Sentences with phrase «during dia»

By Charles Linder Recently, I was invited to travel to Tijuana, MX during Dia de Los Muertos for a solo show at the legendary art space La Casa del Tunel.
In Mexican folklore, the dead are joyful during Dia de los Muertos.
If you can't make it to Cancun during Dia de los Muertos, don't worry; the people of Cancun love a festival and there seems to be some sort of celebration going on almost every week, complete with parades and decorations.
Is this movie that takes place during the Dia de los... Read On
During Dia De Muertos, Miguel sneaks into the church where Ernesto's guitar is located and is transported to the Land of the Dead, where he meets his ancestors and a trickster named Hector Rivera (Gael Garcia Bernal).
-- and «borrows» the guitar of the great, long - dead hometown hero Ernesto de la Cruz (Benjamin Bratt) so he can play in the talent show during the Dia de los Muertos celebration.
Conversely, spirits like Hector — who hasn't received a Day of the Dead offering in a long time — are unable to cross the bridge into the land of the living during Dia de lost Muertos and risk disappearing from the afterlife for good.
Miguel goes to extreme lengths to try and perform in a talent contest during Dia de los Muertos (Day of the Dead), the Mexican holiday where dearly departed relatives come visit their living family members.

Not exact matches

«You have suffered too much,» Boa Dia wrote, «during four deadly years, not to understand that the Vietnamese people, who have a history of twenty centuries and an often glorious past, no longer wish, can no longer support, any foreign domination.»
During a news programme a few days later, the Sri Lankan President Maithripala Sirisena referred to the talk show without naming Dias and dismissed his claims as false referencing the Archbishop of Colombo's Cardinal Malcom Rajinth, who reportedly said that he was unaware of the incidents Dias mentioned.
Reduced interhemispheric executive control network coupling in men during early cocaine abstinence: a pilot study McCarthy JM, Zuo CS, Shepherd JM, Dias N, Lukas SE, Janes AC.
Coco is set during the Mexican holiday known as Dia de Los Muertos (Day of the Dead), a celebration in which families pay respect to their deceased ancestors.
Miguel is not prepared for what happens at the moment he first strums de la Cruz's 6 - string; he's suddenly transformed into one of the spirits so populous during El Dia de los Muertos.
That couldn't be more the case than with the animation studio's November hit Coco, which takes place during the Mexican holiday Dia de Los Muertos.
There's even the conceit of a villain, here in the form of Captain Poison (David Harewood), who is injured during the raid in which Solomon is arrested and becomes Dia's commander.
Technically, even though annuities provide for tax - deferred accumulation, DIAs are not accumulation annuities, so there isn't actually anything to tax during the deferral period.
The local cemetery, which is built on terraced levels in the hillside, is particularly beautiful especially during the weeks surrounding Dia de los Muertos (end of October and beginning of November).
Independent New York, which takes place each year during Armory Week in New York, is scheduled to run from March 2 to March 5 at Spring Studios in Tribeca for a second time, after relocating there last year from the former Dia building in Chelsea.
During her lifetime, Martin's work was showcased in retrospective shows organized by by the Stedelijk Museum, Amsterdam, the Whitney Museum of American Art, New York, and the Dia: Beacon, New York.
For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminating in the publication of a substantial book documenting the project produced by Dia Art Foundation.
Two of the founders of the New York - based Dia Art Center Heiner Friedrich and Fariha de Menil Friedrich, sued the organization to prevent them from selling paintings and sculptures by Cy Twombly, John Chamberlain and Barnett Newman at Sotheby's New York during its contemporary art auctions on 13 and 14 November.
The first audio presentation of the reading of One Million Years occurred in 1993 during Kawara's yearlong solo exhibition «One Thousand Days One Million Years» at Dia Center for the Arts in New York.
Click here to view pictures of Fata Morgana during the July 19 Dia De Reyes Afro - Cuban Workshop and Performance
