Thomas convincingly essays
the dumbest character of all, which is really saying something.
So perhaps it's fitting that, at last, his coming - out occurs in a movie filled with much bigger stars that requires this charming, nuanced performer to play the single
dumbest character of his life.
Not exact matches
There's only one thing
dumber than having a fictional
character (rocky) as your cities pride, and that's thinking Mamula was some sort
of EPIC bust.
They are a double - decker Lego couch, the
dumbest idea any
of the
characters in the movie have ever seen, until it's the very thing that saves them.
In one
of the DVD's extra features, choreographer Jamal Sims notes that he had to remind the stars that their
characters are not actually professionals, and they had to
dumb down their dancing.
But the
dumbed character and inventory systems, coupled to the ridiculous always - on connection and the breathtaking arrogance
of the «you'll play how we tell you to play» attitude makes playing this title a damned shame instead
of a hell
of a good time.
These are some
of the most irrelevant and
dumb characters I have seen on - screen in quite some time, but their performances are what make them bearable.
Played ominous from the outset there are some scares here, although with a nearly equal amount
of «the
dumb characters doing
dumb things» schtick that plagues horror films like the Ebola virus gone rabid.
It had plenty
of laughs, but I got bounced out again and again by
dumbed - down
characters and incredible plot twists.
I've seen a lot
of movies with stupid
characters, and these
characters are really, really
dumb.
Unfortunately the show is just kinda
dumb after that... the scripted dialogue ranges from generic to awful; the
characters are pantomimes, you know exactly whether they're good or bad right up front, and the show lacks any sort
of organic development or growth, you just don't get into it like you would on a better created and wriiten show.everything is so predictable that by the time big jim kills his nth person it's just sort
of «meh whatever» time.
The bulk
of the comedy is situational, the
characters (aside from Magnussen's riotously
dumb himbo) are not types so much as they are a pack
of petty, hypercompetitive straight men and women reacting to the escalating intensity
of the supposed «game» they find themselves in.
A total waste, the
dumbest film
of the year, James Gray wrote a story about the war upon night, and many clubs and
characters.
Like its lead
character, these films say and do a lot
of dumb, sometimes offensive things (and have a tendency to be long - winded), but they have good hearts and want nothing more than to please.
Enemy AI is
dumb, aiming with a gun is so inaccurate I miss when I aim with the sight for the head for 10 times in 1 level, and worst
of all the main
character swears like a retard the whole way that I want to vomit from hearing it.
I'm trying to like it but the
dumb writing and the graphic novel
character development and the idiotic moves made by the
characters reminds me
of Revolution (w / Zombies).
The
characters were all
dumb and unlikable, the dialogue was unbelievably clumsy and absurd quite often throughout, and
of course, the ending deliberately left the door open for potential sequels to follow, go figure!
Olympus Has Fallen comes from a long line
of dumb action flicks that are more concerned about high body counts and how many rounds
of ammunition can be pumped into nameless causalities at high speeds than little things like plot, logic, and
character.
The «Three Stooge» - like partners in crime
of Pena (Fury), T.I. (Get Hard) and Dastmalchian (Prisoners) are there mostly for comic relief, but their
dumb - as - rocks
characters are so cartoonish (something the supporting players in the Thor series share), one couldn't see them existing beyond that limited role.
In
Dumb and
Dumber To, Harry and Lloyd don't feel like the same
characters we fell in love with twenty years ago and instead just come across like parodies
of them.
While
Dumb And
Dumber duo Peter and Bobby Farrelly were the co-writers and directors last time, realising a long - held dream to bring the
characters to a new audience, Variety's story on the sequel makes no mention
of either.
Much as Geraldine Chaplin's weirdly anachronistic lead performance as a contemporary
character in Rudolph's Remember My Name (1978) evokes Barbara Stanwyck roles in various women - oriented melodramas
of the 30s, Watson's gaffes seem to hark back to some
of the 50s
dumb - blond routines
of Marilyn Monroe, Judy Holliday, Jayne Mansfield, and Barbara Nichols.
For those who remember the first movie, the exception to the interchangeable quality
of these
characters comes with Rodney Farva (Kevin Heffernan), the big,
dumb oaf who takes great pleasure in tormenting his pals and, perhaps, even greater pleasure in coming up with terrible puns.
Characters often stare right into the lens in I, Tonya, a clamorous,
dumb recounting
of the bleak life and ignominious fall
of figure skater Tonya Harding, whose career ended in 1994 after her alleged involvement in an attack on fellow ice athlete Nancy Kerrigan.
On the down side, most
of the
characters are one - dimensional stereotypes drawn without much affection (though all are more or less redeemed): Norman's shrill cheerleader sister Courtney (Anna Kendrick);
dumb - jock Mitch (Casey Affleck), the older brother
of Norman's one friend, nerdy, overweight Neil (Tucker Albrizzi); goth bully Alvin (Christopher Mintz - Plasse), an older version
of Moe from «Calvin & Hobbes.»
It is a very sudden and obvious dip in quality and scale after that though, all the missions henceforth are too short, often boring designed, two plays on multiplayer maps, the one with airplanes instead
of using the usual multiplayer controls
of planes
dumbs it down to the Battlefront style
of «point and shoot» controls and have shallow
character exposition.
The use
of Chris Hemsworth, who has come into his own as a great, self - deprecating comedic
character actor in some
of his more recent movies, is also one
of the film's greatest highlights, playing a extremely
dumb but also extremely loveable hunk that Wiig's Erin can't get close enough to.
Winstead has had a bit
of an odd trajectory in her career, going from thin supporting parts in big
dumb studio movies to a huge indie breakout with her magnificent performance in Smashed a few years ago that she unfortunately didn't really capitalize on afterwards, but here she gets the best
of both worlds by developing a kickass
character we can root for in a thrilling genre piece that also has some depth to her.
