To produce the stratified surface of these paintings, Johnson
drips layers of acrylic paint onto freezer paper and allows them to dry and form a skin — a flexible, plastic - like puck of pigments that she attaches to the paintings with glazing medium for added texture and embellishment.
In his site - specific wall
paintings, Linnenbrink
layers acrylic and pigment in energetic stripes, embracing the natural viscosity
of the materials and allowing the lines to
drip and run into each other.