Sentences with phrase «drive character does»

And thankfully, its fun - to - drive character doesn't come at the expense of practicality, passenger and cargo versatility, or fuel efficiency.

Not exact matches

By taking blood draws before and after the narrative, we found that character - driven stories do consistently cause oxytocin synthesis.

They didn't elaborate on the matter, but according to Variety, it was because MacLaren's «epic origin tale» differed from their hopes for a more classic character - driven drama.

One hundred forty characters doesn't allow you to communicate much information, so use it to drive traffic to more content rich sites like blogs, reviews, your website, or articles.

In a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followers.

Generally, do atheist believe that mankind is naturally good or naturally bad; another way to ask; how do atheist explain the good and evil natures of mankind?That is: what is the driving force behind mankind's character?

It need not trouble us that the man going on a journey is represented as a hard man driving a shrewd bargain for his own gain, for the parable does not focus on the character of God or of Christ.

It's a result of rising affluence and safety, and while we're in favour of both, the first does slowly kill off the small, personal, local things that give a neighbourhood its character, and drive out the personalities that give it personality.

It's a result of rising affluence and safety, and while we're in favor of both, the first does slowly kill off the small, personal, and local things that give a neighborhood its character, and drive out the personalities that give it personality.

The theory put forward time and again by members of the football media was that the club and the squad did not have enough strong characters and leaders to get us through the hard times and drive the team on when it was needed.

It looks like they had so much fun retelling the story with the characters from Don't Let the Pigeon Drive the Bus!

Warm, intelligent and highly articulate, there's far more to Casey than the punchline - driven character she played for so long — although she does like to pepper her speech with what your granny might call «broad language», usually for comic effect.

No, it doesn't match the character - driven intensity of Civil War.

This page contains screenshots, real life photographs and information about all of the main characters in GTA San Andreas and the people who do Pimping is a mission in Grand Theft Auto: San Andreas that consists of driving prostitutes to...

As long as Phillips doesn't slow down, The Hangover grooves along like a racecar, but occasionally the story requires a plot transition or a quiet, character - driven moment, and in those moments the movie's ferocious momentum threatens to leak away.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

After the bug fixes with a patch this sequel exceeds the original in every aspect.Better graphics, gamplay and story along with 2 completely different playable protaganists give Dishonered 2 more replay value then almost every triple A title this year.And this time around I did nt feel pushed to play the game in any specific way.I felt that playing stealthily was alot more rewarding then the first entry but i never felt that i was playing wrong or was being punished when i played a full on assault playthrough.Also there are several ending for every playstyle for both characters which really drive you toward a second, third or even forth playthrough and in all the chaos or silence of each level, even on my forth run, I reimagined every situation and experienced different outcomes every single time.Dishonored 2 also contains some of the best level design I have ever seen with the likes of the amazing and masterfully thought out Clockwork Mansion level being among my all time favorites.Dishonored 2 truly is a masterpiece in almost every ascpect!!!

It's not gonna change the world, or even come remotely close to it, but it does offer a strong, character - driven indie comedy with a focus on one of the darker periods of American history (we're going through one of those right now).

Still, the character - driven screenplay co-written by Braff and his brother Adam features some ambitious if calculated ideas that don't achieve either a consistent tone or a satisfying emotional resonance, especially when it comes to the plight of its protagonist torn between personal dreams and family obligations.

However, I do think that I saw Neeson give his gate key to the character played by Todd Fielding when he drove the «Mary» character into town to the doctor.

Cumberbatch, to his credit, does drive the movie along well and keeps his Stark - type character just on the right side of likeable.

Drive is, in other words, Taxi Driver if Mann had made it in the eighties, a meticulous character study done in long, drawn - out takes and extended silences punctuated now and again by extreme violence.

Ryan Gosling doesn't really stand out like he has in previous performances in a personal favorite of mine, Drive, and one of the most overlooked films of 2011, The Ides Of March, but that's more fault to the thin character he's been given to play.

In the first female driven buddy cop comedy, the actresses proved that women characters don't need a man to help them thrive in their careers and relationships; Ashburn and Mullins succeeded in their decision to work together stop a dangerous city drug lord from further killing anyone else he perceived to be a threat.

That forward thrust, that sense of both character and audience not knowing how he'll react, or what he'll do next, gives the film an exciting narrative drive.

The story is driven by three women, all different characters, damaged in their different ways and linked at the same time, even if they don't know it.

Fonda can't do much with the character, an aggregation of cliches: Grace wears baggy print dresses, grows pot in her basement, drives a Volkswagen Beetle, presides over monthly bacchanals where women worship the full moon, and says things like, «Then Hendrix comes onstage to play, and my water breaks!»

