Sentences with phrase «during filming there»

The backstory about what happened to the parents, how I was part of all that during filming there was some interpretations of that.

Not exact matches

There was a bit of singing during the filming of one video...

The fans have been divided over the protests, and there were even crowds of supporters fighting with each other after the draw with Manchester City last weekend, which is believed to have been in order to disrupt Arsenal Fan TV's attempt to interview people for their YouTube channel, whilst three people were also filmed fighting inside the stadium during half - time, whilst we were trailing 2 - 1 to Man City before coming back to draw the match.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

During all of this, Bryon was trying to set up the video camera because I had decided that there were not enough breech birth videos, and we were going to film this birth to serve as an

You can tell an author wrote the script as there's lots of monologues and both Harvey Keitel and William Hurt get to tell stories during the film.

I did think there were scenes of emotional import (I did care during Tony's re-watching his dad's old films, amanohyo) and there were a handful of funny moments that worked (Hammer's «Ex-Wife»... yeah kinda figured that would happen, but hey there's a pill for that now!).

There are a number of other confounding jump cuts, too, that reveal Snyder and writers Chris Terrio and David S. Goyer may have been tweaking the story during filming.

During the shoot, Spielberg took advantage of a couple spare hours here and there during setup to cut scenes he'd already fDuring the shoot, Spielberg took advantage of a couple spare hours here and there during setup to cut scenes he'd already fduring setup to cut scenes he'd already filmed.

Even with a rushed production schedule - during which time a number of the crew's cameras froze while filming the Christmas scenes - there is no excuse for such an appalling attitude.

There is more than a passing resemblance to the film White Mischief which dealt with corruption of the British in Africa during World War II which also is recommended.

Their developing friendship then goes on to form the heart of the film, helping to ground the movie's ample comedy with some genuinely affecting emotion here and there as tempers run high during the making of «The Room.»

A 4:06 Gag Reel is mostly just breaks that happened during filming, but there are also a few moments from scenes that didn't make it into the final film, pointing out there are deleted scenes we didn't get a chance to see.

Perhaps this reviewed is skewed since I grew up during the Cold War, but although the filming, acting, and atmosphere are spot on, there are

But there's one Science Fiction film that towers above all others of the genre, as well as all other films, and that is Stanley Kubrick's 2001: A Space Odyssey, which Warner Brothers barely released in time to actually be seen on a big screen during the relevant year.

The silliness of The Substitute escalates as the film progresses, so that by the end there have been plenty of laughs during «serious» scenes.

Extras are lifted from the previous special edition, there's a commentary by Alan Parker, and branching video during the film, with comments from Parker, and actors Maureen Teefy, Gene Anthony Ray, Lee Curreri, and Laura Dean.

There was plenty of love in the building as her co-star and producer of the film Margot Robbie could be seen tearing up during Allison's acceptance speech.

All voice and dialogue sounds clear and there are no overbearing drops in quality during the films run time.

From Killing Them Softly there's the setting of the film during Obama's election, from The Place Beyond the Pines we have the almost classical / Greek - Tragedy story and from Winter's Bone the vast, cold and oppressive emptiness of small - town America and its surrounding countryside which are filled with drugs and the twisted but more realistic vision of «The American Dream».

There's always a place for a good comedy, regardless of if it's at a film festival or in cinemas during the end of March.

Except for a delightful coda during the closing credits, where Tavernier wonders whether the Lumière brothers «directed» the passersby in their first film, there's nothing about silent cinema.

Fittingly, Van Sant's friend and protégé, Todd Haynes, will arrive amidst a frenzy of anticipation for his latest film, I'm Not There, which promises to be an unique exploration of 60s culture, inspired by the various personalities wielded by Bob Dylan during the decade.

There were several times during this film I thought, you know if this was just a mini series and this whole character's storyline had been mapped out over an hour, this final moment would have me going like the end of an episode of Lost.

While watching the bourgeoisie cavort in Bernardo Bertolucci's indulgent new «Stealing Beauty,» there's reason to recall the early, politically impassioned stage of the film maker's career, during which he might have preferred to see such characters lined up against the side of their villa and shot.

The actor started his I'm Still Here «retirement / rapper» schtick during the promotion of Two Lovers, arguably overshadowing the film, and there was talk at the time that James Gray wasn't thrilled with the turn of events.

I had the chance to chat with Tim Blake Nelson earlier this week about Anesthesia, during which he talked about how James Franco had been a huge personal influence on simply getting the film written, shot, and out there.

It seems as though every year there is a deluge of Holocaust - themed films that come out during Oscar season.

