Formally, the film feels very much in the tradition of latter - day Iranian new - wave humanism, but tempered with a slightly more detached tone (Mortezai's dynamic but controlled camerawork — kudos to cinematographer Klemens Hufnagel — often favors behind - the - subject shots, following Ramasan as he stomps through the scrubby forest /
dumping ground near the flats, or crosses the busy, noisy playground to bring his sisters home).
Not exact matches
Dubbed «The Killing Fields,» the land
near Houston on I - 45 has been a
dumping ground for numerous bodies in cases that mostly remain unsolved.
When Judy Obregon discovered that an area
near Fort Worth, Texas had become a
dumping ground for abandoned, injured, and deceased animals, she vowed to help them.