Sentences with phrase «driven set pieces»

It relies heavily on story driven set pieces, similar to the Uncharted series, to keep moving the action and story forward.

Thankfully, director Steven Quale doesn't skimp on the tornado action, delivering some really cool special effects - driven set pieces that almost redeem the film.

There was also an extended look at Uncharted 4, which showed off some impressive gunplay and driving set pieces.

Not exact matches

For instance, an initiative known as «should - cost» has effectively driven down the high price of many programs by requiring managers to determine what a given program or piece of a program should cost and then set targets for fitting the program into its cost paradigm.

Learn what drives generators to divert food, how collection is set up, how contracts work, and what other pieces fell in place to make these diversion programs a success.

Have a read of Tim Stillman's excellent piece in yesterdays Arseblog in which he observes disturbingly how the fully U.S Corporate, Market driven, results business mind - set has already arrived in town at the Ems and this week gave its full backing to Arsene to bring more success to the Club...

De Vries made a decent save turning a long - distance drive from Leandro Paredes past the post for a corner but when the Argentinean delivered his set piece into the box, Ivanovic rose to bullet in his header with centre - backs Jozo Simunovic and Kristoffer Ajer unable to get in a real challenge.

George Clooney's baby is a black and white period piece, set during Senator Joseph McCarthy's witchhunt of Communists in the 50s, which still managed to be considerably more gripping than its colourful and effects - drive competitors at the box office.

Monochromatic outerwear or some versions with botanical motifs mingled with knitted sweaters immediately drive us at preppy style but leave it to those fur pieces and handbags in Airy Blue to set the tone around.

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Probably the best set piece of all is an underwater mission, in which Ethan must hold his breath for more than three full minutes in order to infiltrate an extremely secure facility housing an incriminating Flash drive that our villain desperately wants.

Except, it does get old — the use and abuse of weak VFX, the McGuffin - driven narrative, the climactic duels that pre-guarantee the victor, the set - pieces that echo a thousand other whiz - bang battles that came before.

The story goes that when Alfred Hitchcock conceived the idea for «North by Northwest» he really just came up with three action set - pieces — Cary Grant and Eva Marie Saint hanging from the faces on Mount Rushmore, the cropduster chasing Grant through a cornfield and the sequence that has bad guys pouring liquor down Grant's throat until he's too drunk to drive, then putting him behind the wheel of a car that is sent careening down a mountain.

Yes to fans of the G1 series like myself, but most reviewers are overcooking that when discussing its general appeal - in my view if you like shooters and atmospheric, character driven tales with diverse challenging gameplay and awesome set pieces, then you'll have an absolute riot playing this.

For his part, though he doesn't exactly top the gritty, straightahead car chase that anchors the otherwise routine Bullitt, director Peter Yates revs up a few action set - pieces, such as a tense moment early on when scooter - riding Berke and Sanders are driven off the road by a big truck, a lengthy shark attack, and an explosive finale.

Its main concern isn't with the narrative momentum, or character - driven actions as it should be, but rather with big, hulking action set - pieces.

It's another round of spot the sci - fi movie pastiche / intertextual reference — hurdled fences, branded frozen desert, etc — that culminates in an explosive set piece - driven finale stuffed with more Easter eggs than Willy Wonka's spring basket.

The futuristic setting of the piece is beautifully and convincingly designed, but it's the emotional power that should dominate and drive the story.

There is however a drive up shooting mode which slows time down and gives us some really epic looking set pieces.

If you're surprised by the highly unlikely happy ending where all is made well (missing only Reynolds rising from his wheelchair in a Dr. Strangelove homage), Driven is the first movie that you've ever seen; and if Driven is the first movie you've ever seen, you probably won't think twice about a rescue set - piece involving two drivers helping a third out of an exploding pond while the track's medical staff is inexplicably fifteen minutes away.

More importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying than the a series of things - blowed - up - real - good set pieces.

Where Cimino (over) reached for grand themes on an even grander canvas, Cooper delivers what essentially amounts to a character driven genre piece, albeit one wrapped in the ubiquitous state - of - the - nation accoutrements of its 2008 setting.

Patty Jenkins» direction is spot - on, and whether it's the big action set - pieces or the quieter moments, both the narrative drive and the passion of the characters really hits home.

