Sentences with phrase «dying of laughter»

The romance and plot is so sweet, but it's also downright hilarious and I no matter how many times I watch it, I find myself dying of laughter.

I'm dying of laughter right now!

I'm dying of laughter over here girlfriend — hair nets!

The next minute you may find yourself dying of laughter.

I was dying of laughter.

«they're dying of laughter or dying for a piece of cake etc.»... it's because they don't believe what they're saying.

i died of laughter at GUM, seriously!

Oh I'm dieing of laughter over here.

We stayed at Wailea Beach and basically did everything you're supposed to do when you're on a family vacation - die of laughter, eat, sleep, and laugh some more.

I let my hubby pack us for vacation and you're gonna die of laughter when you see what he packed!!

I died of laughter.

Act 2's music just made me die of laughter, and I thought the «Oh No» and the genesis - era death sound effects were the funniest sounds in this series!

Did anyone else die of laughter when they saw Wii Sports with a Game of the Year nod?

part of Assassins Creed 2, I died of laughter.

I would say the unusual foul - up made us «die of laughter»... but that seems crass.

Not exact matches

If it really were this the age needed, the theater might perhaps need a new play in which it was made a subject of laughter that a person died of love — or would it not rather be salutary for this age if such a thing were to happen among us, if the age were to witness such an occurrence, in order that for once it might acquire courage to believe in the power of spirit, courage to quench cravenly the better impulses in oneself and to quench invidiously the better impulses in others... by laughter?

As it happened, I was able to spend a couple of hours between flights with Bob Bork just ten days before he died, and I got to tell him of my gratitude for so much friendship and laughter over the past quarter - century, of my admiration for his depth, and» embarrassing him, as I knew this would» of my love for him.

Dad always thought laughter was the best medicine, which I guess is why several of us died of tuberculosis.

They were amused by my bewildered expression when they once again shouted, «Yes,» and after the laughter died down, one of them explained, «It's easy to remember.

I'm dying in fits of laughter!!

Consider websites like Love, Light, Laughter and Chocolate — One Mom's Journey where a mother shares her excruciating grief at the loss of her beautiful daughter Meghan in an effort to prevent other children from dying by pulling down heavy furniture on themselves.

Once the laughter died down — it took a long time — he shouted back: «My late mother would have said: «Stand up for the principle of a free health service».»

When the laughter dies down, he gives his real answer: «Complete knowledge of the yoga method and patience with the students.»

and a string of multi-gold and platinum selling CDs (THE DAY THE LAUGHTER DIED and FACE DOWN, ASS UP).

The MST3K approach has always bugged me on some level — a movie like The Brain That Wouldn't Die deserves a fair shake before the viewing party devolves into hysterical laughter — but I can't deny that this is a pants - wettingly funny piece of work.

While it's fun to snicker at the real - life idiocy of the conspiracy to injure Kerrigan — carried out, a tabloid journalist (Bobby Cannavale) tells us, by «two of the biggest boobs in a story populated solely by boobs» — the laughter dies, or should die, as Harding gets thrown to the floor by Gillooly, or viciously slapped by her mother.

The Judge Steps Out (Boris Ingster, 1949) Laughter in Hell (Edward L. Cahn, 1933) Afraid to Talk / Merry - Go - Round (Edward L. Cahn, 1932) Woman in Hiding (Michael Gordon, 1950) Mr. Skitch (James Cruze, 1933) Union Depot (Gentleman for a Day, Alfred E. Green, 1932) A House Divided (William Wyler, 1931) The Son - Daughter (Clarence Brown, 1932) Cover Up (Alfred E. Green, 1949) Le code a changé (Change of Plans, Danièle Thompson, 2009) Alina (Giorgio Pàstina, 1950) Parachute Jumper (Alfred E. Green, 1933) We Were Dancing (Robert Z. Leonard, 1942) Die Somme - Das Grab der Millionen (The Somme, Heinz Paul, 1930) Conrad in Quest of His Youth (William C. de Mille, 1920) Transatlantic (William K. Howard, 1931) Cry of the Hunted (Joseph H. Lewis, 1953) L'Engrenage (Louis Feuillade, 1919) No Man's Woman (Franklin Adreon, 1955) Time Table (Mark Stevens, 1956) The Lone Hand (George Sherman, 1953) The Threat (Felix E. Feist, 1949) Hotel Berlin / Vicki Baum's «Hotel Berlin» (Peter Godfrey, 1945) Confidential Agent (Herman Shumlin, 1945) Roger La Honte (Trap for the Assassin; Riccardo Freda, 1966) Pierrot Pierrette (Louis Feuillade, 1924) Getting Mary Married (Allan Dwan, 1919) The Idle Rich (William C. de Mille, 1929) Kiki (Clarence Brown, 1926) The Woman in White (Peter Godfrey, 1948) Yoru no tsuzumi (Night Drum, Imai Tadashi, 1958) She Couldn't Say No (Lloyd Bacon, 1954) Confession (Joe May, 1937) This Could Be the Night (Robert Wise, 1957) Ex-Lady (Robert Florey, 1933) Front Page Woman (Michael Curtiz, 1935) The Great Jewel Robber (Peter Godfrey, 1950) Deep Impact (Mimi Leder, 1998) Within the Law (Frank Lloyd, 1923) Prime (Ben Younger, 2005) Forged Passport (John H. Auer, 1939) So Young So Bad (Bernard Vorhaus & Edgar G. Ulmer, 1950) The Forbidden City (Sidney A. Franklin, 1918)

This theatrical bent to the dialogue (to the point that it feels like Bailey, for example, frequently pauses to allow the laughter of an imagined audience to die down) is merciless, and so clearly en - un-ci-at-ed that it's a little like being trapped in an ongoing elocution lesson.

And it's for that laughter he is now best remembered.The much - beloved actor died in his sleep with his wife Barbaree at his side, this past Sunday at the age of 84 in a Florida hospital due to complications from pneumonia.

Jumping off of a building isn't funny, but drop a reference to the fact that it's the way that Hans Gruber in Die Hard would have done it, and you'll have fits of laughter!

In essence The House of Meetings is an extension, in novel form, of Amis's 2002 nonfiction work Koba the Dread: Laughter and the Twenty Million, a reference to Stalin and the estimated 20 million who died under the Bolshevik regime between 1917 and 1933.

In an homage to O'Hara and his poetry, Mitchell's painting borrows its title from his poem of the same name, which begins: «We shall have everything we want and there'll be no more dying / on the pretty plains or in the supper clubs / for our symbol we'll acknowledge vulgar materialistic laughter / over an insatiable sexual appetite / and the streets will be filled with racing forms /...»

I've felt the high of 80 people in uproarious laughter, and also seen my material crash and burn to stonewall silence — in comedians» parlance, I «died on my arse» — but guess what, Glenn, you're straight back onstage to do another five minutes after the break... that's when I'd really feel the fear, quaking in a toilet cubicle, wishing there was someone else to do it for me...

Roaring with laughter she says «it is one of my rules in life never to be photographed without a cigarette» and without any sense of irony goes on to say «we smokers are a dying breed, an endangered species.»

In 1919, when the playful Dadaist drew a mustache and goatee on a postcard of the Mona Lisa and named it L.H.O.O.Q., he opened a giant can of double - edged laughter that clearly has yet to die down.

Oh no, the laughter has not died, it has merely universalized and turned into that sort of sadness one gets from perspectives that last more than minutes or months.