, and it transcends the boundary between «dream» and «reality».
Suspenseful and infused with a sense of longing, the works explore implications of love, desire and queer culture through a dreamlike romanticism and wistful nostalgia.
The works included in this exhibition will exemplify the two distinct veins of Surrealism: the representational, dreamlike imagery of artists like Federico Castellon, Alfonso Ossorio and Dorothea Tanning and the abstract, biomorphic imagery that emerged from the technique of automatism represented by artists like Boris Margo, William Baziotes and Charles Seliger.
The onslaught of these dreamlike hardedge pop works derived from Robert William's successful magazine catering to street artists the world over is enough to make me feel sorry for Artforum, which feels so old and tired, like a hobbled circus elephant, here at ArtPad.
In some works, the softness of his painting style and the candy - like colors add to the mystical, dreamlike quality of the feathery forests and twinkling skies.
He went to Hollywood to work with Alfred Hitchcock on the film Spellbound, whose dreamlike sequences were created by Dalí.
Current exhibition: Janet Cardiff and George Bures Miller, «The Marionette Maker» Through June 11 Janet Cardiff and George Bures Miller are internationally recognized for their immersive multimedia works that often engage viewers in mysterious and dreamlike narratives.
By arranging the works into large - scale installations throughout 180 The Strand, Strange Days aims to «weave images and sounds into polyphonic, dreamlike compositions, blending the present with memories of the past and premonitions of the future».
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.
There's a dreamlike quality to these works that give them a kind of uncanny quality.
Made out of polyester fabric in an edition of three, shows the artist working at his most crowd - pleasing scale, allowing viewers to enter the work and share, in a dreamlike fashion, a moment in his memory.
The works build through a stream of images and ideas with a dreamlike, surreal feeling, to which Heffernan contributes by titling each one «Self Portrait...» In her recent paintings, the figure set in a tortured landscape functions as a metaphor for contemporary experience.
Through an investigation of landscape imagery, his works merge foliage found in tapestries and overlapping art historical motifs to create mythical or dreamlike mindscapes.
On the other hand, many works have a more escapist quality — dreamlike or nostalgic — encouraging slower modes of engagement and reflection.
This exhibition of large and medium scale works features photographs that plumb the depths, showing what the naked eye does not always see, as well as unusual dreamlike images, resulting from water, heat and time working to deconstruct archived slides.
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Laure Prouvost's work ranges freely between different systems of representation, alternating fiction, nonsense, and an imaginary, dreamlike world with the concrete reality of everyday life and human perceptions.
These works will be displayed in a dreamlike, painted environment inspired by British filmmakers Michael Powell and Emeric Pressburger's 1947, film «Black Narcissus».
In Cinthia Marcelle's Audição (2012), performed during the «prelude» at the Casa de Vidro in September 2012, 11 musicians simultaneously played different works, self - selected from the Bardis» record collection, resulting in an evocative, dreamlike orchestral composition.
Although he predominantly portrays the urban settings of New York City and its people, he avoids including famous landmarks, and most of his works feature a particular kind of isolation or dreamlike quality, like Hopper's work.
Surrealism, magic realism, the scientific principles of light and an inchoate sense of longing informed the dreamlike photographs, especially the large - scale camera obscura works, which invited the rational and the irrational to exist in the same room — juxtaposed images that felt like artifacts from the land of dreams and memory.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Combining 3D animation and and live action, the work explores themes of memory and personal history in a virtual dreamlike environment.Satterwhite has also shown / performed in group exhibitions including MoMA PS1, The Smithsonian, The Kitchen, Rush Arts Gallery, and Exit Art.
Working in performance, sculpture, drawing, and printmaking, Naufus Ramírez - Figueroa (b. 1978, Guatemala City, Guatemala) creates dreamlike scenes that build on references to literature, folklore, magic, and childhood memories.
Saliha Kasap's insect - like cityscape photo collages relate to Marcie Kaufman's disorienting industrial images, and Elif Oner's videos depicting dreamlike, mystical, timeless spaces corresponds with land art by Australian artist Andrew Rogers whose work is concurrently on display at the main gallery.
With diverse motifs like nature, sunsets, swimming pools or busy truck stops, the abstract remains visible between defined areas of representation, and the dreamlike associations present a link between large - scale canvases and smaller works.
New Zealand - based artist creates her appealing and dreamlike portraits working with paper, pen, watercolor, gouache, acrylic, and occasionally gold leaf.
Occupying the three main floors of the museum, and including a range of work from the artist's early career that investigates the representation of the female body, the event moved through to her more recent video installations that transform spaces into surreal dreamlike environments.
Objects beyond reach and out of scale, improbable scenarios and unidentifiable settings and landscapes often create a dreamlike atmosphere within Marilyn's work.
Working closely with members of an Adivasi community in Jawhar district, Maharashtra, India, Gill's subjects, adorned in papier - mâché copies of sacred masks, engage in everyday village activities to create a narrative situated both in reality and the dreamlike.
Objects beyond reach and out of scale, improbable scenarios and unidentifiable settings and landscapes often create a dreamlike atmosphere within this type of work.
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