«The addition of Lee Ufan and Kishio Suga to Dia's collection was a natural progression,» Jessica Morgan, Dia's director, said in a statement that alludes to the foundation's «commitment to reflect a greater understanding of the seminal work that was being made internationally during the period that Dia has championed.»
Since its establishment in 2003, a substantial body of works by Ryman in Dia's collection has been on display in Beacon, lit during daylight hours with natural light only.
She also has an impressive background in filmmaking, and was rewarded, during her time as Director of Photography on the film «Pro Dia Nascer Feliz,» as Best Cinematography by Associaçāo Brasileira de Cinematografia Fotografia (2006).
For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminated in the publication of a substantial book documenting the project produced by Dia Art Foundation.
Fifteen more pieces from the Dia collection are on offer during Sotheby's day sale Thursday; presale estimates for the 27 examples were in the region of $ 20 million.
From left to right: Parangolés, 1972; Mario Montex during takes of Agripina E Roma - Manhattan, 1972; Mario Montez during takes of Agripina E Roma - Manhattan, 1972; Mario Montez & Antonio Dias, Still of Agripina E Roma - Manhattan, 1972; During Takes of Agripina E Roma - Manhattan, Cristiny, Mario Montez, Antonio Dias, 1972; Mario Montez with Crisiny during takes of Agripina E Roma - Manhattan, 1972; Agrippina é Roma - Manhattan (Agrippina is Rome - Manhattan), 1972; Nests, 1969during takes of Agripina E Roma - Manhattan, 1972; Mario Montez during takes of Agripina E Roma - Manhattan, 1972; Mario Montez & Antonio Dias, Still of Agripina E Roma - Manhattan, 1972; During Takes of Agripina E Roma - Manhattan, Cristiny, Mario Montez, Antonio Dias, 1972; Mario Montez with Crisiny during takes of Agripina E Roma - Manhattan, 1972; Agrippina é Roma - Manhattan (Agrippina is Rome - Manhattan), 1972; Nests, 1969during takes of Agripina E Roma - Manhattan, 1972; Mario Montez & Antonio Dias, Still of Agripina E Roma - Manhattan, 1972; During Takes of Agripina E Roma - Manhattan, Cristiny, Mario Montez, Antonio Dias, 1972; Mario Montez with Crisiny during takes of Agripina E Roma - Manhattan, 1972; Agrippina é Roma - Manhattan (Agrippina is Rome - Manhattan), 1972; Nests, 1969During Takes of Agripina E Roma - Manhattan, Cristiny, Mario Montez, Antonio Dias, 1972; Mario Montez with Crisiny during takes of Agripina E Roma - Manhattan, 1972; Agrippina é Roma - Manhattan (Agrippina is Rome - Manhattan), 1972; Nests, 1969during takes of Agripina E Roma - Manhattan, 1972; Agrippina é Roma - Manhattan (Agrippina is Rome - Manhattan), 1972; Nests, 1969 - 74.
Pictured here is a pottery demonstration during the center's El Gran Dia de los Artistas Festival.
Artists Ralph Ortiz (left) and Paul Pierrot demolishing a piano during the Destruction in Art Symposium (DIAS), a gathering...
During our visits to the Armory Show, the Whitney Biennial, the P.S. 1 and especially the Dia: Beacon and the MASS MoCA in Massachusetts, we saw further evidence of the undeniable charisma of art seen in a former industrial setting.
The Jacaranda magazine features in its new number an essay by the critical and teacher Paulo Sergio Duarte about the work of the artist Antonio Dias originally published in 1994, unpublished essay by the curator and teacher Agnaldo Farias about the work of the artist Mauro Restiffe, unpublished testimony by the artist Vik Muniz to the curator Luisa Duarte, and essay by the architect Marta Bogéa about the work of the artist Carmela Gross originally published in the book «Um corpo de ideias» in 2010, profile of the artist Barrão by the curator and teacher Felipe Scovino originally published in 2015 in the book Art Bra, text unheard by the Portuguese writer Walter Hugo Mãe specially for the magazine and invited by the artist Eduardo Berliner who also collaborated with unpublished drawings, the diary that the artist Cadu produced during his residency project in the Chilean desert and the essays about the works of Geraldo de Barros by the curator Paulo Herkenhoff originally published in 1989.
During the 1970s, Strina introduced into the market diverse exponents of what later would be called Geração 70, such as Cildo Meireles, Tunga, Waltercio Caldas and Antonio Dias.
Kikuchi K., G. N. Kiladis, J. Dias and T. Nasuno (August 2017): Convectively coupled equatorial waves within the MJO during CINDY / DYNAMO: slow Kelvin waves as building blocks.
Sakaeda N., S. W. Powell, J. Dias and G. N. Kiladis (April 2018): The Diurnal Variability of Precipitating Cloud Populations during DYNAMO.
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