Sentences with phrase «dungeon design with»

I'd like to see a return to traditional dungeon design with unique themes and bosses.

Not exact matches

The aside of two well designed dungeons with creative boss encounters within makes this one of the most successful updates to ESO to date, but none of the updates come without their own issues.

Beautiful, intricate dungeons are designed for players to explore in a more RPG - oriented style and a single player mode is available with access to an admin panel that allows the player to craft, create and have fun with no threat of danger — similar to the Creative mode in Minecraft.

Pros: Great visuals and music, with plenty of Zelda - style gadgets, varied monsters, and decent dungeon design.

With only minor variations, Oceanhorn shamelessly borrows from the Zelda series, copying enemy designs, the ocean sailing from The Wind Waker, dungeon layouts, and characters like a certain water princess.

The game uses the Active Time Battle system for its combat, which hopefully needs neither introduction nor any additional praise at this point, and the dungeons are designed fairly well, with plenty of good treasure waiting for those who explore thoroughly.

An action RPG dungeon crawler with an old - school aesthetic, Cladun is designed to be played in short bursts, and very little else.

The dungeons are Oceanhorn's tasty chocolate center, filled with mazes and monsters that are well designed and executed.

You see, Warlock is essentially Sid Meier's Civilization V, except the design team replaced all historical influences with a Dungeons and Dragons manual.

Hero mode slightly improves another issue with this game and that is that you actually have reason to spend money do to the game having no fairy fountains (throughout most of the game) and not hearts being dropped, this also showed that the game has a desperate need to refill your bombs and arrows through sets found in chests, I think if there was some sort of shop at the entrance of each dungeon it could be a better design choice.

With the benefit of having played the newer Zelda games, I didn't noticed before how block based this game is, in regards to the dungeon design.

Some are much harder than others, with Sector Eridanus being the standpoint in terms of dungeon design, but this challenge is important both gameplay-wise and narratively.

Chasing after the stolen relics takes the pair all over Granvallen, which is a wonderfully designed continent full of unique laces and interesting characters to discover, with the combat exclusively relegated to some deep dungeon dives.

This game is designed for people with too much time on their hands, most folks will never bother with crafting or delving an onslaught of dungeons just for a flashy looking skin.

If you're looking for a dungeon crawler with some serious mileage and an unrivaled artistic design, Stranger of Sword City absolutely deserves a place in your Vita collection.»

The dungeons themselves are well - designed, with an adequate — but not insurmountable — challenge, and plenty of secrets to find.

Characters are likable and the game manages to be genuinely humorous, dungeons are well designed with engrossing puzzles, the 8 - bit and 16 - bit switching is well utilised and the soundtrack is ridiculously good — the game has so much going for it.

The music is great with a lot of enjoyable tracks, the characters are some of the most vibrant and interesting, and the dungeon designs are amazing.

However, players won't be satisfied with SMS - era technology for the 3D dungeons in a Megadrive game, and it doesn't make sense with our design plans either: everything has to be rotatable, floors, ceilings, etc, and that would take up far too much memory.

Haque [official site] is a fantasy rogue - like dungeon crawler rpg with an interestingly pixelated game design.

* The entire game is made up of vibrant, hand - made and fully animated pixel art * An original thematic soundtrack * Designed from the ground up for use on touchscreens * Comes with a tutorial, a web manual, a how - to - play gameplay video, and more ways to help you learn * From Dinofarm Games, the creators of the hit dungeon - crawler 100 Rogues

- demo has been downloaded over one million downloads - over 45k survey responses - run by pushing the analog stick all the way - hold B to run even faster (although random enemy encounters go up to balance this)- fast travel option - adjustments to designs of the environment based on the issues with visibility, especially in dungeons - traversable areas stand out, adjustments to wall and floor color, and visible landmarks, and more - radar that points players towards entrances, exits and important places - improved visibility - adjust screen brightness - adjust HD - 2D filters - fixed issue where it was too easy to accidentally overwrite your save - 9 save slots and 1 autosave slot - adjusted text size and streamlined the UI - skip scene option - option to replay cutscenes - option to change text speed - game balance refinement so that battles provide a good challenge, but are not overly frustrating - battles with a full party of four and more important elements have not yet been shown

I do have one gripe with the graphics — each and every dungeon or small path you enter has the SAME DESIGN.

You can also design your own dungeons with the Dungeon Creator and upload them to the internet for others to experience.

