«Nice cuddly microbes will eat all the horrid methane» is so much
duller a story then: «METHANE!
Not exact matches
THE DISASTER ARTIST As James and Dave Franco (plus a bevy of cameos) take us step by step through the apparently true
story of the making of «The Room» (far worse
then the simply
dull and incompetent «Plan 9 From Outer Space»), they manage to not overly mythologize Wiseau or smirk at him too much.
Instead, it fulfills the promise of its title by offering up a boring, lifeless
story, fills it with
dull, unsympathetic characters, and
then keeps the thrills to an absolute...
Instead, it fulfills the promise of its title by offering up a boring, lifeless
story, fills it with
dull, unsympathetic characters, and
then keeps the thrills to an absolute minimum.
CC can provide a perfectly adequate backdrop for a
story — there's some decent SF that happens to be set in a world stricken by runaway global warming — but if it's all about the message,
then the tendency is towards something that's awkward, preachy, shrill, long - winded, unfunny (or unintentionally funny) or just plain
dull.