Sentences with phrase «during a sequence when»

There are also more subtle - yet - effective touches, like the way you can barely hear mariachi music wafting from the rear speakers during sequences when Miguel visits the plaza.
McDormand's shocked reaction during a sequence when someone is abducted is genuine; she hadn't been told the other actor would be hustled away by thugs.
A game like Uncharted for example looks even better during a sequence when the player has no control.

Not exact matches

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The band gets credit, too, for their several musical interludes during the course of the show, from an original piece of music inspired by the DNA sequence for blue to the conclusion, when the audience was literally dancing in the aisles to the band's account of «We Are Family» by Sister Sledge.
When they sequenced the complete genomes of the Y. pestis DNA in those seven individuals, the team found that the bacterial genomes from the earliest samples lacked two genes that helped Y. pestis evade the immune systems of humans and fleas during the Black Death.
It can be used as a stand - alone method or it can complement DNA sequencing by reducing complexity and error when piecing together the small bits of genome analyzed during the sequencing process.»
They found the areas of the brain that process imagination became more active when participants were more patient during sequence framing.
When we hear a sequence of familiar songs, our brains show high levels of activity during the silence between tracks, indicating anticipation.
During that time she employed the sequencing technologies available at SciLifeLab as a customer, and was well aware of the center when the fellows position came up.
The sequence 777 is an angel number about spirituality, and you might encounter it during phases in life when you're focusing on or prioritizing your spirituality, learning about or incorporating new spiritual practices, or on the road of a seeker.
During the aforementioned animated sequence, Freeway is the hunted, but after a days - long stint in the woods, perhaps, he's the hunter, as well, a changed dog, belying the lack of physical wear - and - tear and noticeable trauma when Beth finds him.
The amount of tension that builds during this sequence is enough to drive anybody to the edge of their seat, but when those beads of sweat begin to slide down Hunt's glasses, the feeling that they're all going to make it out alive precipitates.
This Walt Disney Signature Collection release on Blu - ray includes a new rendition of «When You Wish Upon a Star,» rare artwork from the Pleasure Island sequence, archival recordings of Walt Disney during the film's production and a restored 1927 animated short of Oswald the Lucky Rabbit.
My favorite is Quicksilver (Evan Peters), who — just like he did in Days of Future Past during the infamous kitchen scene — absolutely steals the show when he uses his super-speed, this time to save scores of students from a blast during an absolutely incredible and hilarious sequence set to the Eurythmics» «Sweet Dreams (Are Made of This).»
However, they do make great «wallpaper» cinema: films to turn on in the background during a cocktail party to entertain your guests (especially fun when Thunderbirds are Go casts aside narrative and indulges in a prolonged dream sequence at a night club in space — call it a camp precursor to the Stargate sequence in Kubrick's 2001: A Space Odyssey).
Soderbergh inverts the typical action movie genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46, Analyze That) during the dialogue and chases, while turning the music completely off when the film gets explosive for the highly brutal moments of close - quarter, melee combat.
In Paris this week, Ben Stiller and Owen Wilson made headlines when they shot a sequence for Zoolander 2 on the catwalk during Valentino's Paris...
It's not perfect, but when it really works (Like during the central stampede sequence) it is the most moving and engaging animated feature ever produced.
During the fun conversation Bonneville joked about how Grant has changed since making Notting Hill, when they knew the sequel would be such a special film, what it was like filming the big train chase sequence in the 3rd act, and more.
I can, however, safely say that Wright's attempts to mend cinema, video games, and comic books work — it is the first film in which enemies turn into coins when defeated, health bars are displayed, and towering «thuds» invade the screen during fight sequences, and honestly, it was all awe - inspiring.
Three technical caveats accompany the «film with alternate ending and additional scene,» as it's called on the packaging: During the branched sequences, which are accessible only when viewing Identity in widescreen, the picture's stupendous Dolby Digital 5.1 mix switches to a much blander Dolby Surround recording, while James Mangold's director commentary, if selected, drops out altogether.
The movie works best during its extensive flashback sequences that explore Elise's troubled teenhood, a time when she grappled with budding sensitivities and an abusive dad.
That overt inclusion of the soundtrack extends right to the end, when a familiar melody pops up during a chase sequence: the Mission: Impossible theme.
Without a doubt however, the film's greatest achievement is during its finale, when the entire cast assembles behind Buckaroo to march heroically — a sequence recycled by Wes Anderson in his 2004 movie The Life Aquatic with Steve Zissou (which curiously also starred Jeff Goldblum...).
I say «inexplicably» when I mean only to imply that Jimmy Silk's participation isn't justified by the events at hand, but it's apparent that films like this need to have a loose cannon to create tension during the climactic caper sequence, and to provide for a younger generation of actor to receive the passed baton.
When it extends to the rear channels as in the passing motorcycles during the highway scare sequence, it is tasteful and appreciated.
