Polly Apfelbaum's synthetic velvet and fabric
dyed floor piece, «Bubbles», recently acquired by the Princeton Art Museum, is currently installed and on view.
Not exact matches
Among the
pieces displayed were plywood slats — angled
pieces of wood that pointed, like split arrows, up to the ceiling; tin alphabet letters that appeared to have been hurled randomly at the wall but were actually carefully arranged (recently purchased by MoMA); cloth octagons in
dyed pastels and white paper octagons glued to the wall; «string
pieces,» or drawings dancing across the
floor; and wire works.
Comprised of hundreds of individual
dyed fabric
pieces, Apfelbaum \'s installations reference modern art history — the 1950s poured works of Morris Louis and Helen Frankenthaler, and Lynda Benglis \'s latex
floor pieces.
The artist's signature fabric material, crushed 4 way stretch synthetic velvet, is used to produce the sprawling
floor arrangements, with small
pieces of the material meticulously cut into shapes around
dye spots and clusters.
Apfelbaum's earlier
floor - bound installations incorporate hundreds of
pieces of velvet, hand -
dyed in bold hues and often arranged in sprawling configurations that appear to be organically inspired or like abstract paintings that melted off the wall, forming vibrant puddles.
With awareness of how her
floor - based installations draw from classic traditions of fine art, Apfelbaum defines staining and
dyeing as an act of painting; cutting, a way of drawing in space; and assembling the cut
pieces a sculptural practice.