The phrase
"drip marks" refers to the lines or streaks left behind when liquid drips or spills and runs down a surface.
Full definition
I'm not a professional spray painter and no matter how hard I tried I kept getting
drip marks on my vase.
Some examples of when I would sand first: The existing paint job is sloppy
with drip marks that I want to remove.
Repeat the process until the candle is covered with
red drip marks all the way around.
But recently I have had these long
water drip marks on the bottom freezer and also the dishwasher.
For the very best finish, remove your cabinets, and lay them down flat, allowing the solution to not run, and and ruin your cabinets
with drip marks.
I sanded it because it had been painted in oil based paint that had a lot
of drip marks in it, and I wanted it smooth before I started my unknown creation.
Polycrylic can yellow over time and it tends to
leave drip marks if you're not very careful.
The juxtaposed movement of the vigorous brush strokes in gradations of grey, the
evident drip marks on the canvas surface and the curvilinear spray - painted lines, all combine to convey the rhythmic application of paint and the layered structures of the composition.
Joseph Stella (1877 - 1946) Macchina Naturale # 4, c. 1925 collage of various printed papers on paper with
drip marks 11 5/8» x 9 1/4», signed
In this new body, we see the artist's fascination with the painting experience continue through
vigorous drip marks, surface - level imagery, and overpowering scale.
Modified to resemble a rocket and transferred to the canvas using fiery red ink, it is tilted upward, trailed by a bright orange plume of
painterly drip marks.
Hoyland has encouraged the formation of
drip marks and other accidental markings conferring upon the printmaking medium characteristics normally associated with his painting.
Areas of blue at the top of the canvas and bottom sections of scumbled green — that evidence
the drip marks of thinned paint — act as points of enclosure for a sandy colored swath which is punctuated by accents of red.
To make her prints, Liu (b. 1948) uses an array of printing and collage techniques, developing highly textured surfaces, veils of color, and screens of
drip marks that transform the figures in each composition.