The most interesting fact about Slats is that he was the only lion that didn't actually roar
during the opening sequences — he just merely looked around without making a sound.
I also have an outstanding memory of the «mod» colors used
during the opening sequence - a part that I still enjoy seeing today.
As fans of Ryan Coogler's film will recall, we see a young T'Chaka (Atandwa Kani) in the vibranium suit
during the opening sequence of the character's recent solo movie.
The camera is virtually never still
during the opening sequences, which form a present - tense prologue placing the remainder of the film firmly in the realm of memory.
If you've played the PS3 demo of BioShock you may have noticed some graphical boo - boos in the form of blocky textures on certain Big Daddy variants and / or white bars on the bottom and right sides of the screen
during the opening sequence.
During the opening sequence of the Wii version of Mario & Sonic at the Olympic Games, Koopa Troopas can be seen as cameramen during the Archery and High Jump events, although they are not present in the playable events themselves.
You can load a saved game only
during the opening sequence when the king is requesting your help.
During the opening sequence in - game.
Not exact matches
It is a beautiful piece of verse, cunningly placed
during an action
sequence, which is to the British secret service what the Olympic
Opening Ceremony was to British self - identity.
The Senate President, Bukola Saraki, while declaring
open a public hearing on the bill seeking to establish the National Electoral Offences Commission on Monday, made reference to the controversy generated by the recent amendment to Section 25 of the Electoral Act, which seeks to re-order the
sequence of polls
during the general elections.
Some light grain seemed apparent
during a few of the
opening «Dawn Of Man»
sequences, and I witnessed a fleck of grit or two
during the rest of the movie, but that was it.
This film falls flat because they engage in sex
during the picture's
opening sequence.
It's a lot of skill and talent expended on a spat a good lawyer could probably have sorted out
during the
opening credit
sequence.
The illusion is most complete
during the beautiful
opening sequence, which captures the vitality and rare sense of adventure that rushes through Miyazaki classics like «The Castle in the Sky.»
The atmosphere, mood, and tone are hauntingly unnerving, and I've never been so filled with dread
during an
opening credits
sequence like I am with this one.
We see the destruction of Metropolis from his ground - level viewpoint in a genuinely tense and engaging
opening sequence (after the contractually obligated retelling of Bats» origins
during the credits), that does far more to convey the true horror and damage of that fight than the previous film.
With Mr. Salinas and Greenberg's consent, I offer to kickoff our visit with an immediate impression
during the start of the film that distinguishes it's score from Cartel Land's... it deftly emerges with warm, melodic cello and higher - notes vibraphone progessions from a dreamlike silence, and only registers as a lilting, tender counterpoint to the viscerally intense imagery of ISIS - occupied contemporary Raqqa, Syria in the picture's
opening sequence well after we're already emotionally all - in invested via what will certainly be a harrowing, yet inspiring cinematic experience.
The
opening sequence, in particular, completely avoids mentioning the history of its starring characters: the Harlem Hellfighters, an American battalion who were forced to enlist with the French
during WWI because they were black.
That's why you will find a «Kojima Productions» - labelled Metal Gear Solid V: Ground Zeroes poster
during the game's
opening prologue
sequence.
It can be used delicately, like Dorothy's red slippers in The Wizard of Oz to symbolise power, or more blatantly such as Jean Valjean's (Hugh Jackman) blood red slave rags
during the exhilarating
opening sequence of Les Misérables.
The pre-credits
opening sequence, set in Mexico City
during the Day of the Dead festival, is reportedly the most ambitious they've ever done, with stop - offs in Italy, Austria and Morocco.
The new film skips the long «origin»
sequence, and instead gives us a mini-movie recap
during the
opening credits.
A 2.35:1, anamorphically - enhanced widescreen video transfer, after a few line flaws on the negative
during the
opening credit
sequence, is remarkably clear and saturated with the deep greens of Argento's moody colour palette.
The film's strength lies in its engaging visuals, namely the impressive
opening sequence and the clever editing
during certain fight scenes which lends them a greater feel of urgency and excitement.
I was most surprised to hear of Danny Boyle's involvement as a second unit director
during the
opening farmhouse
sequence and of Alex Garland's participation in the screenplay.
During a well - choreographed
opening credits
sequence that favors time - hopping pans over quick cuts, writer - director David E. Talbert follows a young couple through the holiday seasons as they add four children to their family and, at some...
«Rampage» feels like a cross section of different films, it
opens like a
sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash
during the two - hour film.
