Morel
drew on his cigarette again.
I can talk about my life endlessly,» she says,
drawing on a cigarette, exhaling and staring me down.
Not exact matches
The cartoonists can count
on it for fare; we still see
drawings of the tots marching in and out of church buildings while Dad, still in pajama shirt, shivers over
cigarette and newspaper outside in the car that he can no longer afford to heat during the children's weekly spiritual pit stop.
I
drew him puffing
on a post-coital
cigarette, full of self - loathing, as his partner promises him a Tory peerage.
The poster used was
drawn from among nine that the U.S. Food and Drug Administration had intended to put
on cigarette packages and was the one had been rated as the most effective image by adolescents in previous research.
Abdur
drew deeply
on a yellowish kretek, the Indonesian
cigarette blended of tobacco and cloves.
The researchers also plan to analyze dual users of both e-
cigarettes and
cigarettes — to
draw a more complete picture of nicotine dependence
on the entire spectrum of e-cigarette use.
Behind them were the art freaks, who smoked clove
cigarettes on the ropes course behind the school and
drew manga comics in the margins of their notes.
She held the lighter in her palm and
drew deeply
on her
cigarette, clearly savoring the relief.
I was immediately
drawn to a color pigment print featuring the artist lying in her bed and puffing
on a
cigarette pursed between her lips.
Drawing on the language of pop art and surrealism, Belanger's sculptures turn everyday objects such as lamps,
cigarettes, and watches into uncanny anthropomorphic artworks that blur the boundaries between function and artifice.
An impressive display of Pollock's
drawings, at the booth of the stalwart Washburn Gallery, includes both early, Picassoid scribbles — think bulls and ghouls — and a delicately worked sketch
on a
cigarette box.
The Real Estate Show, Installation view (At the center,
drawings by Joseph Nechvatal; Photograph to the right by James Casabere; Large black and white mural by Mike Glear; small collages and
cigarette packs
on floor by Bobby G. — Robert Goldman), 125 Delancey Street, New York, January 1980, Courtesy of Becky Howland.
Lawrence Weiner's contribution is his Filofax which he considers his sketchbook; Gerhard Richter loaned a three - ring binder with installation diagrams, designs for frames and color notes, which document one year of work; John Chamberlain's contribution includes crushed
cigarette packs which are sketches for his sculptures; Robert Ryman loaned a film labeled «Old Fasteners» which contains
drawings for the hardware
on his paintings.