But they also do not forget to fill their characters with real agency and drive.

Here, their big idea doesn't play nearly as brilliantly since the characters» drives are motivated by quirk for quirk sake.

Naomi Watts — so wonderful in better horror fare like The Ring or thrillers like Mulholland Drive and Funny Games — does the best she can here with a comparatively inferior character, but Charlie Heaton, who broke out as the protective and lovelorn older brother in last summer's Stranger Things, and Jacob Tremblay, Oscar - nominated for his role in 2015's Room, are stymied in roles that require too little in the way of nuance or are lacking in enough screen time to show real depth.

Which isn't to say that the film doesn't boast plenty of powerful and often disturbing sequences (it does), nor that its mostly - female cast don't deliver a forceful ensemble performance, with Natalie Portman exceptional as the traumatised but driven central character, biologist Lena.

[Writers] Cavayé and Lemans... dump all manner of double - dealing and good cop - bad cop intrigue into what could have been a wonderfully streamlined, character - driven thriller about an innocent man forced to do the bidding of criminals to save his family.

I do feel almost apologetic damning Days of Future Past on the basis of a single trailer, but would be keen to hear how readers think the film can possibly function on a character - driven level with so many superheroes to get through.

In fact, when the climax, of sorts, finally does come, it's not even driven by one of the central characters.

Catch Me If You Can is an example of a recent movie he has done that is more character driven.

It's been a favorite of mine ever since the first episode, and although this latest batch of episodes took a few twists and turns that I didn't expect, it still ranks as an excellent collection of characters and character - driven writing.

Furthermore, Pixar films usually don't have stereotypical antagonists and stick to their guns by telling character driven stories that resonate with audiences young and old, rather than conforming to conventional structures.

It seems fairly obvious what roles each thesp will take with the promise of a character driven period drama featuring the two highly exciting considering what Crowley was able to do with «Boy A.» We're not familiar with the source material, but it sounds more melodrama than her usual thriller (the author, of course, was the writer of «Strangers On A Train» and «The Talented Mr. Ripley «-RRB-.

I was coming off a project at the time, and I really wanted to do an independent film that was more of an intimate, character - driven piece.

Nicholas Winding Refn's Drive is a gloriously brutal love letter to action movies of the 70's, featuring a lead character that doesn't even have a name, a fantastic synth pop

In a world where conflict and misunderstanding often drive decision making, it's refreshing to see a main character who rejects those philosophies, and a pity that the movie couldn't do justice to the concept.

classic films like Do the Right Thing and She's Got ta Have It, being a character - driven drama set in a sweltering Brooklyn.

For all the film's intelligence and period sophistication, doesn't Whale's character seem like a gay white equivalent of Hoke in Driving Miss Daisy?

To distinguish the character - defining songs (always of inner turmoil) from the more matter - of - fact and plot - driving singing - as - dialogue, Hooper and cinematographer Danny Cohen shoot the characters» solos in long close - ups (most done in a one - take or with only a short cutaway in the middle or a complete break just at the final word)-- every tiny movement magnified and expanded on the screen.

Lady for a Day DVD & Blu When Cinefamily did an early Capra retrospective a couple of years ago, this one easily came out on top — a perfect combination of character actor - driven humor and Depression - era hardship, Lady for a Day has it all, and in spades.

So even if Johnson wanted to venture from his action - adventure sandbox into something a bit more character - driven, something a little less fast and furious, his options are limited because Hollywood just isn't making many movies these days that don't allow for sequels, merchandising and expanded Cinematic Universes.

With a busload of kidnapped high school students, a flock of powerful parents and a smattering of high - caliber stars, NBC's «Crisis,» which premieres Sunday, seems prepared to do what CBS couldn't with «Hostages» — create a high - octane, character - driven...

As Janie's doctor, there is something a little extra strange about his character that will drive your brain to do somersaults as the plot twists at every turn.

In a rather gutsy move, Akhtar doesn't take the easy way out in bowing to the character's popularity and soften Don into a more palatable «antihero»; Don remains gleefully, unrepentantly evil (and retains his fondness for Tom and Jerry cartoons), making for a rather refreshing villain's perspective - driven actioner, and a fiercely energized Khan clearly relishes this latest opportunity to break away from his trademark roguish romantic hero persona.

Refn knows exactly what he's doing — he's in on the joke — and he revels in the sensory pleasures of film as an art form (the score by Cliff Martinez, who also did Drive, is practically a character here).