Sentences with phrase «drip painting on paper»

If you were going to pick an important moment in an artist's career, it could be terrific at 45 East 78th Street in these beautiful rooms, but you couldn't fill a museum with, say, 24 Pollock drip paintings on paper.

Not exact matches

Drip watercolor paints onto cotton rounds (little ones will love watching the paint spread), then assemble into caterpillars on construction paper.

[Many thanks to Gary Snyder Fine Art for providing me with the image above and press materials for Janet Sobel at Gary Snyder Project Space: Drip Paintings and Selected Works on Paper, running now through February 27, 2010.]

Sound on Sound will feature three major paintings and four large scale (6 - foot tall) works on paper, the latter pitting dripped or rolled paint against silk - screened backgrounds.

Her playful acrylic abstractions on paper focus more on the geometric patterning of interlocking diagonals, which she breaks up with loosely applied paint, dripping through the composition.

The drips and washes that so vividly recall the liquid state of the paint as it leaves the brush are most aptly visible in the perfect summer painting, Pool, which uses four panels of Dura - lar paper (like vellum) on which she has drawn more than painted the delicate tracery of plants, layered over a firm painting of a pool edged in a blue crosshatch pattern, the most representational moment in the show.

As a symbolic activity of Korean unification, the Klein blue is splashed, dipped, dripped on top of colorfully painted images of «Happy Land» themed Styrofoam punch - out paper toys found in Choco · Pie boxes, which are smuggled into North Korea from the South.

Painted on wax paper or corrugated cardboard, they tend to contain a simple image --(a core of brush strokes and paint drips)-- on a plain, coloured ground.

Fusing clear intention and virtuosic improvisation, Bowling called on his expansive repertoire of techniques to manipulate the surface of his paintings, whether on paper or canvas: pouring; staining; scratching; creating layered streams, pools and diffusions of gorgeous colour; interrupting currents with drips and splashes; scattering chemicals to create mottles and veins.

Saccoccio's work first caught my eye in a 2013 group exhibition called Let's Get Physical, curated by the painter Rick Briggs at Ventana 244 in Williamsburg, Brooklyn, where she showed a grid of four paintings in gouache and ink on yupo paper, dominated by drips and spatters and networks of bleeding color.

Now, in a sequence of galleries, the DMA's senior curator of contemporary art, Gavin Delahunty, presents a compelling case for the significance of the black paintings, with portable drip paintings, the first burst of black works, later ones that were exhibited in solo shows at the galleries of Betty Parsons and Sidney Janis in New York, screen prints, and drawings made on Japanese mulberry paper.