However, as Hammersley's
dynamic composition Up Within (1957 - 58) demonstrates, this disciplined, «classical» approach could at times match the exuberance and individuality of abstract expressionism.
Not exact matches
Made
up of a
dynamic mix of omega - 3s, -6 s and -9 s, emu oil contains significant amounts of oleic acid (42 %), as well as conjugated linoleic (or CLA) and palmaitic acids (about 21 % each in
composition).
Iva Gueorguieva adapts the visual language of modern abstraction to create tumultuous, energetic spaces on canvas; her process of building
up paintings by layering torn cloth with pigment and color washes produces spontaneous,
dynamic compositions rooted in personal stories.
After juxtaposing images blown
up from auction catalogues and printed in black and white on large format paper, Reed applies colorful formal shapes to the
composition creating a dialogue that is
dynamic as well as poetic.
Tracing the archaeology of the paintings in the sculptural formations that accrue on their edges creates a
dynamic contrast between the illusionistic interior spaces opened
up within the
compositions and the frank materiality of the gesso boards as objects hanging on the wall.
[50] Over the course of her career they increasingly showed a lighter tone [54] and what one critic referred to as «stepped
up color,
dynamic line, bolder
composition.»
[63][note 18] Commenting on her fourth solo exhibition at the A.C.A. Galleries in 1947, Howard Devree said she had produced some of her best work to date [54] and a critic for the Brooklyn Eagle noted her use of stepped
up color,
dynamic line, and bolder
composition and said she «delights in painting impressions of life as she sees it around her.»