Rhoda, does the piece have a dark brown
drip mark on the lip?
Not exact matches
This ensures when you place them
on the cake they don't
drip creating water
marks down the cake.
I remember as a child my mom had candle holders that hung
on the wall and held tappers - wax
dripped everywhere and left burn
marks on the walls... funny memory.
The notion of traditional
mark making in painting takes
on an entirely new perspective in
Drip Painting # 7.
Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print
on a trajectory of performative works based
on the notion of capturing an indexical trace, reaching back to Pollock's
drip paintings, moving up through Rauschenberg's blueprints, and
on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil
drips and tire
marks on a public plaza in Paris.21
Next time you see one of his paintings, move beyond the simple paint
markings on a canvas, but try to see a single note of sound unraveling in thick and thin, straight and curved, colorful and monochrome
dripped lines.
This image of the work turned
on its side, made from an archival slide, documents the
drips of white paint that
marked the work's surface until Rauschenberg covered it with a fresh coat of black paint.
Other hallmarks of this new generation of painters, according to Greenberg, were thinned - out paint, a lack of an identifiable artistic
mark (as in Pollock's «
drips» and «skeins»), a focus
on saturated and intense color, and a lack of interest in spontaneity.
Using spray paint
on top of paint brushed
marks, you can draw a line of references from Pollocks
dripped paint (similarly applied from a distance), to modern day graffiti.
The artist divines truth entirely from within as each brushstroke,
mark,
drip, or splatter registers his internal response to its predecessors
on the canvas.
By laying the canvas
on the ground, and
dripping the paint onto it, the body of the painter was also immersed with color, the
marks of his movement were also left
on the canvas, as well as the ashes of the cigarettes the painter smoked while working.
Mark Flood Another Painting (
drip spots), 2010 Painting - Acrylic and spray paint
on cardboard 48 x 48 inches (122 x 122 cm)
Rendered in thinly applied automotive paint
on aluminium sheets folded at the edges to form large industrial - looking trays, these impressionistic works, with their visible brush
marks and gestural
drips have, as the exhibition's title hints, the feel of half - glimpsed stories, the clarity of their message faded through time.
The overall gesture is extravagant in its largesse and Serra-esque machismo; the branches morph into torches that, instead of painting with fire leave, their
mark by
dripping wax in circular patterns
on the gallery floor.
Last year, I photographed several Abstract Expressionist paintings, focusing
on the accidental
marks on the canvas:
drips, spatter, pools of paint.
Aiming to provoke a thought and emotion from his viewers, he has produced in a number of different styles: the 1960s were
marked by monochrome single - panel paintings that featured accidental
drips over the canvas; the works of the 1980s were obviously influenced by the Asian culture, seeing calligraphy becoming a part of his portfolio; by the 21st century, Marden has moved
on to create paintings comprised of colorful, intertwining lines.
I hate working with poly unless its wipe
on, so many
drips and brush
marks.