There's something wrong with a film which has more entertainment value in watching the flubs during the closing credits than in the 90 minutes of the actual story.

There are times during this film when it's plainly obvious that it was based on a videogame, with levels of action, magical tools and even a fair maiden to rescue.

Commenting on the dearth of women directors and lead characters in films released during the summer of 2008, New York Times critic Manohla Dargis opined, «Welcome to the new, post-female American cinema» («Is There a Real Woman in this Multiplex?»

Because there is more than a slight risk of over-hyping the Nicolas Winding Refn film Drive, I've resisted posting the regular green - band trailer for the film, which dropped a week or so back, because it is almost exactly the same as the red - band version that hit during Comic Con.

2015 TRIBECA FILM FESTIVAL: There's a point during Patrick Brice «s darkly comedic film «The Overnight» where the humor goes from infectiously enjoyable to awkwardly unnervFILM FESTIVAL: There's a point during Patrick Brice «s darkly comedic film «The Overnight» where the humor goes from infectiously enjoyable to awkwardly unnervfilm «The Overnight» where the humor goes from infectiously enjoyable to awkwardly unnerving.

But it isn't all good because Wonder Woman is also let down by the trappings of having to tell an origin story, and there are moments when the film feels like a box - ticking exercise in how to create a superhero origin, especially during the final act when — shock!

Dunsany Productions post-apocalyptic horror short film Out There was awarded the best short film award by «Movie days Horror Convention» in Dortmund Germany during the weekend of the 22nd of March.

Yet, surprisingly (for a film with a poster campaign full of faces during climax) there is a chapter — Jerôme — dedicated exclusively to love, an emotion that discomforts Joe.

Plus, there's usually one «out of nowhere» horror film that pops during the summer (though my money is on next month's «Don't Breathe»), so that may be this scrappy, under - the - radar film.

That Johnny Boy is comparatively peripheral in Mean Streets may suggest the uniqueness of Scorsese's film in its relationship to movies in which the alienated hood stands in a position to manipulate perspective by ensconcing himself at the metaphysical core of his cinematic universe, but Johnny Boy's gangland genealogy traces back in a psychologically straight line to Hawks» Tony Camonte, and there is little doubt that Corman, Carver, and screenwriter Browne at least had Scarface in mind during the making of Capone.

The 2.35:1, 1080p presentation definitely represents a new transfer, as the film elements look cleaner than before in addition to more vibrant, but there is something occasionally electronic about the image, with the fine, Super35 grain turning to noise during a few rogue applications of edge enhancement.

During our chat we touched on why the film is only 58 minutes long and whether there was any intention to extend it, whether Refn believes he should have won the Palme d'Or, why he switched from composer Peter Peter to working with Cliff Martinez, how they had little boosts of money that helped get the film made, why the film is just now coming out instead of closer to Only God Forgives «release, whether Refn ever wanted to stop being filmed, the commercial prospects of an hour long documentary, and much more.

However, of all four of the Harry Potter films, it is the least excessive in this regard, and as long as there appears to be an ultimate goal in mind during each scene, it actually does manage to work.

From a scholarly standpoint, there's actually much horror film theory out there (including a famous essay by Robin Wood) and I feel bad that York University never offered their horror genre studies course during the time I was a student there (I did take a David Cronenberg course though)

Plot details for MAGIC IN THE MOONLIGHT are still under wraps but the Sony Classic Pictures film, thought to be a romantic comedy (so no change there) spanning 20 years during the 1920 / 30s, has a super cast that is led by Emma Stone and Colin Firth.

There was also a strong note of melancholy going through many of the better films, with an inordinate number set during the winter months as a way of emphasising this sombre tone.

There are ELEVEN more Chicago premieres, some repeats of our weekend's best, and another program of short films for you during the week.

There are also a few questionable moments during the film when it disregards some key events in the franchise history.

Adapted from the novel by Chris Fuhrman, there's some funny dialogue and interesting insights delivered during the course of the film, and had the tone stayed within the bounds set during the opening scenes, this would have been an enjoyable slice of life film with humor and heart.

While the production does have around 1,500 visual effects, there were hundreds of live animals used during filming, including more than 100 horses for one of the battle sequences and 400 frogs for one of the plague sequences.

While some artifice creeps in during the sometimes strange dialogue and sensationalist situations, there is an underlying truth to each scene and character that anchors the film from becoming too overwrought, as many other family crisis dramas tend to suffer from.

There's also the absence of Michael Emerson, who was never photographed during filming, and perhaps is no longer in the film.