Sentences with phrase «dynamic characters rather»

I became an artist in an organic and affirming way, through communication with living and dynamic characters rather than the leftover creations of distant personalities.

Not exact matches

Thomists have not always drawn from this utterly dynamic character of being the conclusion that it is to be found in processes rather than static objects.

If the Bible is an ancient dialogue around the gradually growing picture of the character of God, fully revealed only in Jesus, it is also a dynamic conversation which, rather than ending with the finalisation of the canon of the Bible, continues beyond it and involves all of those who give themselves to Christ's ongoing redemptive movement.

Process philosophers complain that the dominant philosophical models used in Christian theology employ static metaphysical categories like «being,» «substance» and «attribute» rather than a more dynamic conceptual structure that captures the dynamic character of the Bible's revelation of God.

This is no mere confusion; 2 rather, it vividly conveys Locke's belief in the dynamic character of the universe.

Certainly he intended to convey that the character of A, which was decisive in specifying the nature of its interactions with B, was a dynamic character which had some affinity with an intention or an objective, or instruction, rather than a mere static characteristic, such as a chemical composition is usually considered to be.

Suffice it to say that the conceptuality which I accept — and accept because it seems to do justice to deep analysis of human experience and observation, as well as to the knowledge we now have of the way «things go» in the world — lays stress on the dynamic «event» character of that world; on the inter-relationships which exist in what is a societal universe, on the inadequacy of «substance» thinking to describe such a universe of «becoming» and «belonging», on the place of decisions in freedom by the creatures with the consequences which such decisions bring about, and on the central importance of persuasion rather than coercive force as a clue to the «going» of things in that universe.

To go along with this awesome variety of modes, there is a rather satisfying character growth dynamic as well.

Rather than focusing on bullets traded and blows landed with shaky, «immediate» handheld photography, director Gore Verbinski relies on the pleasures of unexpected motion occurring within a static frame: a character falling off a train to land on an unseen horse, or our dynamic duo finding themselves swinging in circles after the chains on their hands get caught on an overhead cable, or, most famously, Tonto bridging up on a ladder in the «middle» of a fight between the Ranger and William Fichtner's Butch Kavendish.

It eschews the rather raucous thrills of a Ford Focus ST and the firm - riding solidarity of a VW Golf GTI for a well - damped, slightly softer dynamic character that really encourages you to maintain speed, as it can be hustled along without fuss.

The steering is meaty but languid and the Velar's natural character is to waft rather than thrill — this is despite it being supposedly the most dynamic Range Rover model ever.

In this deeply strange Gamecube spinoff, Square changed that dynamic to an interaction between four cooperating players rather than characters in a party.

In turn, the choices you make are shape Ryder into a dynamic character, rather than filling up an arbitrary experience bar.