Sentences with phrase «dress image which»

The focal point of this series is the use of a girl's dress image which explores the use of collage, painting, drawing and found objects in a fun design context.

Not exact matches

The songs ranged from attacks on racism to «Scars to Your Beautiful» by rising star Alessia Cara, an ode to healthy body image which she performed at the awards, dancers around her rustling her hair and removing her oversized dress.

The image, which features a woman, covered in cuts and bruises, wearing the dress, states: «The only illusion is if you think it was her choice.»

Now enthusiastic about all the possibilities, I imported the images of my red, orchid and orange dress which resulted in the Montensia Paradise palette.

Pippa was famously photographed in a green Temperley dress teamed with Aruna Seth shoes which became an iconic image of the special day.

Look out for the comments which speak about the size, quality and fit of the dress as sometimes what you see in the image doesn't really match with the product that you receive at the time of delivery.

And «it is» a dress which only approximately replicates what I intended it to, the image on the right.

They always brought to mind images of maternity dresses (which, this one could actually double as).

Hiya Jenna, i was looking at different pictures of Kylie Jenner on Google Images and i came across your image with you wearing her Blue Bodycon dress from Boohoo which i have ordered.

This dress in particular really accentuates her hour - glass figure which shows a really healthy and positive body image for one so young.

The primary complaint of the suit, filed in October 2012, involved Digisec's alleged trade dress violations for use of Ashley Madison's «shush image,» which depicts a woman with her finger pressed against her lips.

Filmmaker Zack Snyder has taken to the social media site Vero to share an image of a pre-Man of Steel Henry Cavill dressed in Christopher Reeve's classic Superman suit, which the director used to convince Warner Bros. executives that Cavill was the man for the job in the 2013 DCEU - launching superhero blockbuster.

Cheadle first received widespread notice for his portrayal of Mouse Alexander in the film Devil in a Blue Dress, for which he won Best Supporting Actor awards from the Los Angeles Film Critics Association and the National Society of Film Critics and was nominated for similar awards from the Screen Actors Guild and the NAACP Image Awards.

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The observation and viewpoint are heightened through the actions of cropping the image, zooming in on areas of the body which are afforded to the gaze of a lover, in the morning during dressing, or in moments of leisure.

According to William Seitz, Gorky was inspired by heraldic figures and horses in combat or parade dress.21 In an early biography of Gorky, his student and friend Ethel Schwabacher wrote that his image was based on an equestrian in Uccello's «Battle of San Romano» (1438 — 40), which Gorky had once sketched.22 In a recent biography, Hayden Herrera claimed that the «Betrothals» were inspired by medieval marriages, commenting that «the figure on the left [is] an equestrian bride wearing a wreath or a crown and, following her to the right, a helmeted male.»

The image is as rough as the subject's burlap dress, which conceals large pendulous breasts.

The cultural interventions of DIS are manifest across a range of media and platforms, from site - specific museum and gallery exhibitions such as DIS Image Studio (2013, The Suzanne Geiss Company, New York, US), ProBio at EXPO 1: New York (2013, MoMA PS1, New York, US) or Dressing the Screen for the British Council (2012, UCCA, Beijing) to ongoing online projects which most notably include DIS Magazine, a virtual platform that examines art, fashion, music, and culture, constructing and supporting new creative practices.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

The images feature the artist dressed as the entrepreneur, using his signature invention: a protective respiratory hood which enabled its wearers to breathe in hostile environments.

The second chamber, «Life Struggle: An Affirmation», displayed Robert Gober's Untitled (1992 — 96): a self - portrait by way of an altered New York Times advertisement, in which an image of the artist dressed as a beautiful bride takes the place of the female model.

The exhibition features images — her ghostly baptism dress, rolls of Super 8 film, and such artefacts as her unopened rucksack, which she left behind on the beach.

It seems too that the focus on Africa brings with it new notions of a soldier identity that is not necessarily styled along the images seen in Hollywood movies but more along the lines of how this form of popular culture has influenced child soldiers» choice of dress — which is usually a combination of ill - fitting army pants with popular animated characters t - shirts.

She dug up old photographs and spoke to family members to develop a narrative for the project, which in some images finds her dressing up as her grandfather and posing in front of cardboard cutouts.

The exhibition Fuel to the fire forms a bridge between the two figures Ricardo Brey unites within himself: on the one hand the historical artist at a crucial time in the history of Cuban art, and on the other the artist who lives and works in Flanders, and makes work that is highly contemporary, critical to the consumption of images and the slickness in which they now tend to dress themselves.

«Painter and Model» (2012), which is in the Tate Britain show, is a sorrowful image of Ms. Paul in a paint - spotted dress, with squeezed tubes at her bare feet.

One of Zoloto's distinctive themes are these large dresses, which have patterns and images culled from nature.

Halloween has become a kind of adult holiday (which was not at all true a few generations ago), and with adults and teens dressing up as figures from horror movies and going to extremes to scare other adults (a harder task than scaring a little kid), we need to make sure there is a firm line against violent / bloody / gory and generally horrific images.