Actors cast on their looks alone, writing ranging from «so stupid it's laughable» to «so ersatz - profound it's laughable», and
characters so devoid
of genuineness that we not only don't care if they die, but we may actually cheer when they do all contribute to making what could have been a breath
of fresh air into just another
dumb teen horror flick.
Napoleon Dynamite, its title
character and its quotes were thrown around as shorthand for «
dumb comedy,» but the truth
of the film is a rather cutting satire
of American unexceptionalism.
Undercut by
dumbed - down dialogue, unconvincing
characters, and a thirst for blood which borders on the Mel Gibson - side
of excessive, Antoine Fuqua's latest feature seems interested in only one thing: making Gerard Butler look more
of a man than... Continue reading Olympus Has Fallen
It's deeply odd to see an actress
of Helen McCrory's standing struck
dumb by her
character's lack
of lines.
Some
characters make really
dumb decisions (I'm looking at you Star Lord and Scarlet Witch) here, and the ending
of the film is more manipulative than trully emotional if you think about it longer than ten seconds, but Avengers: Infinity War is still a thrilling blockbuster.
A great comedy with A great cast.the Broken Lizard group is too good and funny, as always.this would definetaly be one
of the funniest films i have ever seen.Broken Lizard delievers again with this super comedy.many people don't like
dumb comedy, but you'll love this dub comedy.not only can this film do new things to the genre, but it creates something better: A comedy with actually lovabe
characters.
Solid look at how the X-Men came to be - Stellar Cameos - January Jones looks rockin» in go - go boots Cons: - The original X-Men were not used - Some
of the
dumbest characters were chosen for this film - Azazel» action sequences couldn't hold a light to Nightcrawler» in X2 - The action overall felt held back and the film lacked any «real» edge - The ending was too predictable and too conveniently wrapped up Impressions: Matthew Vaughn is an incredible director and Brian Singer has done solid work with this material.
Congrats, Xenoblade Chronicles X, for some
of the
dumbest - looking
characters of 2015!
Her and the majority
of the other supporting
characters are broad characatures, which sometimes work (two large
dumb cousins are fun to watch) but often don't.
The
character is portrayed as a complete nimrod, not to Paul Blart epic proportions, but still is probably one
of the
dumbest presidents ever on film.
Speaking
of,
Dumb and
Dumber To boasts a stellar all - around cast that gives us some strong performances, including Kathleen Turner as the elusive Fraida Felcher, a
character that was referenced in the first film.
Regardless that this is a prequel so we know that Leatherface is going to survive and therefore lacks any suspense at all, as a movie Leatherface is all over the place with references to what comes later shoehorned in — like the blink - and - you'll - miss - it appearance
of Grandpa in the opening scenes and the
character of Hartman (the unscrupulous Mayor in Texas Chainsaw 3D was called Hartman, in case you'd forgotten)-- and details that just don't make sense, such as Drayton being portrayed as a psychopathic killer but yet in Tobe Hooper's original movie he «takes no pleasure in killing», and three people climbing into a cow's carcass to hide from the police which looks as
dumb as it sounds.
At the film's recent press day, Carrey and Daniels talked about reprising their roles in the sequel, how it was driven by fan demand, what it was like getting back into
character and finding their chemistry again, the love between the
characters, which one is
Dumb and which one is
Dumber, how the
characters hold a special place in their lives as they do for the fans, the return
of the Mutt Cutts van and other callbacks from the original film, working with Kathleen Turner, their favorite scene, and where they see their
characters in another 20 years.
The casting
of Trudi Goodman as a coke - snorting pedophile felt particularly inhumane, though not as mind - boggling as the beeline Michelle Monaghan made for the exit at the end
of the film (those who've read the book tell me her
character has been considerably
dumbed down), leaving Casey Affleck sitting on a couch wondering if kindergarten - cop duty is just punishment for the ethical exactitude he showed earlier.
Though it's been awhile since Will Ferrell did something that really made me laugh, and Zach Galifianakis has failed to prove why he's so popular, the two actors excel at playing big,
dumb characters, and anyone familiar with director Jay Roach's Austin Powers films knows that he loves that brand
of goofball comedy.
Undercut by
dumbed - down dialogue, unconvincing
characters, and a thirst for blood which borders on the Mel Gibson - side
of excessive, Antoine Fuqua's latest feature seems interested in only one thing: making Gerard Butler look more
of a man than he already does.
Worst - case scenario: The initial trailer for the film relies more on scatological humor — one prominent gag involves a music box being stuck in a supporting
character's butt — than sparkling dialogue, raising the question
of whether Fey and Poehler's chemistry is enough to overcome even the
dumbest script.
In an era where teenage girls are either relegated to
dumb - but - cute socialites or objects
of some other teenage boy's (and sometimes older man's) desires, the
character of Mattie Ross not only goes against the conventional grain by being anything but those things, but also is infused with riveting determination and conviction by Steinfeld's captivating portrayal.
Anything more than 95 minutes is asking for quite a bit, and given that the movie only begrudgingly has a plot at all, what we have is a collection
of skit - like scenes
of two
characters doing idiotic things, which does tend to grow tedious after a bit since every joke has the same punch line — these guys are unfathomably
dumb.
I do like Mos Def in most things, but here, he still comes across as too smart to play the
dumb knucklehead Eddie, emoting a nasal - pitched delivery all - too - reminiscent
of Damon Wayans» «In Living Color»
character, Homey D. Clown.
Instead
of exploring this world, though, the movie gives us the
dumb plan and the
dumber characters.
Danika Yarosh is also a part
of the action, as Samantha, a young girl being used as collateral with Reacher... in one
of the
dumbest workarounds a movie's ever used to make a
character heroic.