Sentences with phrase «drip painting became»

The changes did not stop either as drip painting became a basis for formalism.

His drip paintings became an emblem of modern American art, the New World's stamp on Abstract Expressionism.

Hans Namuth's photographs of Pollock in the act of making his drip paintings became almost as famous as the artworks themselves.

Not exact matches

While the style of «drip» painting has become synonymous with the name Jackson Pollock, here the artist has autographed the work even more directly, with several handprints found at the composition's upper right.

Spontaneity, chance, spilling, dripping and brushing became important working methods in the mid to late 1970s and Bowling began referring to his work as «poured paintings».

In turn, with a drip painting, the body becomes a kind of writing.

Originally partly inspired by Jackson Pollock's drips, this method became a sort of addiction for de Saint Phalle; for her, aiming a gun at a painting became an instantaneous release of her inner violence and anger — at her father, her conservative family values, and male - dominated society — and she was consumed by the process.

The pioneering drip technique of Jackson Pollock introduced the notion of Action Painting, where the canvas became the space with which the artist would actively engage.

Jackson Pollock became a household name in 1949 when Life magazine published an article featuring photographs of him in action as he created his drip paintings.

Alÿs confronts issues of globalism through Sisyphean episodes: pushing a block of ice down the streets of Mexico City until it is melted completely (Sometimes Making Something Leads to Nothing, 1997); walking the streets of São Paulo and Jerusalem with a dripping can of paint to mark national borders (The Green Line (Sometimes doing something poetic can become political and sometimes doing something political can become poetic), 2005); and shoveling a mound of sand from one side of a dune to the other in Lima, Peru (When Faith Moves Mountains, 2002).

When he returned to the canvas, he ultimately chose to paint it black again.16 Today, the white drips are no longer visible and the painting appears less matte overall, having become glossier and more lustrous over time.

Drips and splatters of paint became his visual vocabulary, freeing painting from object and subject in favor of pure gesture.

This was kind of an evolution of Jackson Pollock's dripping and became known as Color Field painting — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

Ultimately, he became internationally famous for his experimental dripped and poured paintings.

In the confined space of his East Hamptons studio in Long Island, Pollock used the drip painting method as a way of touching base with his subconscious in the spirit of what became known as abstract expressionism.

She «paints» with layers of ribbon, dyed clothing, and hand - sewn textiles; the materials become marks, drips and washes.

I was reading an article recently about Jackson Pollock, an abstract artist famous for his «drip paintings,» and I became intrigued when I found out his art falls under the category of «process art.»

She has become known for her «drip» - style paintings, which often represent a challenge to the hegemony of Jackson Pollock.

This becomes a coiling red line snaking around the gallery, invoking the internal organs of the body, the flexibility of a creeper, a Pollock drip painting and artisan labour.

Alex Prager's well - dressed ladies are lost in thought as well, and the photos live in a psychological space that sometimes becomes Lynchian, while Stella Vine's dripping, big - eyed paintings of Princess Di or Lisa Lopes humanize celebrity.

Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio.

Aiming to provoke a thought and emotion from his viewers, he has produced in a number of different styles: the 1960s were marked by monochrome single - panel paintings that featured accidental drips over the canvas; the works of the 1980s were obviously influenced by the Asian culture, seeing calligraphy becoming a part of his portfolio; by the 21st century, Marden has moved on to create paintings comprised of colorful, intertwining lines.

Pollock's early work was figurative, becoming increasingly abstract over time until the «drip» paintings of the early 1950s, for which he is most famous.

The materiality of the colored medium (which Jackson Pollock had so recently exalted in his all - over drip paintings) became negated, literally fusing with the fibrous surface of the bare canvas support, which, in turn, became its own engaging compositional element.

The narrative of An Answer, begins with myths of classical antiquity, moves towards Renaissance intellectual history, modernity, and, ends finally, with an apocalyptic time beyond our time where that dripping paint has become the form of trees and archways.

During the 1940s, he explored what later became known as Abstract Expressionism, pioneering the technique of «drip - painting» which later became associated with Jackson Pollock (1912 - 56).

Within a few years, he moved his canvas off the easel to attack the surface from all sides, dripping paint from a stiff brush with such gestural fluidity that the physical act of his painting became integral to the painting itself.

Drips of creamy paint become syrup, pasta sauce, and melting cheese.

The piece challenged the male - dominated world of Abstract Expressionism — the paintbrush became phallic, and the horizontal orientation recalled Pollock's drip paintings.