In Paris this week, Ben Stiller and Owen Wilson made headlines when they shot a sequence for Zoolander 2 on the catwalk during Valentino's Paris Fashion Week show.
Innovation points come during fight choreography when an elevator is swung around like a hammer throw and we get a boing - boing - boing comedy fast punch sequence between The Hulk and Ultron.
And during the big mind - off at the end we see the film's answer to 2001's stargate sequence, as Tanner is depicted in various states of cosmic deconstruction, including a moment when the flesh melts off his skeleton.
From time to time we do get a few glimpses of colours popping off the screen, such as some lush greenery or during the subway sequence, but especially when blood starts to flow from fighting or gun shots; but overall the transfer is very reserved in terms of colours.
The blockbuster was made during the dawn of CGI, but director Roland Emmerich did not incorporate any digital trickery when filming the sequence.
She's particularly amusing when interacting with the bird perched on her shoulder during Gillespie's talking head sequences, but she makes sure you can see LaVona's monstrous side too.
Likewise, when a gang leader is brutally assaulted during an early action sequence involving The Joker, there isn't a shriek of anguish heard or a even the slightest hint of blood shown on - screen.
Sequencing became very popular during the seventies when the goal of many was to make education «teacher - proof» by taking teacher decision - making out of the process and replacing it with systems.
The only time the gameplay falters is during the few moments when Binary Domain leaves its pure cover - based shooting roots and attempts to mix things up with some different sequences, such as racing jet - skis down a river or on - rail vehicle sections.
- characters are drawn in the main screen in a super-deformed style - features a lot of fan - service - play as Eduard, an innkeeper of an inn who doesn't have a lot of customers - stumble into a cave while looking for crystals and meet a girl who has amnesia - this girl also has six sisters who unlock each other's memories as you come across them - your subordinate at the inn gets the idea to put all of the girls into maid uniforms - the girls transform into battle - appropriate clothing during the battle sequences - strategy / action - RPG hybrid - unlimited movement within a circle around the character's starting point - combo system - when attacking weaker enemies, you knock them back in a fashion that takes out others and builds up a combo - extra turn awarded if you manage to take out 10 or more enemies in one swing - enemies do respawn their weak helpers at a hit point cost to them - right side of the screen shows a time bar so you know which friend or foe will attack nex - male character you play as is more of a support role in battle - he'll provide a lot of your stat buffs - events for each of the maidens that give them a chance to level up and unlock new abilities in each battle - possible 18 quests - each of the girls has their own quirks
The only real downside to the battle system (other than a slightly easier than expected final boss) was that during some boss fights, a dialogue sequence would pop in, and when you return to the battle, the boss would be back to full health, but your characters wouldn't be recharged.
Although Combo Breakers are not present, there's The Clash - a cinematic sequence where any player with red health can tap forward and R2 while comboed (except during Supers or when struck by a universal overhead or wall bounce attack).
Regardless of that missing element, the take down sequences feel great to execute, especially when unleashing the deadly moves during some of the memorable boss battles.
Starting with one of the best opening credit sequences I have ever seen Deus Ex tells a very engaging story during the year 2027 when human augmentation has taken off and causes much controversy amongst humanity.
You can load a saved game only during the opening sequence when the king is requesting your help.
It's impossible to ignore the idea that «3D - breasts» were a huge selling - point for the game; when the students take a certain amount of damage, or are on the receiving end of a special - attack, her clothing is incrimently destroyed; at the start of each Mission, players have the option of activating «Frantic» mode - the character will shed her clothes (she fights in a bikini) and her attack - power will increase, at the cost of her defenses; during «Shinobi Transformation» sequences, players are also shown some rather gratuitous fan - service angles of their character between the change from one outfit to another...
Quickly take out the SVD sniper rifle when The End first appears during the intermission sequence in Operation Snake Eater.
The four characters have special abilities that will come in handy during specific sequences in battle, or even when your stuck and you need to take flight.
You have to be careful when attempting to extract cores in combat, as Joule can still be damaged during the extraction sequences.
All I can say is it seemed to control well enough when I did something intentional and that the general combat is NOT QTEs at all, it's just like any other beat - em - up and there are just optional QTE's during finishing moves that give you XP or something if you succeed, but if you fail nothing happens as graphically you perform the full sequence anyway.
A substantial concern for me when preparing my initial Model description was that for the sequence of events to be true the cooling of the stratosphere during the late 20th century warming period had to be natural without needing to invoke human CO2 or CFCs.
I then set followup sequences inside of my CRM which notifies me when it's time to give a cold lead a ring again.I've seen my response rate go from a 1 - 2 % to around a 4 - 7 % increase when i added cold calling.The beautiful thing is this entire process is now outsourced and it makes my business more profitable and gives me more time during the day.
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