And so the derivative worries begin, which are not helped by the very first plot contrivance, when our hero, Eric (the aforementioned Guy Pearce, fierce and tough) has his car stolen from a roadside bar (a set piece that is nevertheless masterfully staged), setting in motion the long chase that will drive the story.

It's an angst - driven piece full of squandered lives of people who are stuck in their stations in life, always dreaming of clawing their way out, but finding themselves forced to be that which they so desperately wish they no longer could be due to the boundaries set upon them by others.

After Avengers: Age of Ultron, which allowed too much bloat to get in the way of some socko individual scenes, this one establishes a beautiful balance between quieter character - driven sequences and splashy action set - pieces.

Nor because, the presence of Pierce Brosnan notwithstanding, it strews action set - pieces like a James Bond movie — it doesn't, though a drive through drizzly New England woods is more riveting than most movie car chases.

Set - piece production numbers drive the narrative while they uplift the spirit.

The few quiet, dialogue - driven scenes are far outweighed by the more elaborate set pieces, though speech never needs to fight to be heard.

This ups the ante on all of Deadpool's action and fight sequences (Leitch also did Atomic Blonde), to the point where the film's entire second act is basically one long action set piece that involves sky diving, stunt driving, fights on and around high - speed trucks, and the introduction of a classic comic villain.

Nicholas Winding Refn's Drive is a gloriously brutal love letter to action movies of the 70's, featuring a lead character that doesn't even have a name, a fantastic synth - pop score and soundtrack and very well stage action set pieces.

In addition to getting behind - the - scenes looks at set pieces, we gather some of the film's big driving principles, like amazing attention to detail and Fincher's propensity for many takes.

«It does get old — the use and abuse of weak VFX, the McGuffin - driven narrative, the climactic duels that pre-guarantee the victor, the set - pieces that echo a thousand other whiz - bang battles that came before» — Barry Hertz, The Globe and Mail

From the appearance of the credit «written and directed by Brian De Palma» overlaid on the sleek outer casing of an Apple MacBook Pro to a shot of a car driving into and destroying a parking - lot Coca - Cola machine, there's a through line of anticorporate humor that juxtaposes the ideas of «art» and «product» — never more so than in an amazing, extended split - screen scene in which footage of a ballet performance competes for our attention with a knowingly clichéd, Halloween - style slasher - on - the - loose set piece.

Its energetic and outlandish onslaught of raunchy comedy is nicely balanced by an unexpected heart that sets the film apart from the current crop of set piece - driven comedies.

There are many hauntingly beautiful scenes here including an amazing set piece involving a sabotaged cattle drive.

While both films share Argento's signature dark flourishes, intense soundtracks, love of macabre yet extremely beautiful horror set pieces, and above all a driving fascination with the relationship between art and truth, on a broadly visual level

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«A long summer absorbed in our colouring - in books» My colleague Philip Jones at The Bookseller today is making the case today in his leader piece that Harper Lee's endlessly watched Go Set a Watchman «is the latest big title to demonstrate how the trade's pricing strategy remains too set on using discount to drive sales — ... Read MSet a Watchman «is the latest big title to demonstrate how the trade's pricing strategy remains too set on using discount to drive sales — ... Read Mset on using discount to drive sales — ... Read More

The secondary model was derived from a set of pieces written here (one, two), about four months ago, about the time that the momentum anomaly began to become overused (and right prior to the hard drive crash — I need to rebuild that model as well — I know its main result, but my proof is gone).

Set on a very large piece of land, the hotel has its own driving rage, in - house restaurants, shooting range, ATV course, a mini zoo, swimming pools, canals and its own beach!

What I'm driving at here is that Far Cry 3 is at its best when you're just wandering around the island, letting the emergent gameplay work its magic and create set - pieces before your eyes that actually require player interaction, unlike most modern action games which show you lets of cool things by grabbing your head, smooshing your face into the TV and screaming, «LOOK AT THIS!

If, like any other sane person on this earth, you woke up today with a lingering need to watch a montage of fast sports cars speeding through race tracks set to an intense piece of classical music, then look no further, as Slightly Mad Studios have you covered with this latest trailer for their upcoming driving sim Project CARS.

The linear, set - piece driven modern military shooter may have become a problem within the modern industry, but that's not Modern Warfare's fault, and to blame it is idiotic at best.