The absence of true danger and, thus, suspense, proves a constant narrative obstacle, though it's nonetheless one occasionally hurdled courtesy of breakneck pacing and clean choreography that's first evident
during a slam - bang
opening chase, and regularly picks up again
during similar
sequences in which its characters race through streets, leap between apartment buildings, and sneakily infiltrate a crowded police station.
These are
during the film's
opening sequence which is filmed in Black & White.
The
opening sequence immediately immerses us in the constant danger faced
during this era.
His use of Irish - themed punkers The Dropkick Murphys
during the belated
opening title
sequence attests to his ability to remain current — even in his sixties.»
The
opening sequence also features a bit more promiscuity
during the celebrations, though no nudity.
The film is at its best in the early going,
during which the acting - technique - obsessed Arthur and Maurice attempt to con their way to free food; a wordless
opening credits
sequence harkens back to the best silent comedy, and one hilarious scene in a bakery is, as it turns out, the film's premature highlight.
Its
opening scene, a soiree celebrating Zweig's arrival in Brazil, takes place in a grand dining room with all - white furnishings offset by the vivid floral arrangement at its center; the camera stays put
during the extended
sequence, but Schrader and cinematographer Wolfgang Thaler keep our eyes moving.
This time round his alter - ego Wade Wilson finds himself on the cusp of parenthood, only to have the chance tragically wrenched away
during the film's unexpected
opening scenes (a surprise neatly reflected in the James Bond - style titles
sequence featuring credits such as: «Written By: the real villains of this film» and «Starring: someone who clearly doesn't like sharing the limelight»).
Even with two - time Academy Award - winner Christoph Waltz as the central baddie, even with an
opening sequence set
during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes place.
Perversions of Science generally peaks
during its
opening credit
sequence, an uninterrupted shot of a camera swooping in from the outside of a typical suburban home into a living room where a similarly typical family is watching television, a la The Simpsons
opening credits, an association strengthened by another Danny Elfman's theme, which, not surprisingly, sounds an awful lot like the Tales from the Crypt theme with a lot of theremin thrown in.
My wife whispered in my ear that the
opening credits was a remix of Nine Inch Nail's Closer, and we lost our minds
during the «Sloth»
sequence.
After its
opening - credit
sequence,
during which Roger Pratt's camera roams around what is eventually revealed to be a metal Bat - Signal, Burton establishes his vision of Gotham City: an unabashedly surreal environment that owes more to the dystopian sci - fi visions of Metropolis and Blade Runner than to any of the notions of noir - ish realism that underpins Nolan's films.
Cult's
opening credit
sequence, which was absent
during last season's mysterious Roanoke, showed what is presumed to be cult members donning Trump and Clinton masks amid images of bloodied American flags.
The height channels engage often, noticeable from the moment Selene drops from her lofty perch
during the film's
opening sequence.
The closest the movie comes to achieving an affecting moment with the scenario is
during the
opening credit
sequence in which two beams of light subtly form almost angelic representations of the World Trade Center.
Principally its focus is the fraught yet tender relationship between working - class father Roy (Michael Shannon) and his unusually gifted eight - year - old son Alton (Jaeden Lieberher), who set a course for an unspecified (and possibly unknown) destination
during a suspenseful, near wordless
opening sequence.
No. 223 runs into the woman
during the film's
opening chase
sequence, and then later on in a bar, where he picks her up and takes her to a hotel room, where she promptly falls asleep.
The following exercises should be performed in an enclosed area prior to any attempts in an
open area where the dog could possibly become injured
during the
sequences.
To get an alternate Naughty Dog Games logo
during the
opening splash
sequence, before you turn on you Genesis hold down A + B + C + Down - Right + Start, then turn your power on.
A moment
during the
opening train
sequence stood out to me: in one room, the camera is placed below Rebecca, The ceiling fills the frame, and with every window visible as she continue on, you wait for something to come crashing through.
Starting with one of the best
opening credit
sequences I have ever seen Deus Ex tells a very engaging story
during the year 2027 when human augmentation has taken off and causes much controversy amongst humanity.
There were a few elements
during gameplay
sequences however, that just did not quite work right such as prompts to perform a «takedown» or breaking
open a door which left me a bit annoyed at times.
It doesn't look particularly next gen on the Xbox One, however, and there's a disappointing amount of loading that takes place, both behind the scenes (lengthy sections involving
opening doors) and
during action
sequences (they'll literally stop while «loading» appears in the corner) throughout.