Sentences with phrase «du quai»

Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).

Baloji has enjoyed solo exhibitions at Musée du quai Branly in Paris, France; Mu.ZEE in Ostend, Belgium; and Royal Museum for Central Africa in Tervuren, Belgium, among others.

His work has been exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands.

He has exhibited throughout the U.S. and abroad including, The International Center of Photography, Public Art Fund, The Guggenhiem Museum Bilbao, The Studio Museum in Harlem, Musée du quai Branly, and the Cleveland Museum of Art among others.

Musée du quai Branly... 20Sep > De Fragonard à Picasso.

Selected works have been on display at the musée du quai Branly in Paris and at the Musée de la civilisation in Québec City.

He curated the exhibition Upside Down in Paris» Musée du quai Branly and later at The Menil Collection.

2007 Jardin d'amour, Musée du quai Branly, Paris, France 2007 Fashion Accidently, edited by Hsiangling Lai and Iris Huang, Contemporary Art Foundation / Museum of Contemporary Art, Taipei

cat., Musée du quai Branly - Jacques Chirac, Paris, 2017 (another example illustrated on the cover)

Following on from French President Emmanuel Macron's promise last year to return African cultural heritage, the president of the ethnographic Musée du quai Branly - Jacques Chirac in Paris, Stéphane Martin, has signalled that the institution is open to the idea, telling The Art Newspaper that «if together, and possibly with international co-operation with other Western partners, we can build one, two or three safe museums in Africa, I would not even consider transfers of ownership as taboo».

«Picasso Primitif,» is on view at Musée du quai Branly, Paris through July, and «Picasso - Giacometti,» Musée Picasso (2016 - 17), is on view at Qatar Museums, Doha through May.

He has exhibited throughout the U.S. and abroad including, The International Center of Photography, Public Art Fund, The Guggenheim Museum Bilbao, Studio Museum in Harlem, Musée du quai Branly, and the Cleveland Museum of Art among others.

He has exhibited throughout the US and abroad including The International Center of Photography; Studio Museum in Harlem; Wadsworth Atheneum, Hartford; National Portrait Gallery, Washington, D.C.: Guggenheim Museum, Bilbao, Spain; and Musée du quai Branly, Paris, France.

Call for applications: photography residencies As part of its mission to support non-Western contemporary photography, the Musée du quai Branly... Continue Reading Photography residencies

In further news: Musée du quai Branly supports restitution of African artefacts; David Zwirner announces Renzo Piano - designed New York space

10/12 - Detail view: Untitled (North African Toys Series, dolls, © Musée du quai Branly, Mission Dakar - Dijbouti, Mission, Mission Charles le Coeur Paris, Mission Therese Riviere; c. 1930s), 2014 - 2015.

«Central Nigeria Unmasked: Arts of the Benue River Valley» is organized by the Fowler Museum at UCLA in association with the Musée du quai Branly in Paris.

He has exhibited is the U.S. and abroad including: The International Center of Photography, Public Art Fund, The Guggenheim Museum Bilbao, Studio Museum in Harlem, Musée du quai Branly and the Cleveland Museum of Art, among others.

Until January 8, 2017 NO MAN»S LAND: WOMEN ARTISTS FROM THE RUBELL FAMILY COLLECTION National Museum of Women in the Arts, Washington DC Until January 14, 2017 BEDAZZLED Lehman College Art Gallery, Bronx, NY Until January 16, 2017 FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA ICA Boston, MA October 4, 2016 - January 22, 2017 THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris Until January 22, 2017 BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION NSU Art Museum, Fort Lauderdale, FL Until January 31, 2017 COLLECTED Pier24 Photography, San Francisco, CA

2009 Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat), Museo di Arte Moderna e Contemporanea, Rovereto, Italy; Museé du quai Branly, Paris, France; Centro de Cultura Contemporànea, Barcelona, Spain New Acquisitions: African American Masters Collection, Sheldon Museum of Art, Lincoln, NB A Force for Change: African American Art and the Julius Rosenwald Fund, The Spertus Museum, Chicago, IL; Allentown Art Museum, Allentown, PA; Montclair Art Museum, Montclair, NJ Harlem Renaissance, Oklahoma City Museum of Art, Oklahoma City, OK

THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris

Thomas is a member of the Public Design Commission for the city of New York and has exhibited throughout the U.S. and abroad including at The International Center of Photography, Public Art Fund and Studio Museum in Harlem, New York; The Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris, France; and Cleveland Museum of Art, Ohio, among others.

In 2005 he was commissioned to create Wipu Rockhole, now permanently installed on a ceiling at the Musée du quai Branly in Paris.

Not exact matches

This weekend the Museum of Contemporary Art, as part of its exhibit «Hall of Mirrors: Art and Film Since 1945,» is presenting not only Chantal Akerman, one of the finest filmmakers working anywhere, but also the two features I would describe as her greatest achievements — the 200 - minute narrative Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) and the 107 - minute documentary From the East (D'est, 1993).

Some days it's McCabe and Mrs. Miller, some days it's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles and for completely inexplicable reasons, just seeing the words «Meet the Fockers» cracks me up.

FOTO — Peter Klasen, en photo et en peinture + Photos du monde, sur le quai Lunettes Rouges — Martin Parr's «Parrworld `, at the Baltic in Gateshead + video guardian.co.uk — Three current shows, at two major museums and a university art gallery NYT

Babette Mangolte, well known as a filmmaker and as the cinematographer on a number of key films by Yvonne Rainer and Chantal Akerman (including Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles), was included in the Whitney exhibition The American Century; her Biennial contribution is a mixed media installation involving photography and a video that recreates an earlier installation from 1978.

Together they made several films, the most notable of which are Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) and News from Home (1977).