The classic example is the insertion
of the «Epochal Theory
of Time» in Science and the Modern World, forcing the eventual transformation
of what, in that book, had initially been a Spinozistic approach to creativity as the one, undifferentiated underlying activity (with «events»
of varied temporal
duration as the «modes»
of this underlying
process) toward the Leibnizian monadology of actual entities (each a kind of time - quantum) that finally appeared subsequently in Process and R
process) toward the Leibnizian monadology
of actual entities (each a kind
of time - quantum) that finally appeared subsequently in
Process and R
Process and Reality.