Sentences with phrase «dynamic gallery installations»

British artist Isaac Julien is known for his arresting films and dynamic gallery installations.

Not exact matches

The gallery will host a dynamic installation curated by Astoria resident, Jessica Schleif, entitled, «Reclaiming the Green World» from April 4 through 28.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

In the 18th Street Pasillos Gallery, a dynamic collaboration of artists and skaters join forces to debut a group installation of their original psychedelic and picturesque skate deck art works.

In this site - specific installation, renowned interdisciplinary artist Olafur Eliasson uses projected light and the existing architecture of the Theater Gallery to create a dynamic shadow play.

As part of 18th Street Arts Center's Artist Labs program, and developed on - site in our Main Gallery, Los Angeles - based artist, musician and DJ Eamon Ore - Giron presents a dynamic installation of new work incorporating sculpture, video, painting, music and live performances from September 24 until December 14, 2012.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

(23.7 cm) diameter Courtesy the artist and bitforms gallery, New York Amor Muñoz Mexican, born 1979 Rhythmic Manufacture, 2015/2017 Watercolor on paper, metronome, table, coverall, clock, and HD video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47 min.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Artists are encouraged to use the space — which is open to the public — in a dynamic capacity, collaborating with other artists, using the gallery as a studio, developing on - going programs and events, creating installations, or modifying their exhibition layout over the course of their 3 - month residency.

In addition to the installation, we will present a carefully curated, dynamic selection of works including a stunning new series of paintings by Terence Koh - ART HK 12 is one of the premiere occasions that the gallery has exhibited work by the ground - breaking contemporary artist - as well as a rarely seen editioned work documenting a seminal early performance piece by Tehching Hsieh and an important early work by Joseph Kosuth.

The small scale exhibition features a dynamic installation of Rita Ackermann, Aaron Bobrow, Richard Prince, and Michael St. John, on view until August 12 at the Andrea Rosen Gallery, 525 West 24 Street, New York.

For a period of a month, it features the multi-media works of our 4th - year Sculpture / Installation Thesis students in professional gallery contexts, located in the dynamic Queen Street West area.

This exhibition, the seventh installation of the Portrait Gallery's dynamic «Portraiture Now» series, will explore the work of Mequitta Ahuja, Mary Borgman, Adam Chapman, Ben Durham, Till Freiwald and Rob Matthews.

The installation A Room Listening to Itself makes audible just such a dynamic, as microphones and second - hand speaker cones suspended in the gallery space trace an aural portrait of the room around them.

With ideas leading the way, he removes the restriction of artistic boundaries, moving freely between the disciplines of oil painting, stencil and spray, installation and sculpture; producing dynamic compositions both inside and outside of the gallery space.

Each April, Capture features dynamic, high - profile exhibitions from Vancouver's leading public and commercial galleries, public installations, and a series of community - based photo workshops, tours, artist talks, films, and panel discussions.

Coney Island Is Still Dreamland (To a Seagull), a site - specific installation by artist Stephen Powers, will transform the Brooklyn Museum's Iris and B. Gerald Cantor Gallery into a dynamic environment filled with paintings and signs that are created in the visual vernacular of the iconic seaside community.

Staged within its usual 10,000 - square - metre structure on the Harbourfront, the strong gallery line - up at this year's fair was complimented by a dynamic week - long programme that included interactive installations, experimental film and performance, and an engaging series of workshops and lectures organised in conjuction with Asia Society.

Within the context of Samuel Roy - Bois» current installation, Not a new world, just an old trick at SFU Gallery until December 14, this panel will unpack the dynamic between built environments and the fictional narratives suggested by architecture and art.