The level designs are once again on par with Miyamoto's Zelda dungeons or just about any other impressive example you could conjure up.

Each dungeon looks the same as the last, with minimal differences such as the design on a door and some having multiple levels.

Building on the success of the original Ludum Dare prototype - and with the assistance of game designer Rodain Joubert (Desktop Dungeons)- the company is using its core ethos of a minimalist design to create its unique debut title.

Haque is a fantasy rogue - like dungeon crawler rpg with an interestingly pixelated game design.

Looking at the mountain ranges and fields; corrupted castles and farmers» huts; enemy encampments and hidden dungeons, it's clear that this game has more in common with 1986's The Legend Of Zelda's design than any of the games that have followed it.

Whereas Shadows of Valentia suffers from uninspired level design, it makes up for it with its twin armies, fun dungeons, and returns to form.

Each dungeon certainly has its own identity and personality with some really clever design around light and dark, varying heights and water levels just to name a few.

Spell effects are absolutely gorgeous, and combined with the elaborate setpieces and creative enemy designs, DS3's visuals are unmatched among dungeon crawlers.

This rogue - like dungeon crawler is designed around ASCII characters, and everything from the dungeon layout, creatures and weapons is crafted with symbols that populated late 90's FAQs, forums, chatrooms and readme files.

In the mall, you'll be facing off against some original monster creations, some that pay homage to survival horror games, and other kinda creepy zombie enemies who weren't fortunate enough to retain their human hearts (and adorable designs) like our Undead Darlings, such as the zombie with a bag o» knives (left) that appears solely in the shopping mall dungeon.

Normally when you're exploring a dungeon in a Zelda game, each one is intricately designed around one or more items that you use to get around, culminating with a dungeon that uses many of these at once.

I could get past the horribly designed «raid» dungeons after you beat the game (Not talking about The Pitioss Ruins, that was fun / challenging, sometimes annoying with clunky controls but different and rewarding in the end)

Although I enjoyed Spirit Tracks, the weak world and dungeon design combined with the Temple of the Ocean King, made it hard to enjoy.

Tri Force Heroes follows in the footsteps of Four Swords and Four Swords Adventures as a Zelda game designed for multiplayer dungeon crawling with the one and only Link - only now there's more than one of him.

Everything I had ever expected from a modern day JRPG is still present in Final Fantasy XII - the open - ended exploration, well - designed interconnected areas, sprawling cities with various NPCs which change as the story progresses on, and seemingly endless side - quests and optional enemies, dungeons and hidden treasures.

Additions can be obvious or subtle, and designing dungeons with all these options is really fun.

Maybe this has to do with the whole loop theme the game has as a whole, but it gives a feeling that there was a lack of effort put into the design of the dungeons.

Oh, I'd spend hours per day in those early games, but I wanted to chill with friends, make stuff, run dungeons with people without worrying about level discrepancies and gear and all the obnoxious mechanics designed so transparently to slow me down and make me pay to grind.

Zelyhn is a well - known theorycrafter who has been highly active on elementalist forums and in the dungeon community, contributing together with Haviz to design the ever - versatile D / F build.

Inspired by video games such as Dark Souls, Diablo, and Monster Hunters; Preta: Vendetta Rising is designed to be a challenging hack and slash dungeon crawler with various multiplayer modes.

With Persona 4's dungeons, each one boasted their own aesthetic variances and visual design, but each floor and respective section of a dungeon felt decisively repetitive and stagnant, with the actual floor layout being procedurally generaWith Persona 4's dungeons, each one boasted their own aesthetic variances and visual design, but each floor and respective section of a dungeon felt decisively repetitive and stagnant, with the actual floor layout being procedurally generawith the actual floor layout being procedurally generated.

While the dungeons are varied as you explore forests, caves, tombs and lakes, the designs are quite bland and boring with mostly linear paths and simplistic detail.

However, its creative implementation of a dungeon crawler game design coupled with some puzzle elements prove to add some enjoyment later on down the line.

The dungeon layouts are very well designed, with each room easily flowing on to the next, I never once got lost or stuck with where to go.

The palpable distance of each note gels perfectly with the dusty, long - forgotten visual design of the dungeon to create my favourite dungeon music from Skyward Sword..

The huge cast of fighters all sport stand out designs and the dungeon layouts they run through are filled with grand creatures.